Sentences with phrase «viewers focus on the art»

His idea is that viewers focus on the art itself, leaving no room for wondering what the subject is really like.

Not exact matches

As the film focuses heavily on establishing itself as almost a piece of art, there are a few methods of filming that may strike the viewer as strange.

To help encourage people in an already exceptionally crowded city adopt one of those 30 million dogs the creative team of photographer Amol Jadhav and art director / retoucher Pranav Bhide borrowed from Rubin's vase, a famous black and white drawing that either looks like two faces or a vase depending on if the viewer focuses on the black or white areas.

Villar Rojas's installation at the Serpentine Sackler therefore provides the perfect chronological extension to Merz's conception of the non-heroic in art by prioritising the site and the viewer, while still making reference to two of the older artist's key concerns: the figuration - abstraction binary and the focus on «raw» materials.

In her sculptures and performances, Ettun focuses on ritualistic aspects of art, and in the way her work can address the viewer's psychological space in its relation to trauma as manifested in post-traumatic stress disorder and obsessive - compulsive disorder.

It tends to focus on the sculptural object, whereas the wall photos show an art that engages the viewer well beyond structure.

Oiticica was always focused on making «un-art,» working outside of the constraints of the Canon and finding new ways for the viewer, or «participator,» to interact with art.

The conference focuses on how viewers interact with a work of art on a sensory or bodily level.

Materials & Meanings, the inaugural exhibition of eight works of art selected from the Museum's encyclopedic collection, focused on the materials from which a work of art is made and on the meanings associated with those materials to both the artist and the viewer.

Welcome to the limelight, curated by Natalie Woyzbun, includes works by Jessica Craig - Martin, Instant Coffee, Christian Jankowski, David Kramer, Liisa Lounila, and Tony Matelli that invite the viewer into spaces of entertainment and leisure; You don't live here anymore, curated by Montserrat Albores Gleason, features works in which ideas of dwelling and building transform the site of art and its methods of construction; Uninvited (working with restrictions), curated by Kerryn Greenberg, considers how success can be realized in failure, and freedom found through restriction, in the performances of Steven Cohen and his partner, Elu; and In Other Words, curated by Mariangela Méndez Prencke, focuses on bilingual works that use collage and other visual devices to translate themselves into a foreign context.

The first exhibition in China to focus on the experimental, mechanically produced areas of Warhol's practice, Andy Warhol: Contact features photographs, installations, and films that broke the boundaries of contemporary art when they were first made, and still compel viewers today with their extraordinary immediacy.

As such, she focuses on the «face time» each viewer spends with the art, hoping to create a uniquely interactive moment from the first glance.

His goal is to make his viewers focus on the process of his art making rather than the mere aesthetics.

With a focus on art as a device to re-experience, he creates work that simultaneously utilizes and disrupts the viewers» expectations of the familiar.

Her focus is on the natural world using soft pastel and other mediums to create a dialogue between the art and the viewer.

For the most part of his career, especially during the timeframe the upcoming show at Simon Lee Gallery will be focusing on, Luciano Fabro was mainly concerned with the environment of both the art and the viewer.

Presenting the works of Nils Alix - Tabeling, Aline Bouvy, Jude Crilly, Emeline Depas, Nicolas Deshayes, Justin Fitzpatrick, Anna Hulakova, Motoko Ishibashi, Rebecca Jagoe and Birgit Jürgensen, this exhibition focuses on blood rituals and, more specifically, on fluids be they bodily or ideological, on the ways they embody themselves, on how they take possession of space, on the transfusion that occurs between the space, the art work, the viewer.

Her second iteration of her interactive show Untitled: What You See or What Do You See during Art Basel Week in Miami during Spectrum Miami, focused on the relationship between art and the viewer's perspective, specifically challenging the traditional experience between viewer and artiArt Basel Week in Miami during Spectrum Miami, focused on the relationship between art and the viewer's perspective, specifically challenging the traditional experience between viewer and artiart and the viewer's perspective, specifically challenging the traditional experience between viewer and artist.

Her recent art projects focus on art that emphasizes the participation of the viewer.

Jeppe Hein's interactive art works encourage viewers to enter into their own inner dialogues, focusing attention on the awareness of one's own body and mind.

The only series on television in the United States to focus exclusively on contemporary visual art and artists, Art in the Twenty - First Century is a Peabody Award - winning, biennial program that allows viewers to observe artists at work, watch as they transform inspiration into art, and hear how they struggle with both the physical and visual challenges of achieving their visioart and artists, Art in the Twenty - First Century is a Peabody Award - winning, biennial program that allows viewers to observe artists at work, watch as they transform inspiration into art, and hear how they struggle with both the physical and visual challenges of achieving their visioArt in the Twenty - First Century is a Peabody Award - winning, biennial program that allows viewers to observe artists at work, watch as they transform inspiration into art, and hear how they struggle with both the physical and visual challenges of achieving their visioart, and hear how they struggle with both the physical and visual challenges of achieving their visions.

With her highly acclaimed series Two Planets (2008) and Village and Elsewhere (2011)-- shown as part of her first New York solo exhibition in New York (Tyler Rollins Fine Art, 2012)-- Araya focused on art itself and the way the viewer interacts with a work of art, placing framed reproductions of iconic Western paintings in rural villages, markets, and Buddhist temples in Thailand, where she helmed groups of farmers discussing the artworArt, 2012)-- Araya focused on art itself and the way the viewer interacts with a work of art, placing framed reproductions of iconic Western paintings in rural villages, markets, and Buddhist temples in Thailand, where she helmed groups of farmers discussing the artworart itself and the way the viewer interacts with a work of art, placing framed reproductions of iconic Western paintings in rural villages, markets, and Buddhist temples in Thailand, where she helmed groups of farmers discussing the artworart, placing framed reproductions of iconic Western paintings in rural villages, markets, and Buddhist temples in Thailand, where she helmed groups of farmers discussing the artworks.

This focused exhibition, on view through January 2, 2011, provides a unique opportunity for the visitor to experience how these dynamic works of art play against one another, along with showcasing the distinct interaction between sculpture and viewer.

In 1990, Rosalind Krauss published her seminal essay on museums of contemporary art, arguing that the increased scale of museum architecture led the viewer's attention to focus on a sublime experience of space itself, rather than to the works of art displayed within it.

Poet and art critic John Yau wrote that Steir's work «tends to focus on time passing, its entropic power,» transmitting to the viewer, the deep physicality of time.

«so beautiful» will take the viewer on a journey from 1940 up to today to discover exceptional works of art photography that focus on the beauty of women.

The exhibition focuses on Tuttle's profound influence on art in and beyond New York, showcasing his humble usage of commonplace materials such as fabric, wood, Styrofoam, and rope used to effect the viewer's perception by reflecting the fragility of the world.

Embodying Manual Digital's focus on interlocking geometries and the existing tension between the artists» hand and technological precision, these artists cleverly upend viewer's expectations on the type of art influenced by modern technology.

Exploring how arresting aesthetics and intense subject matter can spur the viewer into a transcendent encounter with a work of art, the exhibition focuses on 16 artists, including Louise Bourgeois, Sonya Clark, Petah Coyne, Lalla Essaydi, Maria Marshall, Alison Saar, Beverly Semmes, Joana Vasconcelos and Bettina von Zwehl.

Although it may first appear to have little in common with Rauschenberg's work at the time, Flag shares that same focus on cultural fragments, putting reality back into art and thrusting the relationship between viewer and artwork into the limelight.

This exhibition focuses on works of art that position the viewer as an interloper in the gallery.

The only series on television in the U.S. to focus exclusively on contemporary visual art and artists, Art in the Twenty - First Century is a Peabody Award - winning biennial program that allows viewers to observe the artists at work, watch as they transform inspiration into art, and hear how they struggle with both the physical and visual challenges of achieving their visioart and artists, Art in the Twenty - First Century is a Peabody Award - winning biennial program that allows viewers to observe the artists at work, watch as they transform inspiration into art, and hear how they struggle with both the physical and visual challenges of achieving their visioArt in the Twenty - First Century is a Peabody Award - winning biennial program that allows viewers to observe the artists at work, watch as they transform inspiration into art, and hear how they struggle with both the physical and visual challenges of achieving their visioart, and hear how they struggle with both the physical and visual challenges of achieving their visions.

Sometimes regarded as L.A.'s unique contribution to contemporary art in the»60s and»70s, Light & Space art focuses on the viewer's bodily consciousness of perception.

The exhibition overturns the traditional model of the anniversary exhibition, however, by focusing on the relationship between artist and viewer through a series of thematic exhibitions that explore the potential of art to alter our perceptions.

8 The artist as artist, as Irwin understood him, was firmly focused on the phenomenal interface between the viewer and the work of art, a stance that was confirmed by his experience of Reinhardt's canvases and that ultimately led him far beyond painting to art in public places.

Although his work s focuses on the potential for language to serve as an art form, the subjects of his epigrammatic statements are often directly related to the physical arrangement of the letters on the wall or to the viewers experience of reading these statements.

By making the viewer focus on the raw nature of the exhibition process, these photographs defuse the aura that surrounds the rarefied atmosphere of formal display, making us understand that art and the circumstances of its presentation are not mutually exclusive.

As Anderson states «After dealing with the complexities of representing the barbershop itself, the last three paintings focus on the client and the viewer's relationship to him» («Hurvin Anderson in conversation with Thelma Golden», Art Now: Hurvin Anderson.

Inspired by the Conceptual art of Marcel Duchamp and the experimental music of John Cage, he began to imagine a more modest, slyly provocative kind of art that would focus attention on the perceptual and cognitive experience of the viewer.