Sentences with phrase «viewers interested for»
The visuals might be strong but they aren't enough to keep viewers interested for a sluggish two hour and three minute running time.
http://www.johnhanlonreviews.com/ Not exact matches
Things as bizarre as «BoJack» or melancholy as «Derek» would never sustain a broad enough audience for network TV, but they work online where all interested viewers can find the content on their own time.
This year's Super Bowl drew 7.5 million viewers on China's popular messaging platform Sina Weibo, where the NFL streamed the game for free, so there certainly is some interest in the sport.
The People vs. O.J. Simpson: American Crime Story debuted last week to record ratings for its network, FX, while a documentary that also focuses on the 1995 O.J. Simpson murder trial airs on ESPN this summer, proving that two decades is not long enough to drain the interest of American viewers in the so - called «trial of the century.»
Look for smaller, startup brands that make quality products that your fans and viewers would be interested in.
Readers and viewers value storytelling for its power to let them identify with the common elements of humanity in characters very different from themselves; if they can't identify, they lose interest fast.
It has been noted already that religious television viewing increases significantly with age and that older viewers demonstrate an increased interest in serious content on television, especially news and public - affairs programming, as compensation for losses of more social sources of information and engagement.
We'd love to share the culture and flavor of Fogo's Brazilian - inspired recipes and gaucho chef secrets that will interest your viewers / readers just in time for the Thanksgiving season.
It doesn't seem as though Kewell is going to win again based on the comments below from Crawley supporters and other interested viewers, with many calling for him to go...
I wish Jamie had left interested viewers with some concrete first steps — perhaps a link to his website for a shopping list and two weeks of easy starter recipes?
Ensemble displays are promising for high - level decisions such as regions to evacuate, but the researchers found that novice viewers» judgments are biased when their point of interest overlaps with a line in the ensemble.
This website is a hub for myself as a practitioner, my patients, and online viewers who are interested in alternative medicine.
Next, if you are looking for tips to write a good profile that interests viewers on Free Dating Sites without trying to attract unwanted attention, log on to http://www.online-dating-service-sg.com/Tips-For-Successful-Dating.php.
Viewers can be attracted by interesting and informational articles, by the number of profiles, by the variety of profiles and by many other factors, including ease of use for the site.
It's a slightly trite bit of viewer hand - holding, as are most of the recollections that punctuate Louie's harrowing wartime horrors, but it sets the tone for a film less interested in blame than in illuminating commonalities.
Billingsley (Couples Retreat) has a remarkable disregard for anything that might hold viewer interest, though he and Vaughn (who also produced) have managed to put together a heck of an ensemble for something that's basically a low - tier Nicolas Cage cheapie, minus Nicolas Cage.
It's immediately clear that Berg's penchant for incoherent, relentlessly shaky camerawork is in full effect here, with the filmmaker's aggressively unpleasant visual sensibilities holding the viewer at arms length right from the get - go - although, unlike most of Berg's previous endeavors, Patriots Day at least benefits from an interesting storyline that generally compensates for its inept cinematography.
While it's not a perfect film by any means — a lack of catchy musical numbers and a questionable shift of focus in the film's latter half knock Megamind down a few pegs — the lively cast and interesting flip on the superhero concept make it a fun time at the movies for viewers of all ages.
One of the Cates even wonders whether it is the intention of the artist to bore the viewer — and responses to that question may vary depending on one's tolerance for theoretical discussions of art and / or one's interest in the chameleonic qualities of the project's star.
It's fairly tedious stuff that's compounded by a lack of narrative momentum and an almost aggressively deliberate pace, with, in terms of the latter, the movie's slowness ultimately preventing the viewer from working up any interest in (or enthusiasm for) the protagonist's feel - good antics.
It's clear immediately that Foley has his work cut out for him in terms of capturing the viewer's interest, as Perfect Stranger suffers from a disastrously unconvincing opening half hour that's reflected in everything from the forced - sounding dialogue to the over-the-top performances to the laughable portrayal of Rowena's online chat sessions.
There's not enough of a political or moral statement for it to be interesting to critical viewers and not enough blood and guts to satisfy the gore - hounds.
Alas, the ineffective introduction of characters combined with a general lack of visceral energy drag down the show long enough for viewers to lose interest.
The characters are not at all interesting in order for me as the viewer to follow along with the story.
The abundant tropes remind the viewer of those featured in vehicles favored by the likes of Steve McQueen, Charles Bronson, and James Coburn, men's men who made movies for men that weren't even likely to interest boys with a taste for action, as the work of the next generation of action stars (Stallone, Schwarzenegger, and Norris» other slightly younger Expendables cast mates) would.
Peppered with a near - constant barrage of footnotes on the lower third of the frame identifying whatever varietal of crop viewers happen to be observing at a given moment, the film is insistent in its efforts to stoke interest in gardening and pruning, yet it stops short of bridging the gap for those less inherently spellbound by soil, roots, and branches.
Park also understands the importance of giving the viewer rooting interest and provides it for us — you can't help but love these characters.
Sorry, Mr Hooper, 3 musical solos back to back all shot as if the viewer is standing 10 inches in front of the performer does not make for interesting cinema.
Jarecki's inability to transform the two central characters into figures worth rooting for and caring about proves disastrous, and there's consequently never a point at which the viewer is able to work up even an ounce of interest in their ongoing exploits.
There is, as such, little doubt that one's interest in V.I. Warshawski is almost entirely dependent on one's tolerance for Turner's work, as the film is otherwise devoid of elements designed to capture and sustain the viewer's ongoing attention.
Despite its myriad of exceedingly generic qualities, I Know What You Did Last Summer generally manages to sustain the viewer's interest for the duration of its well - paced running time - with director Jim Gillespie's stylish visuals and the uniformly charismatic performances initially compensating for the storyline's almost pervasively familiar nature.
It's certainly not difficult to see why All Good Things has been languishing on the shelf for a couple of years, as the movie primarily comes off as a tedious, thoroughly pointless piece of work that boasts few attributes designed to capture the viewer's interest.
Shyamalan remains unable to wholeheartedly capture the viewer's interest for the duration of the movie's slightly overlong running time.
For viewers who really loved the film, there's certainly a lot of interesting material here, but it's a bit much if you just thought the film was mildly entertaining.
For viewers who are interested in learning more about pirates in general, the «Below Deck» section offers some solid material, though in a rather annoying user interface.
I agree, such films aren't for all audience; looks interesting to a particular section of viewers.
Amidst those early signs of viewer interest (Blade), franchise launches (X-Men), moments of director / source material synergy (Raimi's Spider - Man) and 18 or so MCU films, Deadpool is recognizable as a triumph of perseverance and (baby) hand - in - glove casting, as well as proof that R - rated superheroing is viable at the box office (which in turn smoothed the way for more serious takes like Logan).
The characters in these films are implicitly driven to madness for being rich or attractive, and so viewers are invited to congratulate themselves to a certain extent for watching tony art projects that both glorify and vilify sexual and material interests.
It's a familiar premise (that for some reason reminds me of the film Radio Flyer) but it's done well enough to keep the viewer interested and entertained thanks to a star making performance by Tye Sheridan as Ellis.
It has a premise and format that hooks the viewer through the presentation of interesting Hollywood memorabilia, while tapping into the curiosity factor of wanting to know not only how much they are worth but what others are ultimately willing to pay for them.
With dated special effects, Flight of the Navigator is probably only of interest for nostalgia buffs looking to recapture a childhood memory, although it might still hold the interest of today's youngest viewers..
It requires conscious adjustment on the part of the viewer, because Wiseman is interested in conversations, not soundbites; when he puts you in a room, you know you're going to be there for a while.
For American viewers, «Denial» is a mini-tour of the British legal system, and it's surprisingly interesting.
Any viewer of Crusoe, particularly one discovering the film for the first time, would have a tough time putting themselves in Robin's shoes or taking interest in his development, which is minimal.
Erik's position is extreme, but his point of view provides an interesting point of tension for viewers.
A film that'll be a lot more interesting from an auteur perspective if Franklin ever gets his career back on track, Out of Time is inoffensive now for the casual viewer and tantalizing for the student.
Still, given that sequels generally do drop off in quality, the goods are still delivered for those that enjoyed the first film, enough to make this interesting and exciting enough for most viewers looking to see more of the Rocky Balboa saga.
Handheld and unstructured, for all intents and purposes, the hour - long X-Men: Production Scrapbook is an endurance test from which the patient viewer cherry - picks items of interest, such as the occasionally prickly Singer thinking through the design of Xavier's wheelchair.
It's a movie that is film school bad on a technical level; it's a poor showcase for stars like Chris Hemsworth (Thor, The Avengers) and Viola Davis (How to Get Away With Murder); worst of all, it never even comes close to making its tech - heavy subject matter interesting or even comprehensible to most viewers.
The Broadcast Television Journalists Association (BTJA) has been formed as a collective voice to represent the professional interests of those who regularly cover television for TV viewers, radio listeners and online audiences.