Sentences with phrase «viewers of all ages with»

Not exact matches

Most people know Barbara from watching her on ABC's Shark Tank, which has become a smashing hit with millions of viewers of all ages tuning in each Friday night.

The alacrity with which viewers zip through commercials when watching TV stored on their DVRs suggests that an awful lot of people believe ads are unnecessary intrusions that should have been left behind in the analog age.

It has been noted already that religious television viewing increases significantly with age and that older viewers demonstrate an increased interest in serious content on television, especially news and public - affairs programming, as compensation for losses of more social sources of information and engagement.

Engardio helps viewers to get past the joke by following the stories of two men: one an aged survivor of the Holocaust and one a 20 - something with a rare disease.

USA noted that «Chrisley» ranks as the cabler's youngest - skewing original series at present with a median viewer age of 36.5.

So after nine years following the trials and tribulations of Ted Mosby's love life, and a very well structured introduction to Tracy McConnell, which helped us as viewers to fall in love with her too, and understand why this woman eclipsed all the others we'd encountered with Ted through the years, it was a genuine disappointment, to see him age 50 + standing outside Robin Scherbatsky's window once again.

Critics Consensus: It's sentimental, and some viewers may feel manipulated by the melodramatic final act, but The Man in the Moon offers a finely drawn coming - of - age story with an excellent cast — including Reese Witherspoon in her film debut.

Critic Consensus: It's sentimental, and some viewers may feel manipulated by the melodramatic final act, but The Man in the Moon offers a finely drawn coming - of - age story with an excellent cast — including Reese Witherspoon in her film debut.

But without it, Mystery Girls might be just another ABC Family - com for viewers who have aged out of Disney Channel and silly situations with sentimental topping for studio audience uproar.

The perfect holiday gift for romantic comedy fans of all ages, Home Again on Blu - rayTM, DVD and Digital features a bonus commentary with the director and the producer of the film, taking viewers even deeper into the heartfelt story.

While the movie is not an outstanding piece of cinema, the talented cast have fun with the silly transformation plot and ensure quite a good time for viewers of most ages, in the tradition of the Disney films of its era.

Digitally remastered for optimal picture and sound, this astounding story is sure to thrill viewers of all ages again with its timeless message of trust, courage, and the overwhelming power of friendship.

Although the gore quotient may not be quite as high as some have suggested (though most viewers may want to skip the concession stand), this film otherwise not only lives up to all the advanced hype but exceeds it with a bold and startling original coming - of - age story that combines jet - black (and oftentimes deep red) comedy.

Those viewers hoping to do so will be disappointed by the unfailingly earnest Age Of Adaline, which seeks to reward viewers who buy into its ludicrous premise with a frequently beautiful, occasionally stirring cinematic trinket.

The film brings viewers into the then - present day with Fanny singing about «20th Century blues», Jane not feeling the Jazz age, and Aunt Margaret (Irene Browne) wowing her relatives with talk of flying in and out of Paris.

Altogether, Blockers is a raunch comedy for a new age, with plenty of hilarity and emotion to win over viewers of all ages (or, at least, all ages able to catch the R - rated comedy).

Viewers under the age of 12 will still yelp with glee.

ABOUT NICK HARTEL A fan of the big screen from the age of four, Nick Hartel has always had a fascination with how film works and how film work on viewers.

With a pure heart and a hefty helping of ingenuity, the young boy tackles the evil forces that threaten his home and takes viewers along for a rollicking retelling of the age - old tale of King Arthur.

The Miracle Season delivers an entertaining experience to viewers of all ages, along with powerful messages of hope and determination.

Breaking out of the stylistic confines of his last couple of films, Scorsese hit the ground running with a go - for - broke epic that ran for three breathlessly - paced hours, was horrifying and hilarious in equal measure (an extended sequence involving some old quaaludes, luncheon meat, a looming legal catastrophe and an old «Popeye» cartoon was a set - piece for the ages), was jam - packed with great performances across the board and which offered viewers the pleasure of seeing a top director working at the peak of his powers.

«The Wolf of Wall Street» If the mark of a truly significant artist is their ability to continually provoke and outrage viewers in their later years instead of falling into a complacent rut, then Scorsese once again proved himself to be a provocateur for the ages with this jaw - dropping, eye - popping depiction of the true story of a crafty little weasel (Leonardo Di Caprio in what now stands as the performance of his career) who created a billion dollar empire out of selling crappy penny stocks and subsequently rode it into the ground in a blaze of greed, hubris and more cocaine than «Scarface» and «Boogie Nights» combined.

MONDELLO: The plot's not going to tax anyone over the age of 12, but Spielberg crams the screen with visuals eye - popping enough to make viewers not care - grimy and dystopian for the real world, bright and cyber-sparkly for an OASIS that's just unreal enough to ring a little hollow.

In this age of revivals, with «Fuller House,» «Will & Grace» and «Twin Peaks: The Return» coming back to finish business some viewers might not have considered unfinished, no series cries more for a second swing than «Roseanne,» returning to ABC after 21 years.

Although, plenty of what the viewer sees feels familiar to Harry Potter fans — photos in newspapers which are constantly moving — the New York period setting, filled with dingy alleyways and glamorous Jazz Age speakeasys, is consistently exciting to explore.

Pairing the two superhero shows together might be the network's attempt to bring some of Legends viewers to an aging series, but the decision to lead with Arrow at 8 p.m. complicates that.

Now, almost 60 years later — and despite an occasional reliance on matte shots that, depending on whom you ask, either a) remind viewers of the film's age or b) lend it a certain nostalgic charm — it all still stands up as a highly entertaining and wonderfully suspenseful example of a filmmaker taking obvious pleasure in toying with his audience.

And they're creating an interdisciplinary curriculum to provide students of all ages with the skills necessary to move from being passive consumers of media to critical listeners, viewers, readers, and producers of all types of media.

The eclectic list of titles below includes some of my favorite examples of how poetry can interact with artwork in surprising, beautiful ways, creating a unique experience for readers and viewers of all ages, including grown - ups.

The quality and broad appeal surprised many viewers, and the video games were also quite enjoyable and high quality and popular with gamers of all ages.

With this shift in vantage points, the viewer might consider our recent history as an archaeology of all the «stuff» that will cease to exist in the digital age.

Death is a subject of art for the ages, but this work brings with it such delicacy of feeling — as the viewer becomes seduced by the anthropomorphism — counterbalanced by the shocking ending, that one does not begrudge the return to such a theme.

Marian Goodman Gallery had queues of people lining up to see a performance art of when an anime girl questions and interacts with viewers about the real feelings of an art object in the age of technology and commodity.

They confront the viewer with the scars of their violent birth, victims of the modern age.

In viewing one of Moseholm's works, whether it be a large monochromatic painting of an image reminiscent of Hitchcock's «The Trouble with Harry» or the reflection of a woman's face floating over a polychromatic, nocturnal megalopolis as in the «Rosebud ll,» the viewer has the feeling of being directly exposed to a fundamental understanding of the logic in the media age.

These allusions, together with his descriptions of Roden Crater as a site created to connect viewers with the movements of planets, stars, and distant galaxies, have heightened critics» suspicions about Turrell's sympathies with New Age cultures such as those famously headquartered in Sedona, Arizona, not far from Roden Crater.

In fact, with their opulence and rich details, her works harken back even further to the excesses of Golden Age Dutch still - life painting... In delineating her still - life objects, Fish draws with the paint in such a direct way the viewer practically feels the artist transcribing what is in front of her; we experience the decisions as to how she organizes her compositions.»

With seven galleries, there is always a choice of exhibitions to offer a rich selection of visual food for thought and pleasure for viewers of all ages.

Over the stairwell is a work that combines the familiar gold - leafed cardboard boxes with numerous suspended metal implements: various rusted tools for which the agricultural purpose is long forgotten sit alongside objects that even the most metropolitan of 21st century viewers can identify as the savage animal traps of a less enlightened age.

Each image is titled with the year and cause of death, as well as the deceased's sex and age, documentation that strikes the viewer as a chilling reminder of his or her own impending mortality.

Mr. Saul, at the age of 81, still delights in taking unpredictable routes with his artwork, and you could hear the subtle rise in his voice as he talked about his latest opportunity to confound viewers.

It is an aesthetic that links many of the women artists who feature in this issue, including Barbara Hepworth (1903 — 1975), whose forthcoming Tate Britain exhibition celebrates not only her long life of radical experimentation (both in the creation of her artworks and also the way they were to be experienced by the viewer), but also how important an international figure she became, with exhibitions across the globe from a relatively young age.

Instead, viewers are confronted with the aged and discolored backing of each work, irregularly held in place with patches of tape.

Again here, some of the pieces were produced years ago, others recently; even if the color sometimes gritty, or the worn surface of older works reveals its age, when exposing similar works made with a time gap Carvalhosa invites the viewer to immerse himself in a non-linear perspective where, like the Aleph, inhabit the beginning, the end and the middle.

The viewer's physical empathy with these figures will be palpable, unlike the detachment encountered in today's age of artificial intimacy experienced behind the screen of a computer or smart phone.

The British Museum first experimented with the technology in 2015, enabling viewers to step back 4,000 years into a bronze age site, while a recent exhibition at the Baltic gallery in Gateshead exploring the plight of refugees included a VR installation that took viewers on to a boat in the Mediterranean.