Sentences with phrase «viewers wondering if»

That's not to say there are no chuckles at all to be had in Gun Shy — a chase sequence involving a rolling suitcase and a bit about Turk's pronunciation of the word «tortoise» come to mind — but there are far too many scenes that are bound to leave viewers wondering if they somehow missed the punchline (don't fret, hypothetical viewers — you didn't).

Before Midnight picks up nine years after the Paris reunion of Jesse (Ethan Hawke) and Celine (July Delpy) left viewers wondering if Jesse missed his flight.

Cincy had such a terrible performance that it had viewers wondering if they were going to even defend themselves in this fight.

Within hours the network wasflooded with calls from viewers wondering if Moss had survived the gruelingordeal.

The Marvel studio system is so tightly controlled, many viewers wonder if there's any room for improvisation within its ranks.

The best sequence, a lovely meeting where Arlo and Spot use sticks to pantomime their devastating histories, makes a viewer wonder if «The Good Dinosaur» might have been better first - half - of - «Wall - E» - style, with no dialogue at all.

Coming from Hershman Leeson, who enjoys exploring the boundaries of new technology with her art (and with varying successes and lessons learned), the unanswered question makes the viewer wonder if there should be a limit.

Nonetheless, the exhibition left this viewer wondering if Sherman has anything left to say that hasn't already been said.

JO: I use glossy paint sometimes to create a shadow, to make the viewer wonder if it's the reflection of something.

Not exact matches

So Pat Robertson advised one of his viewers who wondered if there were evil spirits in her thrift store clothing that... well... better safe than sorry... cast those demons out!

I was wondering if you could give me some tips to improve my blog and get more viewers.

In a nice piece of investigative journalism, techPresident's Josh Levy looked yesterday at Barak Obama's YouTube viewer statistics and wondered if something didn't quite add up: the candidate's YouChoose channel has been viewed 35 times more than arch-enemy Hillary Clinton's, but it looks as though the YouTube stats might be counting a lot of ghost runners as real people.

In a nice piece of investigative journalism, techPresident's Josh Levy looked yesterday at Barak Obama's YouTube viewer statistics and wondered if something didn't quite add up: the candidate's YouChoose channel has been viewed 35 times more than arch-enemy Hillary...

Brady: Well, if I could jump in just were just one second, since some viewers may have some lipid - type of concerns and confused or wondering about the sizes, and the densities, and things here is, is the, when it comes to lipids, and it's a much better indication of cardiovascular health or risk factors of cardiovascular disease, is the size and the density of cholesterol molecules.

I was wondering if you could give me some tips to improve my blog and get more viewers.

The bad - taste brinksmanship continues right through to the closing credits with a montage of photos aimed to make viewers walk out of the theatre wondering if they saw what they thought they saw.

As viewers, we ask the same questions Kate asks, consistently wonder alongside her if she's even on something even close to being considered a good side, and feel every bit of strenuous moral pain and paranoia radiating across her superbly articulated facial expressions and mannerisms.

The double - episode premiere drags like it has all the time in the world, leaving a viewer time to wonder if he or she has much room left for another show with swords, beheadings and rapey pillagings.

Then again, he also says of Swept Away, «It's very fresh — they don't make films about slapping women anymore,» leading the viewer to wonder if he's really got his finger on the pulse.

It also hits too many overly familiar action film beats (including a side - by - side power walk), but if it hadn't, a lot of viewers would wonder why the filmmakers were stinting on the stuff they came to see (the power walk is pretty great).

With this locked down situation, viewers will wonder if the two Judges have the wit and ability to survive this blood bath.

None of the characters are particularly likeable, and that situation does not improve — they never redeem themselves and at the end viewers are left wondering if they have learned anything at all about themselves through their experiences.

The haunting trailer has viewers everywhere wondering if this will finally be the project to win DiCaprio his long - awaited Oscar.

I wonder if the painting would have the same effect if the viewer didn't know anything about anyone in the portrait.

The mirrors featured reflect a small aspect of their seller's life; the mystery of what each mirror holds entices the viewer to wonder what type of secrets might lay hidden beyond the reflection.According to a description of Oglander's selection of images, «they are glances that teem with a sense of further exploration if we could just direct our view behind us.»

At times he may confound viewers who wonder if his work should be called drawing or sculpture or assemblage.

One wonders if Weber and Stritzler - Levine realised just how far off the map they would go when independent institutional curator José Roca, a native of Colombia who now lives in Bogotá, agreed to take on the project.1 Inspired by a show of Andean chuspas — bags made from coca leaves — that would run simultaneously in the BGC Focus Gallery, Roca envisioned immersive environments in which the paradoxes, polarities and points of contact between diverse artistic practices are explored through the tropes of the river and weaving.2 The works themselves provide their own context as they interact with each other and viewers, who are given a minimalist illustrated pamphlet as their only guide to what they will encounter in the gallery spaces.

By contrast, the labels at the New Museum accord with my experience by allowing whatever referential features may be there to remain at the level of suggestion by focusing on form and process («Composed along a central axis, each work is charged with a magnetic asymmetry; delineations between colors are blurred in the process of melting the powdered enamel pigment into glass») and by relying on Müller's biography (her work with a genderqueer collective) to prompt viewers to wonder what exactly gender might have to do with what we see in her paintings — if anything at all.

Having learned from the publicity flyer that the seven artists, Dominic Kennedy, Mali Morris, Bridget Riley, Julian Wild, James Alec Hardy, Selma Parlour and Martin Maloney, work with colour in «radically different ways» each one presenting «a unique vision of how to liberate colour to stimulate and energise the viewer» I wonder if I can discover in my short visit what it is that they are doing differently with colour.

Then, the work begins to appear as if it could float off its plinths, leaving viewers to wonder about their initial impression.

Varejão's Mimbres are made with a plaster - and - paint mix that is poured onto the canvas and when dry breaks on its own creating cracks and having a similar intent as the Mimbres had: to surround the piece with certain mysticism, as if inviting the viewer to wonder what kind of energy is behind that thick interface.

Which might make you wonder if you, the viewer, have been rendered, by the context and content of an art exhibit, quite nearly if not completely beside the point.

Yet, without any text indicators, the viewer is left wondering if it was Pettibon's worldview and perspective that expanded, or simply his source library, with the advent of the internet.

I wonder if the operator in the title is the artist, acting upon the materials of canvas and paint, or maybe even the painting itself as it operates upon me the viewer, changing my experience, visually and psychologically.

From that, the average reader might start to wonder if assertions about unprecedented weather fall apart, and if the same thing happens to assertions about «time spent by viewers watching The Weather Channel» back in 2002, and if Gelbspan's own website traffic was actually increasing back then.