Sentences with phrase «viewing audience at»

was showcased for the live crowd and viewing audience at home.

Not exact matches

The title's not - so subtle biblical reference is a hint at Stursberg's view of the Ceeb as the place that business common sense forgot, and the book serves largely as a catalogued defence of his belief that audience numbers, not an ambiguous cultural mandate, would define the network's success.

When he presented his findings back at the office, Flom was told to take a hike and actually threatened with termination by the company's CEO: the band was regarded as a joke by Atlantic's executives, their audiences were viewed as idiots, and their songs were derided as garbage.

Just this weekend, he echoed that statement, with a more direct jab at Facebook, following the Cambridge Analytica revelations, telling the audience at a conference in China, «The ability of anyone to know what you've been browsing about for years, who your contacts are, who their contacts are, things you like and dislike and every intimate detail of your life — from my own point of view it shouldn't exist.»

To segment based on interest, take a look at the content that members of your audience have viewed or the materials they have downloaded.

Cardinal Timothy M. Dolan, the highest ranking Catholic in the United States, and comedian Stephen Colbert, the host of the popular late night comedy show «The Colbert Report,» put their views of faith and humor on display for a private audience of 3,000 at Fordham University on Friday night.

At the same time, when it came to secondary matters - his preference for the KJV over the NIV or his pre-millennial view of the End Times - he would often pause and remind his audience «there are good Christians on both sides of this».

Taking into account viewing duplication and correcting for the fact that the diaries may underreport by as much as 15 per cent, the study says that the number of people who have watched at least one - quarter hour of religious television per week is about 13.3 million, or 6.2 per cent of the national television audience.

The message of the film places virtually no value on human life, and the movie itself does» t care at all for its audience, save for the pain it can cause in the viewing experience.

Cardinal Timothy M. Dolan, the highest ranking Catholic in the United States, and comedian Stephen Colbert, the host of the popular late night comedy show «The Colbert Repot,» put their views of faith and humor on display for a private audience of 3,000 at Fordham University on Friday night.

Pope Benedict XVI in a very interesting comment on Colossians 1:15 - 20 in one of his General Audiences in 2005 refers to the Jewish teaching, at the time of Christ, that: «The whole world was created in view of the Messiah».

The stage was outside, right on the beach so the audience had the most spectacular view of the lake at sunset.

Seeing Matt Kenseth stand on the roof of his No. 20 car, fist raised in the air celebrating victory followed by a tearful interview to a national viewing audience, gave the impression his win Sunday at Phoenix Raceway carried some kind of championship implication.

«At the end of the prosecution and defence cases, six of the audience jury, including Jess, will be asked for their views on Hamlet's guilt or innocence - we look forward to hearing her take on the proceedings!

Speaking Friday to an audience at New York Law School, Bharara talked about his office's views on public corruption.

A lone microphone stand stood at the front of the room, in full view of the judges and the audience.

The general audience that views PB.com is different than the strong community of existing PBers here at MDA, so I had to take that into consideration.

Some of the superheroes who will be introduced to the viewing audience include Peter Petrelli, an almost 30 - something male nurse who suspects he might be able to fly, Isaac Mendez, a 28 - year - old junkie who has the ability to paint images of the future when he is high, Niki Sanders, a 33 - year - old Las Vegas showgirl who begins seeing strange things in mirrors, Hiro Nakamura, a 24 - year - old Japanese comic - book geek who literally makes time stand still, D.L. Hawkins, a 31 - year - old inmate who can walk through walls, Matt Parkman, a beat cop who can hear other people's thoughts, and Claire Bennet, a 17 - year - old cheerleader who defies death at every turn.

Lara Croft Tomb Raider: The Cradle of Life viewed at a semipublic screening with an audience of critics and ordinary moviegoers rated PG - 13 for action violence and some sensuality official site IMDB

Spy Kids 3 - D: Game Over viewed at a semipublic screening with an audience of critics and ordinary moviegoers rated PG for action sequences and peril official site IMDB

Even if Disney's Bob Iger doesn't want anyone to view Rogue One as a political film, we all know Star Wars is very political, and that Rogue One is coming out at an unusual time for American audiences.

Kaplan's success comes in how «little» he's done, at least from an audience point of view.

Rather than looking at the films from an objective point of view, they largely settle on things like, «The audience thought they were paying to see TV in the theater!»

The first shot is of Janet, distressed and disheveled, pointing a small handgun at a mystery person on the other side of the door (and, essentially the viewing audience).

, at least from an audience point of view.

Though the film was projected at IMAX venues in 3 - D, it's offered in 2 - D only for the home viewing audience, and the 1.78:1 anamorphic widescreen image is consistently good in the face of a mélange of source media — note that the longer version relies more heavily on video - based footage originated by the MIR's electronic eyes.

Wearing his political views on his sleeve once more, Good Luck, and Good Night offered audiences a thought - provoking and weighty look at America in the 1950s and showed that intelligent cinema could still be made in a time where special effects and pyrotechnics are the norm.

The actors aren't all well cast (I counted only about three I'd consider to be above average for their respective roles — Acker as Beatrice, Fillion (Waitress, White Noise 2) in the supporting role of Dogberry - the only time the audience I viewed the film with laughed at anything in the film that came from actual dialogue, rather than the injected slapstick and actors occasionally comical facial expressions, came from Fillion's delivery - and British actor Paul Meston in the minuscule part of Friar Francis) The rest often appear as though they're reciting lines without any sense of meaning in the words they are saying, and when one of those happens to be the male romantic lead, that's one hell of a liability.

After all the drama, it turned out that The Interview was actually a pretty bad movie, at least according to most audiences, however it remains Google's most viewed film and you can see the trailer for it below:

According to the SXSW audience awards announced earlier today, E.L. Katz's Cheap Thrills was the popular pick of this year's midnight - movie crop, and it lives up to its title in its nihilistic view of humanity — or at least males — as fundamentally beholden to such urges as money and pride.

It can get more audience at my point of view.

At its core, this mutually - assured destruction is a truism, but the film's approach to it finds a strange poetry in its simplicity, commenting only in the broader strokes but giving its audience a god's - eye view of how the cycle plays out and, in doing so, maximizing the emotional impact of its narrative.

The camera does take on the point - of - view of someone at some point, then jumps back to an objective place, then plays that trick Evil Dead II plays with perspective in the scene where Ash wakes up in a clearing and looks around in a panning 360 - degree take, only for the audience to discover that the camera eye is both character and commentator, more physical in its way than a first - person point - of - view could ever be.

All the others have either already been in release (Get Out, Good Time) or have at least been viewed by audiences at earlier festivals (Call Me by Your Name, The Florida Project), further highlighting the importance of being seen early.

But when the audience gets their first look at the secretive, Afrofuturistic country of Wakanda in the film, it is truly breathtaking, with stunning aerial views of waterfalls and lush trees and hills.

It demands a second viewing, just so the audience can try and get a second chance at registering what is going on.

And at last night's AAFCA Awards, Peele regaled the audience with a tale of viewing his film with Chance the Rapper, who was left fairly shook from the experience.

The general view at this year's Toronto Film Festival is that a lot of ambitious new flickers are engaged in a game of one - upmanship in violence and may have outstripped even the audience appetite for mayhem.

The company said it had been anticipating director Sarah Adina Smith's follow - up since viewing her previous feature The Midnight Swim (2014), which took an audience award at AFI Fest.

True, the special effects from then seems woefully outdated when viewed today, but audiences at the time really dug it (I ought to know, I sat in those theaters and watched those pictures).

Prior to arriving at this year's festival, I intuited this was a project that may possibly best be experienced midst non-journalist folks (rather than at a Press Screening), so prioritized arranging an advanced seat for a public audience viewing of the film at Park City's Library Theater... during the showing and following Q&A, one could hear a pin hit the floor as the motionless audience appeared fully intrigued.

While a scene in which Mark gets laxatives slipped into his drink draws out the sure guffaws for those who titter at bathroom humor, that scene is also the last laugh to be had for most of the viewing audience, who will likely grow impatient for the next 30 minutes wondering when the next big gag is going to come into play.

A psychological drama that registered with audiences and critics alike because of its heartfelt painful story, as this indie flick did itself proud in the award department in the Australian version of the Oscars (won 13 awards, including best film, director, actor and actress) and was viewed in competition at Cannes and at a number of other film festivals throughout the world including the prestigious Edinburgh Festival.

I also loved the way the TV telecast let the numbers finish, during the applause, from a camera - view that looked back at the audience.

The recap at the end handholds the audience to the point of possibly negating a second viewing, but it's still a very fun flick.

Alas, the «normals» in the audience are indeed able to parse out the non-mentally-challenged actors in the cast portraying the disabled without them being «found out,» thus at least a part of the viewing experience involves a game of «spot the bad comic actor» vs. «mark the genuinely disadvantaged.»

I suspect that many audiences who return to «Lady Bird» will be disappointed at how the movie stands up on a second viewing.

The Pink Panther viewed at a private screening with an audience of critics rated PG for occasional crude and suggestive humor and language official site IMDB

Final Destination 3 viewed at a semipublic screening with an audience of critics and ordinary moviegoe rated R for strong horror violence / gore, language and some nudity official site IMDB

Winner of the prestigious Audience Award at the 2017 Toronto Film Festival, Three Billboards Outside Ebbing, Missouri may take multiple viewings to fully dissect and appreciate.