Not exact matches
The message of the
film places virtually no value on human life, and the movie itself does» t care at all
for its
audience, save
for the pain it can cause in the
viewing experience.
as its mandate but to submit
films to the Board of Managers with appropriate, citations under the general categories of (1)
for mature
audiences, (2)
for youth, and (3)
for family
viewing.
Although
audience voting doesn't factor in to the jury's selection of the winners, voting will count for «Audience Favorite» designation, so view the film, vote and and tell your
audience voting doesn't factor in to the jury's selection of the winners, voting will count
for «
Audience Favorite» designation, so view the film, vote and and tell your
Audience Favorite» designation, so
view the
film, vote and and tell your friends.
Even if Disney's Bob Iger doesn't want anyone to
view Rogue One as a political
film, we all know Star Wars is very political, and that Rogue One is coming out at an unusual time
for American
audiences.
Though the
film was projected at IMAX venues in 3 - D, it's offered in 2 - D only
for the home
viewing audience, and the 1.78:1 anamorphic widescreen image is consistently good in the face of a mélange of source media — note that the longer version relies more heavily on video - based footage originated by the MIR's electronic eyes.
The actors aren't all well cast (I counted only about three I'd consider to be above average
for their respective roles — Acker as Beatrice, Fillion (Waitress, White Noise 2) in the supporting role of Dogberry - the only time the
audience I
viewed the
film with laughed at anything in the
film that came from actual dialogue, rather than the injected slapstick and actors occasionally comical facial expressions, came from Fillion's delivery - and British actor Paul Meston in the minuscule part of Friar Francis) The rest often appear as though they're reciting lines without any sense of meaning in the words they are saying, and when one of those happens to be the male romantic lead, that's one hell of a liability.
After all the drama, it turned out that The Interview was actually a pretty bad movie, at least according to most
audiences, however it remains Google's most
viewed film and you can see the trailer
for it below:
By writing and casting strong roles in
films ranging from dark comedies to crime thrillers, Campion has paved the way
for women in the
film industry and provided
audiences with new points of
view.
While the battle scenes can only be
viewed as impressive from a visual standpoint, where the
film finally shows its fatal flaw is in the utter lack of emotional grip, as characters live, love and die, and yet no tears are shed among a
viewing audience despite following these hearty heroes
for over eight total hours of
film time.
While that makes
for a wide divide in
audience reaction (something less reflected in critics»
views), it is still easy to take Anderson objectively as a serious maker of wry
films.
After a six - picture run with Sony Classics, this time Allen has chosen to go with Amazon Studios
for the
film's domestic release on July 29, which will test the new distributor's ability to hit the auteur's target theatrical
audience prior to home
viewing availability.
Prior to arriving at this year's festival, I intuited this was a project that may possibly best be experienced midst non-journalist folks (rather than at a Press Screening), so prioritized arranging an advanced seat
for a public
audience viewing of the
film at Park City's Library Theater... during the showing and following Q&A, one could hear a pin hit the floor as the motionless
audience appeared fully intrigued.
I still think The Parallax
View is the most thrilling and most disturbing
film Pakula has made; but All the President's Men is a triumphant demonstration that one can
film a pre-sold project with absolute integrity of purpose, and create a movie that is dazzlingly watchable
for the full spectrum of
audiences, and richly resonant as personal cinema.
If that shift is a nod to the
film's target
audience, it's probably spot on: this is a sanitised, bubble - wrapped picture of the global village that provides ersatz - serious
viewing for those seeking reassurance about the big lie of the twenty - first century — that We're All In It Together.
Personal Shopper is one of those
films that repays repeated
viewing and will doubtless divide
audiences, especially those looking
for straight horror or pure European art movie, but it is definitely worth the price of admission whatever genre it fits.
On the back of Luca Guadagnino's soon - to - be released remake of the
film, an entirely new
audience is no doubt sure to discover Argento's original movie
for the first time, but
for them the
viewing experience will almost definitely be on Blu - ray or streaming video.
These
films seek to arouse in the consciousness of our
audiences respect
for the dignity and rights of all living beings and to encourage dialogue about how we treat and
view animals as a community.
Borrego Springs, CA About Blog The Borrego Springs
Film Festival goal is to provide a viable venue
for independent
film makers to display their work and to provide discussion panels encouraging interaction between the artists and the
viewing audience exploring the complex world of
film making.