Sentences with phrase «viewing gallery above»
View the gallery above to find out.
http://www.squawka.com/
View the gallery above to see the seven stats that show the young Frenchman's progress since his # 36 million signing from Monaco in the summer.
View the gallery above to see the lessons that Tottenham can learn from their Champions League campaign.
View the gallery above to see which other illustrious careers could not quite make it to club football's holy grail.
Not exact matches
Built above the Wine Gallery, Villa Two is saturated with natural light and comprises two levels that flow seamlessly outdoors onto private terraces with sea views.
Click on the gallery above to view the 11 strangest things managers have banned their players from doing, eating wearing and using.
To view Giggs» record - breaking career in numbers, click on the gallery above.
-- Close Encounters of the Third Kind Making - of Documentary — «Steven Spielberg: 30 Years of Close Encounters» Featurette — Deleted Scenes — 1977 Featurette «Watch the Skies» — Storyboard to Scene Comparisons Extensive Photo Gallery «A View From Above» Theatrical Trailers
if you can't view the slideshow above, then go directly to the 2010 Chevrolet Spark Image Gallery The 2010 Chevrolet Spark a.k.a Chevrolet Mini is making its debut at the on - going Geneva Motor
In total there are 68 figurative statues on the monument, 64 visible from the ground and four placed above the final viewing gallery.
Images can be viewed in the gallery above.
Above this was a long open colonnade, behind which the emperor had a viewing gallery.
Above / Below: Marsha Staiger, Beverly Ryan, Alison Sigethy Main Gallery Three - person Exhibition On View: January 4 — 28, 2012
VMFA Gallery views above: Nineteenth and Twentieth Century Painting and Sculpture in France — The Collection of Mr. and Mrs. Paul Mellon.
For the two - part work, the artist meticulously crafted and inserted into the Contemporary Wing's architecture aluminum and reflective glass that allows you to see unexpected views of fellow visitors, art works, and galleries above, below, and across from you.
These ideas about directness, intimacy, and proportion (all of which deal with questions of ideal viewing conditions) became driving concerns behind the design of the Clyfford Still Museum, whose largest gallery measures about 1,200 square feet, with a ceiling placed, by today's standards, at a modest twelve to sixteen feet above the floor.
Coming off his Balloon Dog (Orange), which sold last November for $ 58.4 m (# 34m), the highest price ever paid for a living artist, two other shiny sculptures adorned the catalogue covers of Sotheby's and Christie's spring sales, with Jim Beam — JB Turner Train, the stainless steel train filled with bourbon, selling for $ 33.7 m, and Popeye going to Steve Wynn's Las Vegas casino for an above - estimate $ 28.1 m. Fans packed in like sardines last year for Koons's solo shows at New York's Gagosian and Zwirner galleries, which pitted his Gazing Ball plaster casts against work just off the production line, and are currently filing through Rockefeller Center to view Split - Rocker, rising 37 feet (11 metres) in the air, with the hairs of its 50,000 living flowers standing on end.
Gallery photos show that viewed from above the structure resembles a slightly askew, cursive «x,» but experienced on foot the seemingly simple structure creates an amazing, transporting experience.
Above, installation view of Naming the Animals exhibition; below, artists and visitors mingle in the gallery.
Her solo show at Max Hetzler titled «Bet Your Sweet Life» features Scale of Things (to come)(2010) an interactive staircase made of metal chains and tubes which will offer a view of the gallery space from above, the video No Head Man (2009), photographs, collages and different series of small spray - drawings and large scale drawings from the series Hurricane and Other Catastrophes.
What I came away with above all was the very 2013 understanding that if the energy remains this high, and the quality this good, there can not be too may art fairs, because it has become inescapably obvious that the new way of selling, viewing and buying art is no longer in galleries, but at fairs.
Dzama utilized the architecture of the gallery itself — an eighteenth - century Georgian townhouse — by hanging puppets from a skylight above the five - story building's central spiral staircase and placing monitors in the windows so videos were viewed from the street.
Above: Installation view of the Smart's Asian art gallery, showing ancient and contemporary works including Zhan Wang's Ornamental Rock (1996).
Image (above): Andy Holden, The Dan Cox Library for the Unfinished Concept of Thingly Time, installation view at Cubitt Gallery, 2012.
The photocollages form something of a gateway to the show's last three exuberant galleries and the expansive landscapes, interiors and, most recently, views of the intensely blue wraparound terrace above the pool and garden of Mr. Hockney's Los Angeles home.
In New York, Public Art Fund has announced that a new public artwork, a seventeen - foot - tall granite sculpture with a shopping list engraved on its surface, titled Memorial, also by David Shrigley (an artist sketch of which is shown above, left, courtesy of the artist and Anton Kern Gallery) will be on view from September 8, 2016.
A film trailer for the project is available to view here (and to which the screenshot above belongs, courtesy of Burton Gallery).
Above: Installation view of «Zero Zero «curated by Arvida Byström, Ada Rajkovic and Molly Soda at Annka Kultys Gallery, London 2016.
Above: «American Dreamers» installation view, CCC Strozzina, Firenze, Nick Cave, Courtesy l'artista e Jack Shainman Gallery, New York (foto Martino Margheri)
Above: This view (image courtesy of OK Harris) will orient you around the second gallery, continued below:
Please don't read my pompous views above as referring to the great majority of gallery shows, where dealers display art they hope someone will want to buy for their home, and new collectors are born every week.
In the video above, curator Nicholas Cullinan narrates a first look at the exhibition Twombly and Poussin: Arcadian Painters on view at the Dulwich Picture Gallery from June 29 - September 25, 2011.
The view across the gallery floor at the Whitney, above the spacious entrance lobby, evokes infinity: visitors can see from one end to the other, and glimpse the city beyond.
Pictured above, from the top: — Adam Brent, digital rendering prototypes for Small Collisions, on view in the vestibule of Glyndor Gallery for (Not So) Still Life, 2016.
They created space of their own, like Linda Goode Bryant's Just Above Midtown gallery, on 57th Street, which advertised itself in Artforum as «an alternative approach to viewing.»
A View From Above: Gallery inventory can tell tales.
The two - way glass above and below the posts reflects the carved blocks into infinity while still allowing a view through the glass to the real architecture of the gallery beyond.
Installed upon the back wall of the gallery, partially hidden by the mezzanine above, the work can be viewed from multiple vantage points.
Above: Views of the temporary exhibition gallery.
IMAGE ABOVE: Installation view of Mariah Dekkenga and Josef Bull: We have never been modern, on view through July 19 at MASS Gallery in Austin.
Above: Installation view of Molly Soda «Comfort Zone» at Annka Kultys Gallery, London 2017.
Above: Installation view of the Smart's gallery of Modern Art and Design, showing works by Richard Hunt, Robert Motherwell, and John Chamberlain.
Douglas Gordon, Above all Else, 1991, Mat emulsion, Dimensions variable, Installation view at the Serpentine Gallery, London.
«Isolated Above, Connected Down,» her recent exhibition at Tanya Bonakdar Gallery and her first solo outing at a major U.S. gallery, was a tripartite viewing experience, demonstrating her facility in photography, film, and room - filling instalGallery and her first solo outing at a major U.S. gallery, was a tripartite viewing experience, demonstrating her facility in photography, film, and room - filling instalgallery, was a tripartite viewing experience, demonstrating her facility in photography, film, and room - filling installation.
Featured image above: Installation view of Tan Ping's solo exhibit with Leo Gallery at Art Basel Hong Kong 2018 At the prestigious Art Basel Hong Kong, t...
Opening Saturday, December 10: Eli Durst 2016 Portfolio Prize Winner, in the Bookstore Gallery, Info The 2016 Paris Photo - Aperture Foundation Photobook Awards Shortlist Exhibition, in the Conference Room, Info Currently on view: Sylvain Couzinet - Jacques Eden, in the main gallery, Info Aperture Gallery and Bookstore, 547 West 27th Street, NY, NY Info Above: © Eli Durst, from Asmara; below: © Richard PhibbsGallery, Info The 2016 Paris Photo - Aperture Foundation Photobook Awards Shortlist Exhibition, in the Conference Room, Info Currently on view: Sylvain Couzinet - Jacques Eden, in the main gallery, Info Aperture Gallery and Bookstore, 547 West 27th Street, NY, NY Info Above: © Eli Durst, from Asmara; below: © Richard Phibbsgallery, Info Aperture Gallery and Bookstore, 547 West 27th Street, NY, NY Info Above: © Eli Durst, from Asmara; below: © Richard PhibbsGallery and Bookstore, 547 West 27th Street, NY, NY Info Above: © Eli Durst, from Asmara; below: © Richard Phibbs, Davey
Above: Installation view of Dash Snow «Hello, this is Dash,» curated by Annka Kultys at Annka Kultys Gallery, London, 2016.
Group exhibitions include Beastly / Tierisch, Fotomuseum Winterthur, Zurich, Switzerland (2015); Now You See It: Photography and Concealment, Metropolitan Museum of Art, New York, USA; Plotting From Above: Mishka Henner and Montreal Aerial Survey, McCord Museum, Montreal, Canada; Drone: The Automated Image, Darling Foundry, Montreal, Canada; Views from Above, Centre Pompidou, Metz, France; A Different Kind of Order, International Centre of Photography, New York, USA (all 2013); Less Americains & Astronomical, Whitechapel Gallery, London, UK; Appropriation: Questioning the Image, Fotogalerie Wien, Vienna, Austria; No Man's Land, Oregon Center for Photographic Arts, USA (all 2012).
At Tripoli Gallery, the works on view range from Gran Twister, 2012, a majestic conflagration of loops that hover above the exhibition space as if in orbit, to Space Slipper, 1992, a diptych of fragmented ellipses that lean against the wall like errant surfboards.
Also on display will be SCALE OF THINGS (to come)(2010) an interactive staircase made of metal chains and tubes which will offer a view of the gallery space from above, the video No Head Man (2009), photographs, collages and different series of small spray - drawings and large scale drawings from the series Hurricane and Other Catastrophes.