Sentences with phrase «viewing human faces»

A 2012 study using PET scans found that when crows viewed human faces that they associated with threat or care, the birds had increased activity in the amygdala, thalamus and brain stem — areas related to emotional processing and fear learning.

Not exact matches

This scene captures the view of human being that gives coherence to The Human Quest: scientific understanding is both exciting and necessary; human cultures are vulnerable systems whose survival is threatened, in the face of which threat we seek moral values embedded within our scientific knowlhuman being that gives coherence to The Human Quest: scientific understanding is both exciting and necessary; human cultures are vulnerable systems whose survival is threatened, in the face of which threat we seek moral values embedded within our scientific knowlHuman Quest: scientific understanding is both exciting and necessary; human cultures are vulnerable systems whose survival is threatened, in the face of which threat we seek moral values embedded within our scientific knowlhuman cultures are vulnerable systems whose survival is threatened, in the face of which threat we seek moral values embedded within our scientific knowledge.

«Every single human being who walks on the face of the earth has a lense that they view the world through... Since Evolution / Atheism denies the existence of God and the biblical account of creation, they have to make sense of the fossil record and geologic formations somehow.»

Every single human being who walks on the face of the earth has a lense that they view the world through.

A possible real connection with the animal kingdom is itself of relatively little theological importance, for anything in it that would be important for the theological interpretation of human life in the present, can also be known without it, that is to say, the vulnerability of man in face of the powers of this earth, man's temptation to see himself from the point of view of his animality, his liability to death, man's dynamic orientation and task of developing to his perfection from below upwards, beyond his beginnings.

An attitude which avoids both sentimentality and cynicism must obviously be grounded in a Christian view of human nature which is schooled by the Gospel not to take the pretensions of men at their face value, on the one hand, and, on the other, not to deny the residual capacity for justice among even sinful men.14

In Tinder's View, the «Reformation» tradition has faced the facts of human fallenness more squarely than its «Catholic» counterpart, and consequently expects rather less of human society.

In his account of the movement toward the abolition of slavery, Whitehead faced this problem squarely, In his view the long delay in the abolition of slavery after the introduction of the idea of the human soul does not reflect only human willfulness and stubbornness in the pursuit of unjustified self - interest.

On the contrary, Christians and Muslims often enough face the same harsh criticism from people who view every kind of religion as an unbearable offense against human intellect.

Overall, the subjects viewing the images using the human / primate visual system more accurately and more quickly identified changes in the monkeys» face coloring.

Some of the study's subjects viewed photos of the transformation of the monkeys» faces as a human or primate would see them while others saw pictures as a color - blind person would and others as a camera would.

To get some closure on the nature versus nurture debate in human aesthetics, researchers asked 547 pairs of identical twins and 214 pairs of same - gender fraternal twins to view 200 faces and rate them on a scale of one to seven, with one being the least attractive and seven the most attractive.

He has shown that crows can recognise human faces, even many years after first viewing them.

«It's amazing sheep can quickly learn to recognise unfamiliar human faces presented in different viewing perspectives,» says Kun Guo of the University of Lincoln, UK.

For this study, the researchers used magnetoencephalography (MEG) to scan human subjects as they viewed a series of overlapping images of faces and houses.

«The view has long been held that this trait evolved during the course of human evolution, when our ancestors were facing a prolonged period of warfare, as parochialism increases group cohesion and cooperation against opposing factions.

In the brain scanner, using video glasses, the test subjects viewed photos, for example of human faces.

Dogs viewed upright faces as long as inverted faces, but they gazed more at the eye area of upright faces, just like humans.

This corresponds to a previous study by Professor Vainio's research group, where it was found that dogs prefer viewing conspecific faces over human faces.

Two views of a composite reconstruction of the Homo sapiens fossils are based on tomographic scans of multiple original fossils; they reveal a face that would be nearly identical to that of modern humans, but a less - evolved brain shape.

At least that's the conclusion of a recent study in Psychological Science that found that folks who felt socially disconnected were more likely to view a doll's face as human.

At least that's the conclusion of a recent study in Psychological Science that found that folks who felt socially disconnected — aka lonely — were more likely to view a doll's face as human.

The narrative isn't entirely comprehensible on one viewing, but the torrent of emotions, the dreamlike tone and the gorgeous cinematography makes for an unforgettable story of human connection in the face of an unfeeling and at times enormously unfair and mystifying world.

This corresponds to a previous study by Professor Vainio's research group, where it was found that dogs prefer viewing conspecific faces over human faces.

The «Developer» DLC pack will include a shooting range, so players can take all of the game's weapons for a spin, an Arena mode, which allows players to pit teams of humans and monsters against one another, and a Museum mode, which allows players to view all of the game's characters and enemies up close (without the threat of taking a bullet or bite to the face of course).

ARTIST STATEMENT «The piece is a play on simple vaudeville style adverts that toys with the idea of human interest in viewing the grotesque; in this case, a bloody boxer, black man with a west African rhino head, broken horn in mouth, bloody / bruised face + body, in a classic boxing pose.

Instead of viewing refugees as a «problem,» a number, or — more tragically — a death count, Castro Garcia creates work that humanises them and puts faces and human stories into each image.

New Directions in the Art of the Moving Image, Smithsonian Museum of American Art, Washington D.C., US Images of the Mind, Deutsches Hygiene - Museum, Dresden, DE The Art of Deceleration, Kunstmuseum Wolfsburg, DE Space Invaders, Nikolaj Kunsthal, Copenhagen, DK Jihlava Documentary Film Festival, Jihlava, CZ Celebrazione Vasariane, Firenze Arti Visive, Florence, IT Ensemble 20/21, Auditorio Nacional de Música, Madrid, ES MMK 1991 - 2011: 20 Years of the Contemporary, MMK, Frankfurt, DE Oslo Chamber Music Festival 2011 - Gamle Logen, Oslo, NO Pino Pascali: Return to Venice / Apulia Contemporary Art, Palazzo Bianchi Michiel, Venice, IT The Missing Peace: Artists Consider the Dalai Lama, San Antonio Museum of Art, Texas, US Portraits de la Pensée, Palais des Beaux - Arts de Lille, FR Paradise Lost, Istanbul Museum of Modern Art, TR The Quintet of the Unseen, Blain Southern London, UK art / tapes / 22 a Santa Teresa (1972 - 76), Forno San Ferdinando, Follonica, IT Tout ouïe, Sans Canal Fixe, Tours, FR 2011 Images and Views of Alternative Cinema, Theatro Ena, Nicosia, CY New contemporary galleries featuring the John Kaldor Family Collection, Art Gallery New South Wales, Sydney, AU The Promised Land, Staatliche Kunstsmmlungen Dresden, DE Don't Look Now, Kunstmuseum Bern, CH Figuratively Speaking: A Survey of the Human Form, Bellagio Gallery, Las Vegas, US Happy Tech: machines with a human face, Palazo Re Enzo (1/29 -2 / 13) & La Triennale / Bovisa, Milan, IT La Candela Festival 2011, Valls, ES The Unbearable Lightness of Being, Yvon Lambert Gallery, Paris, FR San Sebastian, una iconografia comtemporánea, Kubo - Kutxa, Donostia - San Sebastian, ES When Painting Moves... Something Must Be Rotten, Stenerson Museum, Oslo, NO Knock on wood: Tales from the forest, Virserums Konsthall, SE Space, Foundazione MAXXI, Rome, IT Lust and Vice: The Seven Deadly Sins from Dürer to Nauman, Zentrum Paul Klee, Bern, CH When Eve Meets Adam, Museum of Fine Arts, Strasbourg, FR A Million and One Days, Lithuanian National Gallery of Art, Vilnius, LT The Missing Peace: Artists Consider the Dalai Lama, Nobel Museum, Stockholm, SE Tong, Haeinsa Temple, Chiin - ri, KR Esplanade — The Recital Studio, SG Video, An Art, A History 1965 - 2010: A Selection from the Centre Pompidou and Singapore Art Museum Collections, SG Déserts (1994), Tokyo Symphony Orchestra, Suntory Hall, Tokyo, JP Shan Shui, Beijing Center for the Arts, CN Environmental Day, ikono.tv / MELD, Television Broadcast, Arabsat: Menasa Region, Etisalat, AE Selected works from the Centre Pompidou's New Media Collection, Herzliya Museum of Contemporary ArHuman Form, Bellagio Gallery, Las Vegas, US Happy Tech: machines with a human face, Palazo Re Enzo (1/29 -2 / 13) & La Triennale / Bovisa, Milan, IT La Candela Festival 2011, Valls, ES The Unbearable Lightness of Being, Yvon Lambert Gallery, Paris, FR San Sebastian, una iconografia comtemporánea, Kubo - Kutxa, Donostia - San Sebastian, ES When Painting Moves... Something Must Be Rotten, Stenerson Museum, Oslo, NO Knock on wood: Tales from the forest, Virserums Konsthall, SE Space, Foundazione MAXXI, Rome, IT Lust and Vice: The Seven Deadly Sins from Dürer to Nauman, Zentrum Paul Klee, Bern, CH When Eve Meets Adam, Museum of Fine Arts, Strasbourg, FR A Million and One Days, Lithuanian National Gallery of Art, Vilnius, LT The Missing Peace: Artists Consider the Dalai Lama, Nobel Museum, Stockholm, SE Tong, Haeinsa Temple, Chiin - ri, KR Esplanade — The Recital Studio, SG Video, An Art, A History 1965 - 2010: A Selection from the Centre Pompidou and Singapore Art Museum Collections, SG Déserts (1994), Tokyo Symphony Orchestra, Suntory Hall, Tokyo, JP Shan Shui, Beijing Center for the Arts, CN Environmental Day, ikono.tv / MELD, Television Broadcast, Arabsat: Menasa Region, Etisalat, AE Selected works from the Centre Pompidou's New Media Collection, Herzliya Museum of Contemporary Arhuman face, Palazo Re Enzo (1/29 -2 / 13) & La Triennale / Bovisa, Milan, IT La Candela Festival 2011, Valls, ES The Unbearable Lightness of Being, Yvon Lambert Gallery, Paris, FR San Sebastian, una iconografia comtemporánea, Kubo - Kutxa, Donostia - San Sebastian, ES When Painting Moves... Something Must Be Rotten, Stenerson Museum, Oslo, NO Knock on wood: Tales from the forest, Virserums Konsthall, SE Space, Foundazione MAXXI, Rome, IT Lust and Vice: The Seven Deadly Sins from Dürer to Nauman, Zentrum Paul Klee, Bern, CH When Eve Meets Adam, Museum of Fine Arts, Strasbourg, FR A Million and One Days, Lithuanian National Gallery of Art, Vilnius, LT The Missing Peace: Artists Consider the Dalai Lama, Nobel Museum, Stockholm, SE Tong, Haeinsa Temple, Chiin - ri, KR Esplanade — The Recital Studio, SG Video, An Art, A History 1965 - 2010: A Selection from the Centre Pompidou and Singapore Art Museum Collections, SG Déserts (1994), Tokyo Symphony Orchestra, Suntory Hall, Tokyo, JP Shan Shui, Beijing Center for the Arts, CN Environmental Day, ikono.tv / MELD, Television Broadcast, Arabsat: Menasa Region, Etisalat, AE Selected works from the Centre Pompidou's New Media Collection, Herzliya Museum of Contemporary Art, IL

Finlay has the rare ability to capture images that sear an indelible mark on the soul of those who view them; his gift is a human face to the crisis at hand.

We focused initially on the enormous seabed earthquake off Japan and the resulting tsunami and then on the challenges facing journalists and activists trying to communicate about human - driven climate change in ways that hew to the science but also gain traction (a very tough challenge; we have very different views).

The challenge they face is accentuated by the latest report out today from the «Six Americas» survey tracking Americans» views of human - driven climate change.

By reference to cases including R (SB) v Governors of Denbigh High School [2006] UKHL 15, Miss Behavin» Ltd v Belfast City Council [2007] UKHL 19, R (Stevens) v Secretary of State for Communities and Local Government [2013] EWHC 792 (Admin) and R (Nagre) v Secretary of State for the Home Department [2013] EWHC 720 (Admin), Hickinbottom J expressed the view that the differences between the approach required by ECHR jurisprudence and the traditional Wednesbury approach could be exaggerated and explained how a court should allow considerable deference to a decision, which on its face properly took into account the human rights engaged.

Martins Paparinskis» EJIL Article argues that the conceptual challenges faced by contemporary investment treaty arbitration can be effectively addressed if the regime is not viewed in isolation from its progeny, i.e. international human rights and consular law, the law of treaties and the law of diplomatic protection.

The Winkler Institute has an expertise in human - centered design, and as an independent university - based research centre, took an objective view of the issues faced in the family justice system across Ontario.

Today I am a 20 year veteran in Human Resources and I have developed strong views on this profession and the challenges it faces moving forward.

Faced over the last 30 years with rapid advances in the science of human reproduction and fertility, DNA analysis, and genetics, the equally rapid evolution of the legal rights of gay and lesbian individuals, and significant changes in social views regarding traditional marriage, same - sex couples, and families, the law throughout the United States has been forced to wrestle with the question of just exactly «who is a parent?»