Sentences with phrase «viewing images of men»

Not exact matches

man viewed from the back, with arms raised in victory, looking at projection of 1040 tax form on wall (Photo: Getty Images)

I am in so much agreement of your view, man was clearly made in the image of God as the bible says.

To Eric.G, to answer your question, It is my point of view that Jesus (PBUH) is the Son of God based on the simple statement that reads «god made man in his own image».

And insofar as the image of Christ was shaped in relation to this view of God, Christ too receded from man in such a way that men doubted his capacity for empathy.

The Hebrew - Christian view that man is formed in the image of God and has a basic uniqueness in the animal kingdom is, therefore, much needed in our situation.

Niebuhr developed his biblical view of man under the idea that man is both in the image of God, and a self - venerating sinner.

(2) The biblical view also «emphasizes the height of self - transcendence in man's» spiritual stature in its doctrine of «image of God.»»

According to Paul — and he shared this view with his Jewish contemporaries — God had created man in his own image, and man thus partook of the divine nature.

In their view, it is when the self - image of the strong, independent he - man breaks down, through the effects of prolonged excessive drinking, that alcoholism develops.

The process theology which informs our interpretation of Christian faith agrees wholeheartedly with this view of the image of God in man; but it proposes a distinctive addition to the doctrine, for process theology sees love disclosed in a history in which the spirit of God creates new forms.

In view of man's nearly insatiable drive for power, or as Joseph Haroutunian puts it, man's «Lust for Power,» it is easy to believe that this is man's central image.

Therefore we can include still one more view as to the image of God in man.

The Men in White angels lampoon the science class's view of evolution, calling it the «goo to you» approach because they want to speak of humans as souls made in the image of God.

View image gettyimages.com Monreal was arguably Arsenal's Man of The Match, as he caused the left - hand side of the Blues often - and probably should have had an assist, had Mesut...

Liverpool, So» ton & Spurs Are Out View image gettyimages.com Brendan Rodgers» men were a re-emerging force before damaging defeats to Manchester United and Arsenal, has now left them 7 points off of 4th with 7...

Furthermore, while, the dorsomedial prefrontal cortex (dmPFC) and amygdala of the right hemisphere were activated in both men and women at the time of viewing, the connection between the amygdala and dmPFC was stronger in men than in women, and the more these two areas interacted, the less sensitivity to the images was reported.

In samples from men who viewed the images containing the two men and a woman - the «sperm - competition» images - 52 % of the sperm were motile.

This compared with 49 % sperm motility in the men who viewed the images of women only — a difference that was statistically significant after taking into account lifestyle factors such as cigarette smoking and alcohol consumption.

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It allows men to view large thumbnail images free of cost.

Our free personal ads are full of single women and men in Banner Banners add - on will let you place images or HTML code directly onto your dating site pages and check views and clicks statistics.

There are several possible readings for the subjective, head - on views of Finney, which after all suggest a mirror image (and we do catch ourselves miming his every wince in sympathy)-- for starters, that we identify with the gallant doctor even though our P.O.V. belongs to The Man.

We watched «The Parallax View» and «All The President's Men» and, without being too self - conscious about it, we tried to approach the images with a sense of a modern palette on some level.

Empire has debuted two new posters from director Justin Kurzel's adaptation of William Shakespeare's Macbeth, both of which you can view right here... SEE ALSO: Michael Fassbender and Paddy Considine featured in new images from Macbeth Michael Fassbender (Shame) and Marion Cotillard (Two Days, One Night) star in the film, with Paddy Considine (Dead Man's -LSB-...]

The movement from animation to YouTube signals a shift from introspection to an outward view, a subjective shift from the images and fantasies of the inward imagination to the outward search for place and identity through the surfing of the web, a clip shows a pair of brawling men, one viciously raining punches on the other.

This exhibition includes two new groups of paintings: a selection of self - portraits and a series depicting the Million Man March on Washington, D.C. Displayed as counterpoints in two separate galleries, the self - portraits offer discrete views of the artist as a private individual with a public persona, while the Million Man March artworks — large, unstretched canvases screenprinted with mass - media images — portray arrays of anonymous individuals brought together at an epochal moment for the African American community.

Complementing an exhibition that was on view at the Art Institute of Chicago, the volume includes Parks's black and white images with narrative captions accompanying the plates; Ellison's typed manuscript for «Harlem is Nowhere,» complete with handwritten edits; and the layout pages for «A Man Becomes Invisible,» reproduced from Life.

The Brandt work here — of a man using a Polaroid that appeared on the cover of Time Magazine — is best viewed through a phone camera, a playful play of generational image use.

A recurring image among the 29 works here is derived from a 17th - century engraving of two men viewing a dragon from different vantage points — a metaphor for Polke's own complex demands on viewers.

A gay man, he paints images of a culture that is stereotypically viewed as exaggeratedly heterosexual («There's an interesting anxiety to what's possibly queer about them,» he notes.)

The viewer comes into view as a reflection with every rotation, and the other images are formed from two projectors: one showing a close up of a man's face, the other a series of coloured images — variously a course, fireworks, and other snapshots of apparent exuberance.

Through these works, the viewer is privy to both sides of the goings on of a thirty - something man in New York: sexcapades with his girlfriend, the image of his friend picking a wedgie after a dip in the ocean, a calculator with 8008135 spelled on the screen, are balanced by quiet, introspective views of the city, intimacy shown within the interior of his apartment, and the beauty found in the subtlety of his bathroom sink.

They are undermined in their representation, which allows us to view them with sensitivity, even pity, which is rarely afforded to contemporary images of men.

A selection of black - and - white drawings featuring expressionistically painted images of bulls and men, which were exhibited in Caro's retrospectives at the Museo Correr, Venice (2013) and the Yale Center for British Art, New Haven (2012), highlight the linear qualities of the steel, bronze and brass sculptures on view.

Valenzuela's exhibition, New Land, on view here at McColl Center through December 2, 2017, features a suite of newly commissioned desert images on canvas that address the intersecting ideas of home, man - made borders, and dystopia.

By reproducing, representing Haw's trove of images and words, Wallinger gets the man's protest into the gallery willy - nilly, of course, and you might assume that this is an act of sympathy: that Wallinger must share the same views.

On view will be a video from 1978, dozens of painted chairs, and a large series of recent works on mylar, including a 10 - foot tall image of a man proudly sporting an enormous penis and a triptych depicting three crouching, nude, spread - legged women, all painted in Applebroog's signature style of simplified human forms with bold outlines.

This exhibition gathers more than 80 of those images into a single - room installation: scholars, artists, musicians, thinkers, photographers and even the artist's dad, a printer — collectively calling into question the general public's (not to mention our president's) stereotyped view of Mexican - American men.

Group exhibitions include Beastly / Tierisch, Fotomuseum Winterthur, Zurich, Switzerland (2015); Now You See It: Photography and Concealment, Metropolitan Museum of Art, New York, USA; Plotting From Above: Mishka Henner and Montreal Aerial Survey, McCord Museum, Montreal, Canada; Drone: The Automated Image, Darling Foundry, Montreal, Canada; Views from Above, Centre Pompidou, Metz, France; A Different Kind of Order, International Centre of Photography, New York, USA (all 2013); Less Americains & Astronomical, Whitechapel Gallery, London, UK; Appropriation: Questioning the Image, Fotogalerie Wien, Vienna, Austria; No Man's Land, Oregon Center for Photographic Arts, USA (all 2012).

It and the two other works on view — Radio Piece (Hong Kong)(2015), a backward moving shot of Hong Kong's Kowloon district, and KING (after Alfred Wertheimer's 1956 picture of a young man named Elvis Presley)(2015), for which Claerbout has recreated the historical photograph, pixel by pixel, using other images taken throughout Elvis's career — masterfully play on the space between what is real in physical terms and what one can come to perceive as real in the digital realm in which we spend so much of our lives.

Meanwhile, «The Truth About Pizzagate» returns a quarter of a million results, including «PizzaGate Definitive Factcheck: Oh My God» (620,000 views and counting) and «The Men Who Knew Too Much About PizzaGate» (who, per a teaser image, include retired Gen. Michael Flynn and Andrew Breitbart).