Sentences with phrase «viewing of other artists»

Art today is for the viewing of other artists to each other, and the few wealthy people who can buy them and their work.

Clint Eastwood with his eyes scratched out, semi-naked men frolicking humorously, the artist posing like James Bond in her studio with «walkies» scrawled over her face — not to mention installation views of other artists» shows — all overlap each other.

Not exact matches

Mixed media artist and clothing designer Marie Cordella is just one of the 40 artists whose work can be viewed at ArtSpace, a visual art center that features 23 open studios, three exhibition galleries, lectures, classes and many other stimulating art events.

Where other films might feel the need to announce or explain Woodcock's (not unearned) high opinion of his dresses, «Phantom Thread» needs only to show how Woodcock comports himself to indicate his view of himself as a grand artist is as important to him as the actual work.

Family Viewing, on the other hand, continues to prove rewarding after multiple viewings, exhibiting the idealism of a young artist with the intelligence of a mature craftsman.

The best horror films of the 1980s might not have all went so far into the ether as Kubrick or Carpenter, but each one clearly came from both a unique point of view and an ambitious, capable artist, surrounded by technical geniuses and other artists who help them out as best they can.

First, as the narrator Marc shared with us, humorously and candidly, his views on the practice of medicine, his patients, artists and entertainers and women, among other subjects.

No matter who the author and publisher are, such readers claim all authors are working «for fun» or to stroke their egos, and do not view editors, graphic artists, or any of the other people involved in producing books as necessary.

View works by contemporary Ubudian artists as well as traditional schools of art such as Batuan — practiced by Brahman artists — and Sanur, which features highly stylized paintings of sea creatures and other animals.

For starters, you can visit the Oceana Art Gallery in Eureka Square and view the works of local artists, and then you can enjoy some wonderful eateries — all within walking distance of each other near Rockaway Beach.

Even in this case, it must be noted that certain photographs represent a private sketch group meeting in one of the women artists» homes; in the other, the model is draped; and the large group portrait, a co-operative effort by two men and two women students of Repin's, is an imaginary gathering together of all of the Russian realist's pupils, past and present, rather than a realistic studio view.

Beginning today, an online exhibition of 18 artworks by African - American artists in the BMA's collection can be viewed by people around the world thanks to a new partnership between the Google Cultural Institute and more than 40 other organizations with African - American artworks and historical artifacts.

The artist's work has been viewed in prominent public collections such as the Metropolitan Museum of Art, New York; the Corcoran Gallery of Art, Washington, D.C.; The Museum of Fine Arts, Houston, Texas; The Nelson - Atkins Museum of Art, Kansas City, Missouri and the High Museum of Art, Atlanta, Georgia, among others.

Today, many of these portraits — composed of a delirious mixture of clippings from Vogue and other magazines together with the artist's own marks — are on view at the Brooklyn Museum as part of her captivating survey «Wangechi Mutu: A Fantastic Journey.»

Harlem Shake Down — The viral sensation «Harlem Shake,» which recently climbed all the way to the top of the Billboard 100 pop chart (thanks in no small part to the addition of YouTube views when calculating the rankings), has been hit with some controversy as the song's writer and producer Harry Bauer Rodrigues, better known by his recording name Baauer, illegally used samples from two other artists who are now demanding compensation, including the art world's own Internet sensation: Jayson Musson, a.k.a. Hennessy Youngman, who can be heard on the track urging the listener to «do the Harlem Shake.»

In the first exhibition at Observatory, Brooklyn, on view through November 15th, James Walsh presents photos and prints in conjunction with an evening program of projections, performances, poetry, and other events by various artists throughout the run of the show.

As can be seen in the rash of exhibitions recently or currently on view, the digital revolution has been a double - edged sword for artists who work with or in the medium of ephemera and miscellany; on one hand, artists can easily manufacture their own work; on the other, some printed materials may soon be obsolete, changing the nature of the visual landscape and cultural communications.

Coming off his Balloon Dog (Orange), which sold last November for $ 58.4 m (# 34m), the highest price ever paid for a living artist, two other shiny sculptures adorned the catalogue covers of Sotheby's and Christie's spring sales, with Jim Beam — JB Turner Train, the stainless steel train filled with bourbon, selling for $ 33.7 m, and Popeye going to Steve Wynn's Las Vegas casino for an above - estimate $ 28.1 m. Fans packed in like sardines last year for Koons's solo shows at New York's Gagosian and Zwirner galleries, which pitted his Gazing Ball plaster casts against work just off the production line, and are currently filing through Rockefeller Center to view Split - Rocker, rising 37 feet (11 metres) in the air, with the hairs of its 50,000 living flowers standing on end.

Guests have an opportunity to mingle with other art enthusiasts and meet many of the artists who have work on view in the show.

Other projects in the works include artist and outreach workshops for at - risk youth groups and women's groups focusing on the power of autobiography and self - discovery and an original work of fiction inspired by the artwork on view at Girls» Club to be featured in the upcoming exhibition catalog, to be published in Spring 2014.

THE EVERYWHERE STUDIO On view December 1, 2017 — February 26, 2018, Inaugural Exhibition Explores Contemporary Life through Lens of the Artist's Studio Including Works by Roy Lichtenstein, Bruce Nauman, Andy Warhol, Deiter Roth, Carolee Schneemann, and Laure Prouvost, Among Others

These include «Joyce J. Scott: Harriet Tubman and Other Truths,» the monograph of the Baltimore - based artist is the most comprehensive publication about her work to date complements her exhibition that was on view through April 1 at Ground for Sculpture in Hamilton, N.J. «Adrian Piper: A Synthesis of Intuitions 1965 — 2016,» is a 350 - page catalog documenting her career - spanning exhibition which just opened to rave reviews at the Museum of Modern Art in New York.

The third installment of Prospect, the New Orleans triennial, follows suit with work by 58 artists on view at 18 venues and is further distinguished by three attributes: Franklin Sirmans serves as artistic director; He curates the show with a decidedly New Orleans lens that doesn't lose sight of the global perspective; And most significantly, there are more Black artists represented at Prospect 3 (more than 20) than at any other American biennial - style gathering in recent memory, perhaps ever.

3 The first enlarged bronze key chain, a bird's - eye view of the artist's as - yet - unrealized art school, Fairfield International, was created in 2016 for Gander's solo exhibition The Connectivity Suite (and other places) at Esther Schipper, Berlin.

Conceived as a kind of «love letter,» this billet - doux between two covers was addressed not only to the eight dead and one living artist (Balthus) who Perl had written about, but also to the many living artists and others who the author felt would share his view that many of the seminal achievements — and lesser known periods — of French modernism's «Old Masters» had been ignored, pushed aside or wrongly dismissed.

The contrasting artists» work complimented each other's variety of pieces» room by room so those were gradually introduced to more and more fascinating art, viewing the endless amount of emotion through their pieces.

With five current exhibitions on view (two permanents and three temporary), is a museological space of reference in Lisbon, where the visitor can enjoy the best of modern and contemporary art, hosting the Berardo Collection with its more than 70 artistic tendencies and more than 900 works that demonstrates its strong museological and didactic nature, with works by artists like Marcel Duchamp, Pablo Picasso, Salvador Dalí, Joan Miró, Man Ray, Andy Warhol, Francis Bacon, Jackson Pollock, Gerhard Richter, James Rosenquist, Alexander Calder, Jean Dubuffet, Yves Klein, Maria Helena Vieira da Silva, Helena Almeida, Louise Bourgeois, Dan Flavin, Andreas Gursky, Nan Goldin, Rebecca Horn, Donald Judd, Anish Kapoor, Jeff Koons, Nam June Paik, Frank Stella, Bill Viola, among many others.

It will also exhibit works by artists who have had residencies at Rauschenberg's former home in Captiva, Fla.; and it will invite scholars from the Williams College / Clark Art Institute art history program to curate exhibitions of his pieces and art by others to provide a «new view» of Rauschenberg's works.

Indigenous narratives also interest other artists like Armando Queiroz (based in Belem) but from a point of view closer to the histories of violence, massacre and destruction of these cultures.

2005 The Last Generation, curated by Max Henry, Apex Art, New York, NY, USA; traveling to Jousse Entreprise, Paris, France Superstars: From Warhol to Madonna, Kunstforum / Kunsthalle Wien, Vienna, Austria The Painted World, P.S. 1 Center for Contemporary Art, Long Island City, New York, USA The Disasters of War: From Goya to Golub, Ezra and Cecile Zilkha Gallery, Wesleyan University, Connecticut, USA Post No Bills, curated by Matthew Higgs, White Columns, New York, USA Helga's Art Collection, Museo Extremeno e Iberoamericano de Arte Contemporaneo, Badajoz, Spain The Art of Aggression: Iraqi Stories and Other Tales, curated by Jean Cruthchfield and Robert Hobbs, Reynolds Gallery, Richmond, Vancouver, Canada 2004 Editions Fawbush: A Selection, Sandra Gehring Gallery, New York, USA Last one on is a soft Jimmy, Paula Cooper Gallery, New York, USA Bill Adams, Wayne Gonzales, Cameron Martin: Paintings, KS Art, New York, NY Word of Mouth, A Selection: Part 1, Dinter Fine Art, New York, USA La Lettre Volée, F.R.A.C. Franche - Comté Musée des Beaux - Arts de Dole, France The Freedom Salon, Deitch Projects, New York, USA Bush League, Roebling Hall, Brooklyn, New York, USA Painting (Wayne Gonzales, Roger Metto, Jason Middlebrook, Cristian Rieloff), Galleri Charlotte Lund, Stockholm, Sweden 2003 Parallax Views: Art and The JFK Assassination (Ant Farm & T.R. Uthco, Wayne Gonzales, Eric M. Jensen), Hallwals Contemporary Arts Center, Buffalo, New York, USA 150 artists make 150 T - Shirts, Daniel Silverstein Gallery, New York, USA Cartoon, Riva Gallery, New York, USA Melvins, Anton Kern Gallery, New York, USA 2002 The Presidential Suite, Nassau County Museum of Art, Roslyn Harbor, New York, USA Gravity Over Time, curated by John Pilson, 1000 Eventi, Milan, Italy From the Observatory, Paula Cooper Gallery, New York, USA Subject Matters, curated by Norman Dubrow, Kravets / Wehby Gallery, New York; Conner Contemporary Art, Washington, USA 2001 How is everything?

On the other end of the spectrum was Spanish artist Miguel Angel Garcia's pigment print View from the Empire State building Looking South, a scenic photograph abstracted by the painted red highlights of water towers throughout the city vView from the Empire State building Looking South, a scenic photograph abstracted by the painted red highlights of water towers throughout the city viewview.

In the same period, Rauschenberg immersed himself in all aspects of the New York art world, attending lectures by major critics and artists at the Club, the legendary space where artists associated with the New York School gathered for debate beginning in 1948, and frequently viewing recent work by Willem de Kooning (1904 — 1997), Jackson Pollock (1912 — 1956), Franz Kline (1910 — 1962), Philip Guston (1913 — 1980), and Barnett Newman (1905 — 1970), among others, all of whom were acquaintances of varying familiarity.

On view September 18, 2013 — January 19, 2014, Matisse's Marguerite: Model Daughter brings together more than 40 prints, drawings, paintings, and sculptures from the BMA and other public and private collections to show Marguerite over the course of 45 years and provide a fascinating glimpse of the artist's relationship with his only daughter.

St. Louis Public Radio covers a selection of new African American art exhibitions on view in the city, including «Hands Up, Don't Shoot,» a direct response to the Michael Brown killing organized by the Alliance of Black Gallery owners and on view at 14 venues; «Other Ways» at Philip Slein Gallery featuring than 60 works from local private collections by artists such as Radcliffe Bailey, Dawoud Bey, Mark Bradford, Ellen Gallagher, Kara Walker and Kehinde Wiley; «Living Like Kings» at the World Chess Hall of Fame explores the intersection of chess and hip hop; and a presentation of Nick Cave «s Sound Suits at the St. Louis Art Museum opening Oct. 31.

Bradford's monumental painting My Grandmother Felt the Color, 2016, is currently on view at the BMA in a gallery dedicated to social abstraction, alongside other artists who have turned to abstract imagery to convey the humanity, complexity, and ongoing impact of specific cultural experiences, such as Jack Whitten and Ross Bleckner.

On the other side of the island, Scotland + Venice have taken over an elaborate Venetian palace where artist Graham Fagan has developed a carefully choreographed display which leads visitors through opulent rooms of Murano glass chandeliers and views over the Grand Canal, culminating in a multi-channel video installation entitled The Slaves Lament.

However, in other ways, the works may also be viewed as subverting that same attitude: through their creative approach to recycling these materials, and repurposing them as art objects, both artists successfully assert their own artistic identities through the raw materials of consumerism.

Though not on view in «Out of Hand,» other artists and workshops have also experimented with the technology, either on their own or in academic / professional settings (such as The Walthamstow Tapestry by Grayson Perry).

Not so with the other two, who developed a more complex vocabulary as well as absorbed lessons from a wide range of artists, including Camille Corot, Claude Monet (particularly his late panoramic views of the gardens at Giverny), Henri Matisse and his attention to a painting's entire surface, and the gestural painters associated with Abstract Expressionism.

While several of the works on view depict critical moments in an artist's career, others seem less representative, and one wonders how the curators made their selections.

Viewing of a private collector's home featuring a new installation by James Turrell, among other important contemporary artists

On view from May 14 — September 3, 2017, it features works by artists including Duchamp, Cory Arcangel, John Baldessari, Sophie Calle, Judy Fiskin, Sherrie Levine, Jeff Koons, Jorge Pardo, Francis Picabia, Julian Schnabel, Andy Warhol, Kara Walker and others in a variety of mediums that address issues of beauty, value and judgment.

Overall, No Lemon No Melon at Flowers offers a refreshingly intelligent summer exhibition bringing together eight interesting artists who utilize layering techniques to address the physicality of their surroundings, both on their own and in conversation with the other works on view in the gallery.

She will also contextualize Frankenthaler's practice with that of other artists of her generation on view in the PMA's galleries, ranging from Anthony Caro and Louise Nevelson to Lois Dodd and Alex Katz.

All of the second - floor galleries were retrofitted, new walls were constructed, and projectors were installed to create intimate viewing spaces that allow the viewer to experience each video work to the exact installation requirements of the artists — this includes specific wall colors, audio parameters, sound panels, other installed materials, projection angles, and screen selection.

An African - American artist, Parker Bright, has conducted peaceful protests in front of the painting since Friday, positioning himself, sometimes with a few other protesters, in front of the work to partly block its view.

Hall met Pete Eckert and Alice Wingwall, the Guild's other two members, in 2009 when their work was selected by curator Douglas McCulloh to be part of the traveling exhibition called Sight Unseen: International Photography by Blind Artists, which was on view at the Canadian Museum for Human Rights.

101 Spring Street, which is available for viewing by guided visit, was the first place where Judd installed his work and the work of other artists permanently.

One train of thought defines the British painter Edward Burra as a satirist and connects him to the production of the German artist Otto Dix, while the other views him as a social realist due to his sharp and distorting eye of the human nature, and landscape.

He views his work as «An elaborate community forum, as much as a work of sculpture,» and as such, the gallery doubles as a stage for singer - songwriters, pop artists, poets, and composers, together with panel discussions, community forums, and other forms of creative public debate and engagement.