Sentences with phrase «viewing of the actual work»

Not exact matches

It's also easy to prejudge the situations, intentions, and attitudes of the women who work at a place like Hooters, and to cry out «exploitation» without truly understanding, say, the point of view of an actual Hooters Girl.

I confess that, in the actual preparation of the work, it was a processive philosophy, which I have myself formulated from Teilhard's world - view, that directed and controlled my reflections.

Please don't listen to these people on here they have so many different views and ideas of their own but don't listen to them they have closed their heart to God and are doing Satans work of misleading people away from the Almighty they look for men who like to have their ears tickled so don't take mine our anyone else's word for it look it up for your self history attests to the bible as true and The writings of Moses is far older than anything they have ever found thats right Moses wrote the first parts in the bible 3,500 years ago The scriptures weren't inspired by Pagan stories Pagan stories was inspired by actual events just like those in the bible because if you notice that a lot of the stories found in the bible have a lot to do about people worshipping false Gods.

First, there is the view of «prehensions,» of causation as not so much a transmission from the past as a picking up of a character, and in the later works, a «feeling» of an immediate predecessor by an actual entity in the present, when the predecessor has perished.

if you analyse it from the business point of view they «the management» actual set Arsenal back in finances, we are losing supporters we could of added to our numbers and in return negotiate better sponsorship and also as i said now we have to pay so much more to have what we need as players and salaries, example we offered around 27M for Higuain Napoli bought him for 40M and now his worth 90M that's just one example if you listen to AW the list of players we could of signed and didn't you work out the sum

In view of the growing body of work evaluating breastfeeding peer support, we have distinguished between this and other kinds of lay support, following the definition by Dennis 2002: «Peer support is provided by lay individuals who are not part of the client's own embedded network, who possess experiential knowledge of the targeted behaviour (i.e. successful breastfeeding skills) and similar qualities (i.e. age, socioeconomic status, ethnicity, residency etc.) in order to aid the client during a time of actual or potential stress (i.e. the initiation and continuation of breastfeeding).»

The common view of Gov. Paterson is that he's a slacker, far more interested in the trappings and symbolism of the job than the actual work.

Where other films might feel the need to announce or explain Woodcock's (not unearned) high opinion of his dresses, «Phantom Thread» needs only to show how Woodcock comports himself to indicate his view of himself as a grand artist is as important to him as the actual work.

For example, in the media gallery visitors can view video clips of an actual autopsy or see medical examiners at work.

Viewing actual work and teacher feedback increases the fidelity of information provided to parents.

Limitations in some templates; too much wasted white space (would love my work to be displayed much larger); integration of pages to sell prints and / or products with my work on it in pages with the original artwork (lower priced or alternative options for folks who aren't yet ready to invest in fine art); room setting view where customers can see the size / shape of a painting / print in an actual room like over a couch or bed, in a kitchen, etc; greater options in template layout (social buttons and email NL signup at top of page, etc).

Exhibitions on view through January 15 include Fictions, We Go as They, featuring works created at the Studio Museum by 2016 — 17 artists in residence Autumn Knight, Julia Phillips, and Andy Robert, and Their Own Harlems, organized in honor of the centennial of the birth of Jacob Lawrence (1917 — 2000), with works by some twenty artists who have reflected on Harlem as both actual site and symbolic place.

In the last Whitney Biennial a significant percentage of the works on view took as their subjects actual historical episodes or addressed earlier moments in the history of art.

As A.i.A. senior editor William S. Smith pointed out in his essay on Michael Heizer (whose 1970 installation Actual Size: Munich Rotary is on view at the Whitney Museum of American Art through April 10) our April issue, «Land art was photogenic out of necessity... images produced in tandem with the construction of giant earthworks could greatly expand the works» aesthetic and conceptual range.»

Is that an actual work of art, a view out the window, or the skylight?

Equally, she is conscious of the tension between artistic and industrial or productive labour, making the point most recently with the installation demo at her 2016 — 17 Kunsthalle Zurich show, where her work was combined with the actual demolition and construction being carried out in the building, which could be watched from a viewing platform that the artist constructed.

2008 Heralded as the new black, Ikon Gallery, Birmingham, UK Heralded as the new black, South London Gallery, London, UK Something Vague, St Gallen Kunstverein, Switzerland, CH Something Vague, Bonner Kunstverein, Bonn, DE How I learnt to use my senses, how I learnt to think and how I learnt to feel, Taro Nasu Gallery, Tokyo, JP Championed by Rigour, Tanya Bonakdar Gallery, New York, US And it came to life, Marz Galleria, Lisbon, PT Basquiat, STORE Gallery, London, UK 2007 GHOSTWRITER SUBTEXT (TOWARDS A SIGNIFICANTLY MORE PLAUSIBLE INTERROBANG), Taro Nasu Gallery, Tokyo, JP More than the weight of your shadow, DAIWA Press Viewing Room, Hiroshima, JP Passengers, CCA Wattis Institute for Contemporary Arts, San Francisco, US Short cut through the trees, MUMOK, Vienna, AT The Last Work, Stedelijk Museum, Amsterdam NL Of Any Actual Person, Living or Dead (with Aurélien Froment), STORE, London, UK 2006 Ryan Gander, Massimo De Carlo, Milan, IT Ghostwriter Subtext, Premier Container, Art Basel Premier with STORE, Miami, US Didactease, Marc Foxx, Los Angeles, USCinema Verso, Whitechapel East Wing, London, UK Spencer, forget about good, Art Basel Unlimited with Annet Gelink Gallery, Basel, CH The title taken from reading that book (with George Henry Longly), Elisabeth Kauffman, Zurich, CH Is This Guilt In You Too --(The study of a car in a field), MUMOK, Vienna, AT Your clumsiness is the next man's stealth, Annet Gelink Gallery, Amsterdam, NL Nine Projects for the Pavilion de l'Esprit Nouveau, MAMbo, GAM, Bologna, of your shadow, DAIWA Press Viewing Room, Hiroshima, JP Passengers, CCA Wattis Institute for Contemporary Arts, San Francisco, US Short cut through the trees, MUMOK, Vienna, AT The Last Work, Stedelijk Museum, Amsterdam NL Of Any Actual Person, Living or Dead (with Aurélien Froment), STORE, London, UK 2006 Ryan Gander, Massimo De Carlo, Milan, IT Ghostwriter Subtext, Premier Container, Art Basel Premier with STORE, Miami, US Didactease, Marc Foxx, Los Angeles, USCinema Verso, Whitechapel East Wing, London, UK Spencer, forget about good, Art Basel Unlimited with Annet Gelink Gallery, Basel, CH The title taken from reading that book (with George Henry Longly), Elisabeth Kauffman, Zurich, CH Is This Guilt In You Too --(The study of a car in a field), MUMOK, Vienna, AT Your clumsiness is the next man's stealth, Annet Gelink Gallery, Amsterdam, NL Nine Projects for the Pavilion de l'Esprit Nouveau, MAMbo, GAM, Bologna, Of Any Actual Person, Living or Dead (with Aurélien Froment), STORE, London, UK 2006 Ryan Gander, Massimo De Carlo, Milan, IT Ghostwriter Subtext, Premier Container, Art Basel Premier with STORE, Miami, US Didactease, Marc Foxx, Los Angeles, USCinema Verso, Whitechapel East Wing, London, UK Spencer, forget about good, Art Basel Unlimited with Annet Gelink Gallery, Basel, CH The title taken from reading that book (with George Henry Longly), Elisabeth Kauffman, Zurich, CH Is This Guilt In You Too --(The study of a car in a field), MUMOK, Vienna, AT Your clumsiness is the next man's stealth, Annet Gelink Gallery, Amsterdam, NL Nine Projects for the Pavilion de l'Esprit Nouveau, MAMbo, GAM, Bologna, of a car in a field), MUMOK, Vienna, AT Your clumsiness is the next man's stealth, Annet Gelink Gallery, Amsterdam, NL Nine Projects for the Pavilion de l'Esprit Nouveau, MAMbo, GAM, Bologna, IT

The story of a young Ruscha having a eureka moment after seeing reproductions of Target with Four Faces (1955) by Jasper Johns and Robert Rauschenberg's «combine» Odalisk (1955/58), which includes an actual chicken, is an interesting lens through which to view his work.

Gregory Euclide's intricately crafted sculptural works explore the tension between idealized, picturesque views of landscapes and actual experiences of being in nature.

He intends his work be «absorbed», their formal sensibility creating an emphasis on the actual experience, the temporal nature of viewing, of experiencing over time.

While I have a less favourable view of ABS etc. than Mr. Mercer (though it seems to be working out okay in England, with the Clementi report that got the ball rolling produced by a non-lawyer), I do appreciate his focus on the disjunction (actual or potential) between lawyers» and paralegals» interests, and the public's interests.

Johnston, in her article «Therapeutic Work with Alienated Children and Their Families,» says that the purpose of such interventions should be to «transform the child's distorted, rigidly held» views of the rejected parent «into more realistic and measured ones, rooted in the child's actual experience of both parents.»

«The remarks attributed to me at a private dinner — borne out of frustration during an informal debate over what I feel is sensationalistic media coverage of the company I am proud to work for — do not reflect my actual views and have no relation to the company's views or approach,» he told the E-Commerce...

To see samples of our work, view our sample resumes, as well as testimonials and case studies from actual clients.

In my view, the primary reason so much training for online therapy — and so much published material on the topic of online therapy — fails the acid test of experience is that not nearly as much actual online clinical work goes on as those selling training programmes would have us believe.