But the truth is that the nation has long abandoned Marx's
views of class struggle and the inevitability of the workers» revolution, after it began carrying out a series of market - oriented reforms in the late 1970s that led it to become the world's second - largest economy.
Not exact matches
Here's Publishers Weekly «s synopsis
of the story: A brutal
view of India's
class struggles is cunningly presented in Adiga's debut about a racist, homicidal chauffer...
And to do this let us begin by climbing up till we tower over the trees which now hide the forest from us; in other words let us forget for a moment the details
of the economic crises, the political tensions, the
class -
struggles which block out our horizon, and let us climb high enough to gain an inclusive and impartial
view of the whole process
of hominization11 as it has advanced during the last fifty or sixty years.
Printing ushered in the Reformation and with it religious plurality and the differentiation
of consciousness reflecting competing and conflicting
classes and other interests (all
struggling for the right to tell stories from their own points
of view) in the same society.
He added that the show «repudiated hundreds
of years
of women's
struggles to be
viewed as being equal to men and is typical
of old - fashioned sexism that might also advise a young woman that her best chance for a happy life is to ace her home economics
class and learn how to make a queso dip from Velveeta to catch a good man.»
Begins with revision
of the Catholic
view of evolution (my
class struggled with this) and then details the questions, mark scheme and a sample answer for each for students to understand their marks.
So the
struggle continues to make America a place where black people and black institutions are respected; where integration is
viewed through the prism
of pluralist acceptance; and where low - income and working -
class black families have the power to secure the kind
of education they desire for their children.
No question, much
of Mr. Dial's paintings, sculpture, drawings and prints carry you into a darker place — «from reflections on race and
class struggle in America to haunting meditations on events
of contemporary global concern» was the rather sanitized
view of the High Museum, when it mounted «Hard Truths,» the traveling Dial retrospective, organized by the Indianapolis Museum
of Art in 2011.