Sentences with phrase «views of personal narratives»

In a series of works the artist accentuates different interpretations and views of personal narratives.

Not exact matches

Engage students in a discussion about the first - person point of view as it differs in the fictional novel Drita, My Homegirl and the two personal narratives in Making It Home.

Here are some tips on writing narrative essays: narrative essay is written about personal emotions and memories in the form of a story; narrative essay is a story from the author's point of view, therefore all elements of telling (such as setting, plot, character, climax and ending) should be Continue reading

Over the near - decade on view, the artist has apparently focused quite intently on finding innovative means of changing the narrative of painting within a personal and historical context.

View from the Roof Silkscreen on paper, 11 x 15» Andrea Dezsö, a visual artist and writer, creates deeply personal narratives across a broad range of media including drawing, artist's books, cut paper, embroidery, sculpture, installation, animation, and large - scale murals.

Viewing appropriation as a form of collaboration, Dzama incorporates his sources for imagery, narrative, and subject matter seamlessly, creating an aesthetic language that is at once universal and uniquely personal.

Each of the artists in this exhibition were chosen because they create nonrepresentational art based on personal narratives that may go unnoticed when viewing the formal elements of the artwork alone.

For Singles» Mixer, which is on view until late January at Luring Augustine's Bushwick outpost, Kelly presented a multi-channel video and sculptural installation that portrays a conversation of sorts between an eclectic group of on - screen characters, drawing on our collective histories — both personal and cultural — to craft a narrative at once specific to the artist and deeply universal.

INHERITED PREMISES: RAMI GEORGE & TAKO TAAL May 25 - Aug 3, 2018 Private view Fri Jun 1 6 pm - 9 pm Inherited Premises is a two - person show by artists Rami George and Tako Taal that seeks to articulate both personal and national narratives, situating itself between moments of political rupture and socio - familial histories.

Bradford prefers to work in collaboration with other artists or her audience, viewing choreography as social event, as research, and as a means to pose questions about one's place in society and the role of our personal narratives.

A conceptual narrative in three parts, the works on view are inspired by personal recollection, oral history, family relics, and the unearthed bones of the horse that carried Young's great - grandfather north during the Great Migration.

The eleven artists juxtapose divergent approaches in conversation with each other, reflecting on primal questions consuming artists over the millennia: Elliot Arkin's conceptual use of web - based commerce spins an absurdist view on the commodification of artists; Babette Bloch's stainless steel reassessments of nature and artistic precedent limn positives and negatives through light; Christopher Carroll Calkins's street photography captures moments of under - the - radar narratives; Valentina DuBasky's acrylic and marble dust works on paper and plaster are a contemporary comment on the prehistory of art; Gabriel Ferrer's performance - like in - the - moment sumi - ink drawings on handmade paper reflect on memory and personal narrative; Christopher Gallego's realist, pure light - filled oil painting elevates the ordinariness of an artist's space to visual poetry; Ana Golici, in pergamano and collage, takes inspiration from 17th Century female naturalist, entomologist and botanical illustrator Maria Sibylla Merian to explore questions of science, nature and objective truth; Emilie Lemakis's monumental amplification of an ancient Greek krater employs scale to upend perceptions for the viewer's reconsideration; Mark Mellon's bronzes address the oppositions of movement and stillness; the alchemy of Michael Townsend's uncontrolled poured acrylic paintings equate the properties of materials with the turbulence of the universe; Jessica Daryl Winer's engagement with luminous color and choreographic line reflects in visual resonance the sonic history of a musical instrument.

Personal histories, subjective views, multiplicity of narratives.

Each drawing, produced through the use of machinery, acts as a discrete symbol for artistic, economic, or social principals that, when viewed as a group, addresses contemporary narratives of personal anxiety, globalism versus nativism, and the perception of value, especially that of fine art.