Sentences with phrase «views on abstraction»

This decision would prove indispensable as his philosophical training would go on to inform not only his art but also his views on abstraction in general throughout his life as an artist.

Not exact matches

Although at times Hartshorne has spoken as though his account of experience rested on some intuition of its essence as exhibited in his own experience, 2 his predominant view and his philosophical practice advance a concept of experience that is generated by dialectical argument rather than by appeal to direct introspection or intuition: «The philosopher, as Whitehead says, is the «critic of abstractions.»

On this view, the universal principles, which are arrived at by means of abstraction from particulars, retain an intrinsic link with the particulars subsumed under it.

Though Bergson did not develop an elaborate theory of extensive abstraction, it is not surprising that he should have viewed Whitehead's The Concept of Nature, in which this theory is given its classic formulation, as «one of the most profound (works) ever «written on the philosophy of nature» (DS 62n).

He has been kind enough to share with Painters» Table his thoughts on painting and images of his work in advance of a retrospective exhibition, Celebrating Abstraction, which will be on view June 7 - 14, 2012 at the Appledore Festival.

A retrospective of Jones» paintings, Celebrating Abstraction, will be on view June 7 - 14th at the Appledore Festival with works by ceramicist Sandy Brown.

Organized both thematically and chronologically, the show divides the works on view into two main chapters: the years from 1923 to 1933, a time when Torres - García was involved in early modern avant - garde movements such as Catalan Noucentismo to Cubism, Ultraism - Vibrationism, and Neo-Plasticism; and those from 1935 to 1943, a time in which he was fully committed to creating works in his unique style of synthetic abstraction.

Andy Parkinson muses on the exhibition The Indiscipline of Painting: International Abstraction from 1960 to Now, on view at Mead Gallery, Warwick Arts Centre through March 10 2012 (formerly at Tate St. Ives).

Lee Triming reviews the exhibition The Indiscipline of Painting: International Abstraction from 1960 to Now, on view at Mead Gallery, Warwick Arts Centre through March 10 2012 (formerly at Tate St. Ives).

A blog post asserting a true commonality shared by the artists included in Inventing Abstraction: 1910 - 1925 at the Museum of Modern Art, New York, on view through April 15, 2013.

James Kalm visits the exihibition Reinventing Abstraction curated by Raphael Rubinstein at Cheim & Read, New York, on view through August 30, 2013.

Joan Waltemath talks with Raphael Rubinstein about the exhibition Reinventing Abstraction: New York Painting in the 1980s, a show he curated at Cheim & Read, New York, on view through August 30, 2013.

Andy Parkinson blogs about the exhibition Contemporary British Abstraction at SE9 Container Gallery, Eltham, on view through April 11, 2015.

While Edelson, Alexander, and Hershman Leeson focus largely on the female body, Graham Anderson's figurative paintings, which were on view at Klaus von Nichtssagend, dissolve the nude male into a decorative abstraction.

The exhibition «Reinventing Abstraction» remains on view through August 30.

On view will be a range of new paintings in which Wilson continues to translate color and light into luminous and flawlessly calibrated abstractions.

The earliest painting on view in Wolf Kahn: Six Decades is a large landscape - derived abstraction from 1960 titled «Into a Clearing.»

Haynes is co-curator of an important Alma Thomas exhibition currently on view at the Studio Museum and is co-editing a comprehensive catalog about the artist known for her powerful use of color working in abstraction, which is expected to be published in November.

The exhibition John McLaughlin Paintings: Total Abstraction was on view at LACMA in 2016 — 17.

In two of the three new bodies of work on view she creates a take on geometric abstraction that harks back to the 1960s.

Lisette Model and Weegee provided an unconventional and sometimes outright weird view of nightlife on the homefront while Robert Frank presented a wide ranging cross section of America and Aaron Siskind's work approached the abstraction of his friends» paintings like those of Franz Kline.

Whether on the scale of a big canvas such as «Flower Offerings» (2014) or the small untitled one on view, Tran gives a convincing account of abstraction as free - wheeling performance, a possibility supposedly played out 60 - odd years ago, certainly no later than the deaths of greats such as Joan Mitchell (1925 - 1992) and Nicholas Carone (1917 - 2010).

Selected Group Exhibitions 2017 Ted Stamm / Gerrit Rietveld, OV Project, Brussels, Belgium 2017 Painting on the Edge: A Historical Survey, Stephen Friedman Gallery, London 2012 Times Square Show Revisited, Hunter College Art Galleries, New York, NY 2010 Black & White, Galleri Weinberger, Copenghagen, Denmark 1987 Recent Acquisitions, Guggenheim Museum, Brooklyn, NY 1987 Recent Acquisitions, Brooklyn Museum, New York, NY 1985 Art Heritage at Hofstra, Emily Lowe Gallery, Hofstra University, Hempstead, NY 1985 Constructures: New Perimetries in Abstract Painting, Nohra Haime Gallery, New York, NY 1984 Fourth Annual Anniversary Show, John Davis Gallery, Akron, OH 1984 Fifteen Abstract New York Painters, Susan Montezinos Gallery, Philadeiphia, PA 1984 Small Works, Muhlenberg College, Allentown, PA 1984 Mail Art, Franklin Furnace, New York, NY 1984 Artists Call, Judson Memorial Church, New York, NY 1984 Process Black, LIU South Hampton, New York, NY 1984 A Decade of Art, Artists Space 105 Hudson, New York, NY 1984 Offset: A Survey of Artists Books, New England Foundation for the Arts, Wakefield, RI 1983 David Reed, Sean Scully, Ted Stamm; Zenith Gallery, Pittsburgh, PA 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; 1708 East Main Street, Richmond, VA 1983 Abstraction Two Views: Davis and Stamm, The Contemporary Arts Center, Cincinnati, OH 1983 Second Anniversary Exhibition, Harm Bouckaert Gallery, New York, NY 1983 Hundreds of Drawings, Artists Space, New York, NY 1983 A More Store, Jack Tilton Gallery, New York, NY 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; Condeso / Lawler Gallery, New York, NY 1983 Artists for Nuclear Disarmament, Colburn Gallery, Burlington, VT 1982 A Look Back: A Look Forward, Aldrich Museum, Ridgefield, CT 1982 Pair Group, Art Galaxy, New York, NY; travelled to Jersey City Art Museum, Jersey City, NJ 1982 Destroyed Prints, Pratt Manhattan Center, New York, NY 1982 Annual Holiday Invitational, A.I.A. Gallery, New York, NY 1982 Group Exhibition, Roy Boyd Gallery Chicago, Merwin Gallery, Illinois Wesleyan University, Bloomington, IL 1982 Pair Group II, Jersey City Museum, Jersey City, NJ 1982 Black and White, Freeport Mc Mo Ran, New York, NY 1982 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post, Greenvale, NY 1981 Drawings, Roy Boyd Gallery, Chicago, IL 1981 Abstract Painting: New York, Hofstra University, Hempstead, NY 1981 Arabia Felix, Art Galaxy, New York, NY 1981 Words and Images: Contemporary Artist's Books, Southern Alleghenies Museum of Art, Loreto, PA 1981 Love: Hate: Fear and Suicide, University of Brussels, Brussels, Belgium 1981 New Directions, Commodities Corp..

Blackness in Abstraction is on view from June 24 to August 19, 2016 at 510 West 25th Street, with an opening reception on Thursday, June 23 from 6 to 8 p.m..

On view at the National Museum of Women in the Arts in Washington, D.C., through Jan. 21, 2018, the show considers their work in context with each other and the larger history of abstraction.

Vasily Kandinsky, «Composition # 5», on view at «Inventing Abstraction 1910 — 1925», MoMA.Image courtesy Museum of Modern Art

IL LEE: Ballpoint Abstractions will be on view at the San Jose Museum of Art (SJMA) from March 11 to July 8, 2007.

by Matthew Girson The paintings of Zak Prekop, most recently on view at Shane Campbell Gallery, stake an odd claim on the tradition of gestural abstraction.

BASIC FACTS: «Innovation and Abstraction: Women Artists and Atelier 17» is on view from August 4 to October 29, 2016.

On view starting today, December 14th at Hosfelt Gallery, San Francisco is a solo exhibition by Jim Campbell, «Tilted Plane,» a room - sized installation that tests the boundary between abstraction and representation and explores the...

Approximately half of the canvases on view employ a typographical element, acting as a visual counterforce to their abstraction.

I view it as an artwork less to do with the ideas evident in modernist abstraction, even though the deconstructed language of democracy and freedom (Neoplasticism) and a meditative and immersive void (Color Field Painting) hovers on the surface.

IL LEE: Ballpoint Drawings August 7 - September 26, 2009 Gebert Contemporary - Railyard 544 South Guadalupe Street Santa Fe, New Mexico Art Projects International is pleased to announce that IL LEE: Ballpoint Abstractions will be on view at Gebert Contemporary in Santa Fe, NM, from August 7 to September 26, 2009.

PURCHASE, NY - «Romare Bearden: Abstraction,» currently on view at SUNY Purchase's Neuberger Museum of Art in Westchester County, brings to light a sampling of work from an interesting moment in Bearden's long career, work that had been nudged aside by an enthusiastic embrace of his later collages.

Beyond the Spectrum: Abstraction in African American Art, 1950 - 1975 was on view January 9 to March 8, 2014.

George Condo «Double Heads / Black Paintings / Abstractions» on view until December 20th at Skarstedt Gallery in Chelsea, New York.

Some of the gems he has unearthed so far are on view for the next few weeks in «Montauk Highway: Postwar Abstraction in the Hamptons.»

While the monochromatic surfaces on view — cut, pressed, burned, inscribed, or otherwise violated — reflect distinct dynamic, sensual, and romantic approaches to abstraction, they emerged from a shared Mediterranean climate and engagement with an international community of influential dealers and critics.

The work on view begins, chronologically, with hard - edged abstraction, which yields to the more gestural «shimmer» paintings that succeeded it before moving on to the dense, messy (in a charming way) expressiveness of the present (Williams works in New York and Connecticut).

In the first - ever museum exhibition of drawings and collages by a pioneer of geometric abstraction, The Munson - Williams - Proctor Arts Institute Museum of Art is presenting «Geometry in Motion: Leon Polk Smith Works on Paper,» on view through the end of the year.

Allan Stone Projects is pleased to announce Alfred Leslie: Abstraction 1951 — 1962 on view October 29 — December 24, 2015.

The piece shown here, dated 1951 and made on Douglas Howell paper, is currently on view at Rutgers University's Zimmerli Art Museum in Innovation and Abstraction: Women Artists and Atelier 17, through May 31.

The work of Jered Sprecher, Guggenheim Fellow in Fine Arts, 2009, is included in the exhibition Anxious Abstraction, currently on view at the Nerman Museum of Contemporary Art.

Currently on view at MCA Chicago through May 20, the exhibition spans Pindell's five - decade career, «featuring early figurative paintings, pure abstraction and conceptual works, and personal and political art that emerged in the aftermath of a life - threatening car accident in 1979.

Much of the art on view is couched in contemporary abstraction but this edition purposely included art that was not, said Schwing.

(New York — October 31, 2013) Michael Rosenfeld Gallery presents two separate but related exhibitions: Charmion von Wiegand: Secret Doors and American Abstraction, 1930 - 1945 on view November 2, 2013 to January 4, 2014.

Art Projects International (API) is pleased to announce that IL LEE: Ballpoint Abstractions will be on view at the San Jose Museum of Art (SJMA).

The most Picabiaesque work by Rauch on view was Die Wahl (1998), with its figure of the two - headed, almost Siamese - twin artist going about the act of painting a huge polka - dotted abstraction (or is it a depiction of a head?).

Sam Gordon's abstraction poses a photographer's take on his show title, Trompe L'Oeil (On view at Feature Inc. through May 26thon his show title, Trompe L'Oeil (On view at Feature Inc. through May 26thOn view at Feature Inc. through May 26th).

1993 Les Amis des Musées de Verviers: Aspects de la mouvance construite internationale, Fondation Pro Mesures Art International, Verviers, Belgium (catalogue) Yale Collects Yale, Yale University Art Gallery, New Haven, CT Skowhegan 93, Colby College Museum of Art, Waterville, ME (booklet) Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston, MA Artists» Photographs: A Private View, Blum Helman Gallery, New York Live in Your Head, Hochschule für Angewandte Kunst and Galerie Metropol, Vienna (curated by Robert Nickas, catalogue) The Tradition of Geometric Abstraction in American Art 1930 — 1990, Whitney Museum of American Art, New York 15th Anniversary Group Exhibition, Arthur Roger Gallery, New Orleans, LA Drawing the Line Against AIDS, AmFAR Art Against AIDS, Venice Biennale, Venice Looking at Collecting Today, Chateau de Tanlay, Burgundy, France Legend In My Living Room, Rhona Hoffman Gallery, New York I Love You More than My Own Death, Venice Biennale, Venice Italia - America, L'Astrazione Ridefinita, Galleria Nazionale d'Arte Moderna, San Marino, Italy (curated by Demetrio Paparoni, catalogue) New York Painters, Sammlung Goetz, Munich (catalogue) Legend in My Living Room, Rhona Hoffman Gallery, New York Wall Works, Edition Schellmann, Cologne, Germany Works on Paper, Kohn Abrams Gallery, Los Angeles Twenty Years, Daniel Weinberg Gallery, Santa Monica, CA Peter Halley, Todd Levin, Thread Waxing Space, New York (video project) Living with Art: The Collection of Ellyn & Saul Dennison, The Morris Museum, Morris, NJ (catalogue) Color, Pamela Auchincloss Gallery, New York New York on Paper, Galerie Thaddaeus Ropac, Paris