Sentences with phrase «vintage photographs of the artist»

The exhibition features three main bodies of work, which include new paintings completed expressly for The Warhol show, vintage photographs of the artist's father Zhou Xinfang — a grand master of the Beijing Opera — and a collection of portraits of Chow painted by his contemporaries, such as Andy Warhol, Jean - Michel Basquiat, and Ed Ruscha.

Not exact matches

«I don't even have a license,» says artist John Conn, whose photographs of vintage American metal in Cuba line the brick walls of the warm upstairs gallery space.
Painting walls, floor and most of seven sculptural tableaux a medium gray, Pictures Generation artist Barbara Bloom transforms David Lewis into a monochrome stage set, echoing the vintage black - and - white photographs of actors and literary figures that constitute the starting point for each of her works.
Vintage black and white photographs evocative of Twentieth Century American ideals find their home under the same roof as cutting - edge video installations and suspended sculptures by contemporary artists.
Continuing his ongoing interest in vintage aesthetic of photographs and movies of the 1960s and 1970s, the Tokyo - based artist created a series of portraits of imaginary visitors of Hotel Paraiso.
The exhibition will introduce two digital videos and thirty large format photographs, consisting mostly of images the artist has made from her expeditions throughout the past decade, interspersed with some images produced by re-photographing vintage travel -LSB-...]
The artist's wide - ranging iconography samples genres ranging from 11th - century Chinese landscape painting to Cubism, and draws on sources both high tech and mundane: spam emails, emoji, internet memes, newspaper classified ads, her own photographs, coloring book illustrations, fantasy environments, vintage embroidery patterns, and a host of whimsical plant and animal motifs.
Malick Sidibé at Fondation Cartier pour l'art contemporain October 20 — February 25, 2018 «Mali Twist» is a retrospective of work by the photographer Malick Sidibé, including both images that are well known and some on view for the first time, like a vast collection of vintage photographs and portraits from the artist's archives.
Finding their way into the artist's paintings and drawings are vintage family photographs, magazine images, and childhood relics that enhance the familiarity and nostalgia of the compositions.
This was the 1980's answer to the 1951 photograph of «The Irascibles» appearing in Life magazine, Michael Halsband's decade - defining image of New York artists is printed here in its original reception context: a vintage invitation to the nightclub, Area, on May 8, 1985.
Comfortably filling the spacious, irregular proportions of the center's main gallery, the installation is composed of three distinct elements: freestanding abstract sculptures; color photographs of the artist's hands (palms out and partially covered in paint); and black - and - white videos appropriated from vintage films of competitive stone lifters (which is where the pun comes in).
Featuring thirty - four vintage color photographs made between 1970 and 1989, the exhibition includes landscapes from Italy, where the artist was born and spent most of his life, as well as from Austria and France.
Over 500 photographs are on display, from vintage prints of Victorian stage stars, through documentation of performance art happenings in the 1960s, to recent work by Instagram artist Amalia Ulman.
In one series, titled May June July August, «57 / «09, comprising 123 vintage and contemporary black - and - white photographs, Simpson juxtaposes images of a young African American woman (and an occasional male figure) who posed for pinups in Los Angeles in 1957 with self - portraits in which the artist acts as a doppelganger for the model.
In one series, titled May June July August «57 / «09, comprising 123 vintage and contemporary black - and - white photographs, Simpson juxtaposes images of young African American women (and an occasional male figure) who posed for pinups in Los Angeles in 1957 with self - portraits in which the artist acts as a doppelganger for each model.
This exhibition provides the opportunity to view vintage and early photographs, from a selection of the 20th century's most significant photographers, alongside these artists» seminal books.
Mixing rare black - and - white vintage prints of classic images by Robert Frank, Lee Friedlander, Diane Arbus and Garry Winogrand with luscious, eye - popping works in color by artists ranging from Stephen Shore and William Eggleston to Cindy Sherman, Alec Soth, and Andreas Gursky, Real to Real: Photographs from the Traina Collection celebrates photography's fundamental richness and plasticity.
In other works, the abstractions obstruct images taken from vintage Hollywood publicity headshots as well as close - up photographs of the artist's own face.
The artist finds vintage family photo albums, strips them of the actual photographs and displayed the altered and faded pages.
The gallery followed with the 2015 publication of this volume which is rife with lavish images, about 150 pages of full - color plates, along with vintage and contemporary installation views, and documentary photographs of the artist.
Most of the photographs are from the artist's collection, kept over the years as standards of excellence for judging subsequent prints made from his vintage negatives.
The Museum opens two new exhibits; the 95th Annual Spring Show, a juried exhibition of works from the region and Vintage Neon, photographs of mid-century signage by Pittsburgh artist and photographer Chuck Biddle.
The complaint is in behalf of Mindy Summers, «an artist who lives in a purple house in Vermont with her husband and two cats» and who copied and offers for sale photographs of vintage seed catalogs originally published on the Smithsonian website.
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