Sentences with phrase «vintage silver gelatin»

Vintage silver gelatin print, circa 1940, image 9 1/2 x 7 1/4....
The majority of photographs in the exhibition are vintage Silver Gelatin prints, made by Cala at the time they were taken.
Sullivan Goss makes a rare offering of photography with a fine selection of vintage silver gelatin prints by WPA photographer, Joe Schwartz.
A vintage silver gelatin print, this work is of a nude female torso in black and white, lounging in front of a closed window with the striped shadows of the shades visible on the skin.
• Edward Weston (American, 1886 - 1958), Melting Ice, 1938, vintage silver gelatin photograph, 8 × 10».
• Cornell Somogyi, (American, born Hungary, 1910), two vintage silver gelatin photographs: Untitled (Street Scene), 1936, vintage silver gelatin print; St. Endre Gypsy Dwelling, 1946, vintage silver gelatin print.
John Rawlings 1938 Vintage Silver Gelatin Print for Vogue, Rawlings StudioModel in a Suit with Partially Hidden Face, Vogue, 1938.
The work began in response to a group of found vintage silver gelatin prints.
All works in the exhibition at MMX Gallery are vintage silver gelatin prints made by the photographer at the time there were taken.
Ansel Adams, American (1902 - 1984), Moonrise, Hernandez, New Mexico, ca. 1941, vintage silver gelatin print, framed: 16 x 20 inches.
Hôpital des Quinze - Vingt, 1928 Photomontage, vintage silver gelatin prints.
Portrait of the Actress Wanda Vangen, 1929 Vintage silver gelatin print.
Untitled, [Journey aboard the Exir Dallen], c 1933 Vintage silver gelatin print.
Jane Hammond's seemingly vintage silver gelatin prints are actually contemporary collages, built narratives that convey the fluidity of an image's meaning.
The exhibition includes twenty vintage silver gelatin prints which capture a wide range of social circles in early downtown New York.
• Ervin Marton (Hungarian, 1912 — 1968), Untitled (Hand & lace), undated vintage silver gelatin photogram.
MALICK SIDIBE, Detail of «Vues de dos,» 2003/2004 (vintage silver gelatin print, glass, paint, cardboard, tape, and string).
MALICK SIDIBE, «1st Mai — Saute,» 1972/2004 (vintage silver gelatin print, glass, paint, cardboard, tape, and string).

Not exact matches

In 2006, McCaw began making exposures on vintage gelatin silver papers to create one - of - a-kind solarized positive images.
Highlighting the exhibition will be a rare Shaker «spirit» drawing from c. 1860, Alfred Stieglitz's From the Back Window, 291 - NY, Winter of 1915, a new drawing Noon Whine by Richard Serra, and a vintage gelatin silver print by the German photographer August Sander from 1928.
Vintage gelatin silver print, ca. 1940.
Vintage gelatin silver print © Georgy Petrussov, courtesy of Nailya Alexander Gallery
Portrait of Girl with Fancy Dress, 1938 vintage gelatin silver print 7» x 6» sheet size / 6.25» x 4.25» sight size, signed and dated
Mike Disfarmer, Louie and Alma Ramer with their daughters Lucille, Avonell, and Faye Vintage gelatin silver print, ca. 1945 All prints courtesy of the Edwynn Houk Gallery or the private collection of Michael Mattis and Judith Hochberg
Classroom # 2, St. Marks School, NYC, 1941 vintage gelatin silver print 8» x 10» sheet size / 7.5» x 9.25» sight size signed and dated
It is a selection of vintage gelatin silver prints from three projects: Faces of the Rainforest, The Water's Way (O caminho das águas), and Roots (Raízes).
I.S. Kobozev (photographer) photographing the first October Celebration, 1918, gelatin silver print, 6.8 x 4.10» • Georgi Zelma (Russian, 1906 — 1984): ° Tractor Driver, Birobizhan, mid — 1930s, vintage gelatin silver print; 2.3 x 3.1» ° Krasnaya Ploschad», Kolonna «Elektrozavoda».
It is a selection of vintage gelatin silver prints from three projects: Faces of the Rainforest,...
Equivalent (Songs of the Sky P2) 1923 vintage gelatin silver print mounted to board and mounted to larger board image, paper and mount: 4 5/8 x 3 5/8 inches (11.7 x 9.2 cm) board: 13 1/2 x 10 5/8 inches (34.3 x 27 cm) ARG # STA1923 - 003 © 2014 Estate of Alfred Stieglitz / Artists Rights Society (ARS), New York
BOB ADELMAN (1930 - 2016) Andy Warhol empties his boots after being pushed into the pool by Edie Sedgwick, Al Roon's Gym, New York photograph 1965 (printed later) unique vintage gelatin silver print signed and stamped on verso image size > 6 x 8.5 inches / paper size > 11 x 14 inches
BOB ADELMAN (1930 - 2016) Marisol Escobar looks at Bob Adelman through a glass, in Robert Rauschenberg's studio photograph 1966 unique vintage gelatin silver print signed and annotated in pencil, photographer's credit stamp, and photographer's copyright stamp on verso image size > 8.25 x 5.75 inches / paper size > 11 x 14 inches
McCaw constructs his own large format cameras and works with vintage gelatin silver photo paper that is often no longer being made.
• Edward Weston, Untitled (3 Cacti, Joshua Tree), 1937, vintage gelatin silver print.
BOB ADELMAN (1930 - 2016) Andy Warhol on the fire escape of the Factory on 47th Street photograph 1965 (printed later) unique vintage gelatin silver print signed in ink, photographer's copyright stamps on verso image size > 9.375 x 6.375 inches / paper size > 14 x 11 inches
Hamish Fulton, UNTITLED, 1970 - 1971 (ENGLAND - SCOTLAND), 1970 - 1971, Silver gelatin print, acid - free cardboard with text, wood frame, vintage photographs, unique, 4 photographs: 3 x 4.5 inches each, 12.25 x 16 inches framed
, 1931, vintage gelatin silver photomontage • Max Alpert (1899 — 1980), Untitled (Dnepr Dam), gelatin silver print; 12.12 x 9» • Piotr Otsup (1883 — 1963), S. Kobozev na sjemke prazdnovanija pervoj godovshchini Oktriabria.
HANS BELLMER La Poupée (p. 105 b / w) 1937 - 1938 (derived from 1935 image) Vintage gelatin silver print mounted on card stock (variant) 5 5/8 x 5 5/8 inches (14.5 x 14.5 cm) Framed: 17 3/4 x 14 5/8 inches (45.1 x 37.1 cm) ARG # BEH1937 - 001
HANS BELLMER Study for Georges Bataille's «L'Historie de l'oeil» [«The Story of the Eye»] 1946 Four of twelve (12) vintage gelatin silver prints Dimensions, left to right: Image: 2 1/8 x 2 inches (5.4 x 5.1 cm) Sheet: 2 1/4 x 2 1/4 inches (5.7 x 5.7 cm), Image: 2 1/8 x 2 1/8 inches (5.4 x 5.4 cm) Sheet: 3 1/8 x 2 1/4 inches (7.9 x 5.7 cm) Total framed dimensions: 9 7/8 x 24 1/8 inches (25.1 x 61.3 cm) ARG # BEH1946 - 001
11/14 - The Generals of the Daughters of the American Revolution, DAR Convention, Mayflower Hotel, Washington D.C., October 15, 1963, Vintage gelatin silver print, Image 15 5/8 x 19 3/4»; Paper, 16 x 20» © The Richard Avedon Foundation.
CAPA, Robert Member of the International Brigades at the farewell ceremonies for the brigades, Montblanch (near Barcelona), October 25, 1938 Vintage gelatin silver print 7 X 9 inches
Tenement, 1992 vintage gelatin silver print paper: 30 x 40 inches (76.2 x 101.6 cm) framed: 43 x 47 1/4 inches (109.2 x 120 cm) edition of 10 with 2 APs C - 53
House on Hill, 1990 vintage gelatin silver print image: 28 1/4 x 35 5/8 inches (71.8 x 90.5 cm) paper: 29 1/2 x 39 5/8 inches (74.9 x 100.6 cm) framed: 43 x 47 1/4 inches (109.2 x 120 cm) edition of 10 with 1 AP JC - 216
Sing Sing # 2, 1992 vintage gelatin silver print image: 28 3/8 x 35 1/2 inches (72.1 x 90.2 cm) paper: 29 1/2 x 38 3/4 inches (74.9 x 98.4 cm) framed: 42 3/4 x 47 1/4 inches (108.6 x 120 cm) JC - 220
CAPA, Robert Battle of Rio Segre, near Fraga (Aragon front), November 7, 1938 Vintage gelatin silver print 7 X 9 3/8 inches
Featured images: Milly, Tom Butler, Goauche on Albumen Print, 2014 Courtesy Charlie Smith, London Where Is It Now, Marie Navarre Film positive, book page, glass, steel, 1998 Courtesy Lisa Sette Gallery, Phoenix, Arizona Slip 17, Farrah Karapetian, unique photogram, 2014 Courtesy Von Lintel Gallery Alison Rossiter Nepera Chemical Company Carbon Velox, shipped from works November 8, 1897, processed 2014 (# 1), Courtesy Yossi Milo Gallery Broadway, New York City in the Rain, Edward Anthony, Albumen Print Courtesy Metropolitan Museum of Art Church Gate, Sebastao Salgado, Silver Gelatin Print Courtesy Peter Fetterman Gallery Dinka Camp, Sebastian Salgado, Silver Gelatin Print Courtesy Peter Fetterman Gallery Fred W. McDarrah Robert Kennedy in Slum Apartment, May 8, 1967 Vintage gelatin silver Courtesy Steven Kasher Gallery Reclining Odalisque, Roger Fenton, Salt Print, 1858 Courtesy Metropolitan Museum of Art Der Fotograf, Willi Ruge, Silver Gelatin Print, 1931 Courtesy Metropolitan Museum of Art Kahn & Selesnick, The Reluctant Conscript Courtesy Kopeikin Gallery Eugène Pelletan by Nadar, Salted paper print from glass negative, 1855 Courtesy Metropolitan Museum of Art Sandro Miller, Richard Avedon / Ronald Fischer, Beekeeper, Davis, California, May 9 (1981), 2014, Courtesy Catherine Edelman Gallery Album d'Études - Poses, Louis Igout, Albumen Silver Prints from Glass Negatives Courtesy Metropolitan Museum of Art Steamboat Lake, CO7 Matthew Brandt Courtesy M+B GSilver Gelatin Print Courtesy Peter Fetterman Gallery Dinka Camp, Sebastian Salgado, Silver Gelatin Print Courtesy Peter Fetterman Gallery Fred W. McDarrah Robert Kennedy in Slum Apartment, May 8, 1967 Vintage gelatin silver Courtesy Steven Kasher Gallery Reclining Odalisque, Roger Fenton, Salt Print, 1858 Courtesy Metropolitan Museum of Art Der Fotograf, Willi Ruge, Silver Gelatin Print, 1931 Courtesy Metropolitan Museum of Art Kahn & Selesnick, The Reluctant Conscript Courtesy Kopeikin Gallery Eugène Pelletan by Nadar, Salted paper print from glass negative, 1855 Courtesy Metropolitan Museum of Art Sandro Miller, Richard Avedon / Ronald Fischer, Beekeeper, Davis, California, May 9 (1981), 2014, Courtesy Catherine Edelman Gallery Album d'Études - Poses, Louis Igout, Albumen Silver Prints from Glass Negatives Courtesy Metropolitan Museum of Art Steamboat Lake, CO7 Matthew Brandt Courtesy M+B Gelatin Print Courtesy Peter Fetterman Gallery Dinka Camp, Sebastian Salgado, Silver Gelatin Print Courtesy Peter Fetterman Gallery Fred W. McDarrah Robert Kennedy in Slum Apartment, May 8, 1967 Vintage gelatin silver Courtesy Steven Kasher Gallery Reclining Odalisque, Roger Fenton, Salt Print, 1858 Courtesy Metropolitan Museum of Art Der Fotograf, Willi Ruge, Silver Gelatin Print, 1931 Courtesy Metropolitan Museum of Art Kahn & Selesnick, The Reluctant Conscript Courtesy Kopeikin Gallery Eugène Pelletan by Nadar, Salted paper print from glass negative, 1855 Courtesy Metropolitan Museum of Art Sandro Miller, Richard Avedon / Ronald Fischer, Beekeeper, Davis, California, May 9 (1981), 2014, Courtesy Catherine Edelman Gallery Album d'Études - Poses, Louis Igout, Albumen Silver Prints from Glass Negatives Courtesy Metropolitan Museum of Art Steamboat Lake, CO7 Matthew Brandt Courtesy M+B GSilver Gelatin Print Courtesy Peter Fetterman Gallery Fred W. McDarrah Robert Kennedy in Slum Apartment, May 8, 1967 Vintage gelatin silver Courtesy Steven Kasher Gallery Reclining Odalisque, Roger Fenton, Salt Print, 1858 Courtesy Metropolitan Museum of Art Der Fotograf, Willi Ruge, Silver Gelatin Print, 1931 Courtesy Metropolitan Museum of Art Kahn & Selesnick, The Reluctant Conscript Courtesy Kopeikin Gallery Eugène Pelletan by Nadar, Salted paper print from glass negative, 1855 Courtesy Metropolitan Museum of Art Sandro Miller, Richard Avedon / Ronald Fischer, Beekeeper, Davis, California, May 9 (1981), 2014, Courtesy Catherine Edelman Gallery Album d'Études - Poses, Louis Igout, Albumen Silver Prints from Glass Negatives Courtesy Metropolitan Museum of Art Steamboat Lake, CO7 Matthew Brandt Courtesy M+B Gelatin Print Courtesy Peter Fetterman Gallery Fred W. McDarrah Robert Kennedy in Slum Apartment, May 8, 1967 Vintage gelatin silver Courtesy Steven Kasher Gallery Reclining Odalisque, Roger Fenton, Salt Print, 1858 Courtesy Metropolitan Museum of Art Der Fotograf, Willi Ruge, Silver Gelatin Print, 1931 Courtesy Metropolitan Museum of Art Kahn & Selesnick, The Reluctant Conscript Courtesy Kopeikin Gallery Eugène Pelletan by Nadar, Salted paper print from glass negative, 1855 Courtesy Metropolitan Museum of Art Sandro Miller, Richard Avedon / Ronald Fischer, Beekeeper, Davis, California, May 9 (1981), 2014, Courtesy Catherine Edelman Gallery Album d'Études - Poses, Louis Igout, Albumen Silver Prints from Glass Negatives Courtesy Metropolitan Museum of Art Steamboat Lake, CO7 Matthew Brandt Courtesy M+B gelatin silver Courtesy Steven Kasher Gallery Reclining Odalisque, Roger Fenton, Salt Print, 1858 Courtesy Metropolitan Museum of Art Der Fotograf, Willi Ruge, Silver Gelatin Print, 1931 Courtesy Metropolitan Museum of Art Kahn & Selesnick, The Reluctant Conscript Courtesy Kopeikin Gallery Eugène Pelletan by Nadar, Salted paper print from glass negative, 1855 Courtesy Metropolitan Museum of Art Sandro Miller, Richard Avedon / Ronald Fischer, Beekeeper, Davis, California, May 9 (1981), 2014, Courtesy Catherine Edelman Gallery Album d'Études - Poses, Louis Igout, Albumen Silver Prints from Glass Negatives Courtesy Metropolitan Museum of Art Steamboat Lake, CO7 Matthew Brandt Courtesy M+B Gsilver Courtesy Steven Kasher Gallery Reclining Odalisque, Roger Fenton, Salt Print, 1858 Courtesy Metropolitan Museum of Art Der Fotograf, Willi Ruge, Silver Gelatin Print, 1931 Courtesy Metropolitan Museum of Art Kahn & Selesnick, The Reluctant Conscript Courtesy Kopeikin Gallery Eugène Pelletan by Nadar, Salted paper print from glass negative, 1855 Courtesy Metropolitan Museum of Art Sandro Miller, Richard Avedon / Ronald Fischer, Beekeeper, Davis, California, May 9 (1981), 2014, Courtesy Catherine Edelman Gallery Album d'Études - Poses, Louis Igout, Albumen Silver Prints from Glass Negatives Courtesy Metropolitan Museum of Art Steamboat Lake, CO7 Matthew Brandt Courtesy M+B GSilver Gelatin Print, 1931 Courtesy Metropolitan Museum of Art Kahn & Selesnick, The Reluctant Conscript Courtesy Kopeikin Gallery Eugène Pelletan by Nadar, Salted paper print from glass negative, 1855 Courtesy Metropolitan Museum of Art Sandro Miller, Richard Avedon / Ronald Fischer, Beekeeper, Davis, California, May 9 (1981), 2014, Courtesy Catherine Edelman Gallery Album d'Études - Poses, Louis Igout, Albumen Silver Prints from Glass Negatives Courtesy Metropolitan Museum of Art Steamboat Lake, CO7 Matthew Brandt Courtesy M+B Gelatin Print, 1931 Courtesy Metropolitan Museum of Art Kahn & Selesnick, The Reluctant Conscript Courtesy Kopeikin Gallery Eugène Pelletan by Nadar, Salted paper print from glass negative, 1855 Courtesy Metropolitan Museum of Art Sandro Miller, Richard Avedon / Ronald Fischer, Beekeeper, Davis, California, May 9 (1981), 2014, Courtesy Catherine Edelman Gallery Album d'Études - Poses, Louis Igout, Albumen Silver Prints from Glass Negatives Courtesy Metropolitan Museum of Art Steamboat Lake, CO7 Matthew Brandt Courtesy M+B GSilver Prints from Glass Negatives Courtesy Metropolitan Museum of Art Steamboat Lake, CO7 Matthew Brandt Courtesy M+B Gallery
Shawn Walker, Untitled (from the Harlem series), 117th Street, Harlem, New York, ca. 1965, Vintage gelatin silver print, printed ca. 1965
Life Story Number One, Part 10, 1978 vintage gelatin silver print paper: 24 x 20 inches (61 x 50.8 cm) framed: 29 1/4 x 22 3/4 inches (74.3 x 57.8 cm) edition of 10 JC - 41
RODGER, George Bachimbiri women in the Mountains of Kigezi, Uganda, 1948 Vintage gelatin silver print 8 1/8 X 7 1/2 inches
13/14 - Allen Ginsberg, poet, New York City, December 30, 1963, Vintage gelatin silver print, Image, 18 3/4 x 16»; Paper, 20 x 16» © The Richard Avedon Foundation.
4/14 - Bob Dylan, musician, Central Park, New York, February 10, 1965, vintage gelatin silver print, Image, 10 x 7 3/4»; Paper, 14 x 11» © The Richard Avedon Foundation.
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