Sentences with phrase «violence in the film here»

Not exact matches

... The film may offer no verdict about the coach but there's plenty of another kind of judgment here, captured vividly in the recurrent images of football violence.

As expected, Django Unchained is brutal, remarkably so, with copious amounts of splattery violence splashing across the screen - to be honest I'm surprised the film got away with an MA rating here in Australia.

The focus here is on film style and the way the mundane is represented stylistically in both films, but also on the «gradual dissociation of action and meaning» (p. 57) which renders the sudden outbursts of violence illegible.

It's rare to describe a film that is rooted in horrific violence as «charming,» but here we are.

Here's a brand new photo featuring Robert Pattinson in the upcoming film «Cosmopolis» directed by David Cronenberg (A History of Violence, Crash).

The violence shown here exceeds that in Heineman's previous film, Cartel Land, about the Mexican drug wars.

What Sightseers gets right where Seven Psychopaths (out today and reviewed here) gets it wrong is that this film does not try to admonish itself for including violence, and incidentally is much less indulgent in the violence, along with having a much more coherent plot with better direction, writing, acting, and presumably better catering too.

Filmmaker Denis Villeneuve's bleak, taut thriller Sicario is one of the best films of the year (read my full review here), but it presents a stark and candid portrait of the U.S.'s response to violence with more violence, specifically in the case of the War on Drugs.

The problem here is that the violence doesn't even serve the story all that much, making it seem like the only reason the film was made was to go all - out for these sequences in an attempt to make the audience uncomfortable.

While the film is clearly on Sands» side, the strike was ultimately futile since, although then Prime Minister Margaret Thatcher eventually conceded some points, Ireland remains a bitterly divided island to this day, nine other men also committed suicide via starving themselves, and hatred between the Northern Protestants and Southern Catholics continues unabated, with lulls in the violence, here and there.

The film's ever - increasing violence hits much harder here than it did in Peckinpah's earlier The Wild Bunch.

While children may not get as much out of it as teens and adults will, there at least isn't gratuitous violence, profanity, or nudity on display here (three checkpoints many action films try to deliver in spades).

Whilst I wouldn't say the film feels «censored» in the same way that King Arthur was, the violence is clearly very carefully edited so as to get the film an M rating here in Australia.

Now we know we're giving some comic book films, like Road to Perdition, American Splendor, Ghost World and a A History of Violence the short shrift here, but we wanted to focus in on the type of film we cover the most.

Yet this as much a film about eco-terrorism as Meek's Cutoff was a film about the American gold rush, operating as a rich, sui generic parable for any and all acts of violence, whether micro scale such as the one chronicled here, or those sanctioned by governments with a view to being executed in foreign climes.