Sentences with phrase «violence in the film world»

Green Room (Jeremy Saulnier, 2015) This is only Saulnier's third feature, but already he's proving to be one of the more interesting dissectors of violence in the film world.

Not exact matches

Huffington Post: At United Nations, Organization Of Islamic Cooperation Calls For Ban On Insulting Prophet Muhammad As anti-American protests continue in Islamic nations against a U.S. - made film that mocks the Muslim prophet, the leader of the world's largest Islamic organization met with United Nations leaders this week to condemn violence over the film and call for a ban on insulting the Prophet Muhammad.

(CNN)- Violence in the Muslim world over an anti-Islamic film that appears to have been produced by a Coptic Christian is bringing uncomfortable focus on the religious tradition.

The PG - 13 rating keeps much of the actual violence off the screen, though Forster may have gone too far in removing nearly all of blood and gory moments that many zombie - flick fans relish (that crowd has dubbed the film, «World War Zzzzz»).

The films overall tone is gritty and dark, highlighting the harsh reality of the violence and horror that occurs in the modern world of America as well as parts of Mexico.

When Quentin Tarantino writes or directs a film, one can rest assured in the knowledge that it will involve hard - hearted characters living in a dangerous world most likely fueled by drugs, hard - core violence, crime syndicates, and good music.

-- Advisory: This film contains comic violence, mildly profane language and a cameo by CNN's Christiane Amanpour, which makes it official: There isn't a single cable news journalist left in the world who hasn't completely sold out.

In his films, Shyamalan reflects a deep cynicism about the state of our real world and the violence that has creeped into its everyday fabric.

Unbelievably, given the violence that Arlen (Suki Waterhouse) endures in The Bad Batch and its ties to that which Miami Man (Jason Mamoa) dishes out, the film turns out to be something close to a love story — of two people discovering a rapport both in their shared cultural deprivation and fondness for a little girl who never knew a world before the one she calls home, the ironically dubbed Comfort community.

Scholars in Europe began to embrace the term in 1955, when Raymond Borde and Étienne Chaumeton, in their book Panorama du film noir américain, used it more broadly to describe the wave of American crime films after World War II that, among many other attributes, featured insulted, beaten heroes driven by desperation to acts of violence.

One of the most violent movies of all time, this film by acclaimed director Takashi Miike follows two violent men living in a depraved world of rape and violence — the stylish yet sadistic Kakihara (Thor's Tadanobu Asano) and the emotionally unstable killing machine Ichi (Nao Omori).

Certainly, his latest film exhibits many of his most characteristic features: an early static shot of a concert audience once again emphasises spectatorship as a primary concern; we meet, as so often, a bourgeois family about to experience severe suffering; Emmanuelle Riva follows Isabelle Huppert, Juliette Binoche and Naomi Watts in giving an extraordinary performance in response to psychological terror; and violence, with its attendant guilt, comes as a shocking intrusion into this world.

Movie 43 (R for violence, drug use, pervasive profanity, graphic sexuality, frontal nudity, crude humor and coarse dialogue) A dozen directors collaborated on this raunchy series of short films chronicling three kids» internet search for the most banned movie in the world.

OPENING THIS WEEK Kam's Kapsules: Weekly Previews That Make Choosing a Film Fun by Kam Williams For movies opening January 2, 2009 BIG BUDGET FILMS Defiance (R for violence and profanity) Oscar - winner Edward Zwick (for Shakespeare in Love) directs this harrowing tale of survival, set in occupied Poland during World War II, recounting the heroic efforts of three brothers (Daniel Craig, Liev Schreiber and Jamie Bell) who escape into the forest where they join forces with Russian resistance fighters to save over 1,000 fellow Jews from the Nazis.

A film of earthy passion and raw violence, it charts the volatile struggle between the socialist dream and the Fascist nightmare of Italy's agrarian past in the years between the World Wars, within a framework that opens on the turn of the century and the promise of the new century.

There's a distinct irony in the film's heroes (Josh Brolin and Ryan Gosling) defeating fascism abroad in World War II, only to bring order to post-war Los Angeles through massive, illicitly sanctioned displays of über - violence, sabotage, and destruction.

It Comes at Night Rated R for violence, disturbing images, and language Rotten Tomatoes Score: 89 % Texas filmmaker Trey Edward Shults (Krisha) follows up his huge 2015 SXSW winner with this pseudo horror film about a post-apocalyptic world where husband and father Joel Egerton and family live safely in their well - protected home, hiding from whatever it is out there, until he allows a young family to seek refuge in their hiding spot.

Not bad at all if you're going to draw inspiration from the world of films, though the solid laughs, exciting thrills and the terrific comic interplay of its two leads are more like occasional chuckles, lots of noise and violence without much tension, and two passable comic performances from actors who aren't particularly known for their comedic chops in Russell Crowe (Noah, Winter's Tale) and Ryan Gosling (The Big Short, Gangster Squad).

For the return to John Wick's world in John Wick: Chapter 2, Stahelski returns to helm the film solo, upping the violence and aesthetic, while expanding the universe John Wick is playing within in equal measure.

In our modern - day world the film introduces the preoccupation with violence and death.

Now we know we're giving some comic book films, like Road to Perdition, American Splendor, Ghost World and a A History of Violence the short shrift here, but we wanted to focus in on the type of film we cover the most.

While the first entry featured heavily stylized violence and over-the-top action scenes, the premise is that every person in the film is rooted in the so - called real world, where they have everyday problems and ability to get hurt.

Akira is a film like his manga, demonstrates the violence of its population discredit the political gangs that rule and also the separation of rich and poor before the drugs, it is a part of what happened in New York in the 1970s and 1980 in the film set in Neo Tokyo Japan after the 3rd World War.