Sentences with phrase «violent action sequences»

Black Panther (PG - 13 for pervasive violent action sequences and a rude gesture) Chadwick Boseman handles the title role in this Marvel Comics origins tale which finds the superhero serving as king of an African country before teaming with a CIA agent (Martin Freeman) and a female, special forces unit to avert world war.

He utilized a slew of talented young actors, over-the-top violent action sequences and a wonderful soundtrack to capture the fun of the X-Men series.

Not exact matches

And, of course, it culminates in one of Hollywood's most famous action sequences (a violent chariot race).

As a plus Pathfinder's sporadic action sequences are spectacularly violent - limbs and heads fly and blood spurts arc gracefully through the air in slow motion as the mighty Vikings bring their axes and swords down upon hapless natives, but when the characters aren't scuffling you'll begin to wonder what happened to the plot, or what's going on inside the characters» heads.

Mockingjay Part 2 doesn't quite reach those heights, but plays out like a gripping recap of the best bits of the rest of the franchise: the gulf between rival suitors Gale and Peeta is clearer than ever, thanks to their conflicting ideologies; the clash between dictatorship and democracy is brutally violent; and the action sequences buzz with thrill and ingenuity not seen since Catching Fire.

Make no mistake: This movie is as violent as it is funny, and its action sequences are as inventive and unexpected as the comedy beats.

The action here is over the top, which sets a tone that the film is going to be a violent cartoon, but it never tops the insane sense you get from this opening action sequence.

However, if you want sizzle and action that's even more violent than what we've seen in previous films, you've come to the right place, as «Smaug» is more aggressive with its fight sequences and battles.

There's little action in between a surprisingly violent gunfight at the beginning and the climactic battle - at - high - seas between Sparrow and Jones» crews, and while the special effects are quite effective, these sequences just don't have the inventive thrills of the last films.

This CGI - enhanced film will likely fall in the PG - 13 range (as did all the others in the series) because of violent action and battle sequences.

Barber is easily lured back into action sequences, giving more attention to violent showdowns than to the alliances of the women.

The most impressive scenes are the better - than - average, and fairly violent, action sequences.

Though the film does a better job of capturing the spirit of the «Hitman» franchise with violent, stealth - based action sequences, it's bogged down by a cheesy and predictable script that shackles its titular character to Hannah Ware's human MacGuffin for no other reason than because Agent 47 would be an emotionally detached bore on his own.

The film's action sequences aren't as thrillingly violent as you might expect, but its sense of fun is definitely infectious.

Wong's violent interludes are most often brief riots of slurred or slow - motion action alternating unexpectedly with freeze - frames; these sequences, delivered so rapidly one can often barely perceive what's happening, are obviously abstract versions of the action scenes in conventional martial - arts films (The Eagle Shooting Heroes included).

The MPAA rated The Green Hornet PG - 13 for sequences of violent action, language, sensuality and drug content.

Director Nima Nourizadeh has fun with the action sequences and opportunities they open up for absurd, violent combat, but he never fully realizes these sequences.

As for the CGI animals, Peyton gives them plenty of opportunities to wreak havoc, although at least one or two of those sequences feels better in conception than execution: though the large - scale destruction is all masterfully rendered — and it must be noted, brutally violent for a PG - 13 movie — he like many other modern filmmakers gets too close to the action, mistaking incomprehensibility for claustrophobia, and seems either unaware of or uninterested in even the basic physics of gravity, falling objects, and so on.

Some violent set - action pieces and dance sequences are truly spectacular — Bhardwaj doubles as the music director with an effective background score.

Still, there are more than enough laughs and clever surprises in this broad and sometimes violent farce to warrant a recommendation, thanks to a solidly funny script by Mark Perez, some pretty neat camera moves and choreographed action / comedic sequences from directors John Francis Daley and Jonathan Goldstein — and a likable and talented ensemble cast, led by two of my favorites.

The eventual sonic tone of this particular sequence, which takes place in a kitchen late in the movie, is sparse, with the music building to a cacophonic climax alongside the violent action.

Many people are going to be quick to compare «Kingsman» to «Kick - Ass,» but while the former boasts the same punk - rock attitude, dark plot twists, and kinetic, no - holds - barred action sequences (including an extremely violent set piece inside of a church that rivals Hit - Girl's blood - soaked exploits), «Kingsman» feels less like a satire of an entire genre than the product of a filmmaker who grew up loving spy movies.

It will all come in handy as Joe finds himself constantly embroiled in one violent situation after another, ranging from the slow torture of his former jailer (Samuel L. Jackson with a fetching poodle cut), to a send - up of classic chop - socky action sequences pitting Joe against a horde of oncoming assailants armed with everything from guns to 2x4s.

The MPAA rated Casino Royale PG - 13 for intense sequences of violent action, a scene of torture, sexual content and nudity

Casino Royale is rated PG - 13 by the MPAA for intense sequences of violent action, a scene of torture, sexual content and nudity

MPAA Rating: (for intense sequences of violent action, a scene of torture, sexual content and nudity)