Boasting savagely
violent battle scenes and an adrenaline fueled chase through the breathtaking Scottish highlands, CENTURION is set during the war between Roman soldiers and Pict tribesmen during the 2nd century Roman conquest of Britain.
«Hacksaw Ridge» is not subtle, but it is brutally effective, and it contains some of the most justifiably
violent battle scenes ever committed to film.
Not exact matches
However, this was definitely the most
violent and realistic war film I've ever seen and I had to look away a lot during the
battle scenes.
The
battle scenes in «Hacksaw Ridge» are among the most
violent captured on film - and also the most urgent.
Brilliantly executed, Wong's peculiarly decentered
violent sequences are actually more evocative of the
battle scene in Orson Welles's Chimes at Midnight than they are of Leone's operatic showdowns, especially in the way they concentrate on ephemeral, oblique details rather than heroic spectacle.
The movie is rated PG - 13, and pitched to a slightly younger audience, but it should be noted the climactic
battle scenes are more
violent than is typical with family - oriented animated fare.
In between are a wide variety of creative fight
scenes that allow the director to show off his visual acumen in close - quarter
battles — some quite
violent.
«Pirates of the Caribbean» is quite
violent — not just with the gory skeleton effects on the enchanted pirates, but in the
battle scenes as well.
The plot gives ample opportunity for director Curtiz to stage grand action
scenes, from Thorpe's storming of the Spanish ship in the beginning, to his men's
battle in the tropics and finally, as slaves,
violent mutiny aboard the ship.
However, because it is difficult to express such a
violent battle as playable content, the secret ending [from KH2: FM +] is an image (
scene?)
This psychology is intensified through the formal framing of the men within the rectangular bounds of the canvas, as well as through the repeated insertion of jet black birds that witness the
violent matches and aftermath of each
battle, predatorily looming over the turbulent
scenes.
Frieze.com: Is there a continuity between these complex
battle scenes and the
violent action of earlier works such as Theory of Catastrophe (2004), or do they belong to different periods, with shifting concerns?