Sentences with phrase «violent events in the film»

Other violent events in the film include the point blank shooting of a man and an exploding surface - to - air missile.

Not exact matches

Some of the news footage of riots and fires and stuff in the film come from real events of violent revolt against those newcomers in Johannesburg while they were shooting the film there.

So says professional killer Jackie Cogan at one point in Killing Them Softly, the third film by New Zealander Andrew Dominik - and considering the filmmaker's efforts to establish a connection between the events in the movie and the economic crisis started in the late 2000s thanks to the greed and lack of scruples of Wall Street, it is easy to see Cogan as an ordinary employee of any company complaining about the lack of vision of his bosses and, on the other hand, the big bankers as Armani - dressing versions of the violent mobsters who inhabit the crime section of the newspapers.

Chapter Three explores «the concept of the everyday as a film style» (p. 11) and draws attention to what Taylor calls «a lack of authorial guidance on how to respond to violent narrative events» (p. 37) in two films: Robert Bresson's L'Argent (1983) and Haneke's The Seventh Continent (Der siebente Kontinent, 1989).

A brief, near ghostly collection of people and places in Berlin, Collatos frames his film around the ideas of change and unification in Germany, ultimately capturing a cacophony of events, sometimes violent, sometimes meditative, and always confrontational.

Things don't go so well from there; Hunter spent time in West Yorkshire before, investigating the violent events that closed out the first film, and his work then apparently earned him a nickname among the force: «Saint Cunt.»

In Massage the History, the artist combines footage of young men in Alabama performing an erotically charged, provocative dance with living - room furniture in middle - class homes, with found footage of violent or surreal events filmed in anonymous American suburbIn Massage the History, the artist combines footage of young men in Alabama performing an erotically charged, provocative dance with living - room furniture in middle - class homes, with found footage of violent or surreal events filmed in anonymous American suburbin Alabama performing an erotically charged, provocative dance with living - room furniture in middle - class homes, with found footage of violent or surreal events filmed in anonymous American suburbin middle - class homes, with found footage of violent or surreal events filmed in anonymous American suburbin anonymous American suburbs.