In The English Garden, Kudzanai Chiurai investigates Zimbabwe's
violent history as well as the way in which Africa is imagined in the west.
Not exact matches
Anyone with a vague recollection of the
history of Facebook will recognize the Cambridge Analytica situation
as a
violent symptom of something that's plagued Facebook and its users for years: apathy.
In something of an oblique way this article alludes to the 5th Crusade and the Sultan Malik s well
as St. Francis Assisi and we must bear in mind (in all of this
violent conflict) that the Mediterranean is actually the junction of three continents (Africa, Asia, Europe) and that powerful empires have been bumping into one another since the beginning of recorded
history (Babylon, Egypt, Persian, Assyria, Alexander, Rome, Carthage, the Moors, Christian Crusaders, El Cid -LRB-!!)
Gratitude to God requires that we live not by evading the real nature of existence, not by denying the
violent character of nature and
history, but by facing reality
as best we can, finally affirming the whole of life in all its sorrow and pain
as a great gift.
«but you can not deny that forcible,
violent conversion has been justified
as righteous by some of the most influential theologians in the
history of Christendom.»
I understand that your interpretation of scripture doesn't agree with Saint Augustine's, but you can not deny that forcible,
violent conversion has been justified
as righteous by some of the most influential theologians in the
history of Christendom.
«It seems just
as likely your Satan created your book, especially considering the
violent destructive
history» = > it is the way of man
as atheists
as well
as believers have a destructive
history.
It seems just
as likely your Satan created your book, especially considering the
violent destructive
history that belief has generated, all of the confusion in translation... all traits one would expect from Satan.
It is a world that is riven with murderous divisions and
violent political upheavals
as much
as any other age in
history, although made more potent and deadly now through our very technological achievements.
At times God appears
violent, not because He is
violent, but because, just
as Jesus on the cross took the sin of the world upon Himself, so also God in human
history, took the violence of humanity upon Himself.
There were, it is granted, some «excesses» on the fringes of the protest movement, such
as the
violent activities of the Weathermen, that marred an otherwise glorious chapter of American
history.
During a two - year period known
as the Reign of Terror, the episodes of anti-clericalism grew more
violent than any in modern European
history.
Dangerous because a charismatic leader can use them in
violent ways,
as proved by
history.
He found that men who had had two or more convictions for misdemeanor violence were 15 times
as likely
as those with no criminal
history to be charged with the most
violent crimes.
Studying the craters on the moon offers a window into that
violent history of the young solar system that is not nearly
as accessible on Earth.
Rönnlund believes that the Swedish - Greek project can provide important clues
as to what happened during this
violent period in Greek
history.
The criminal check looks for things such
as a
history of domestic violence,
violent crimes, sex crimes, misdemeanor assaults, and felonious assaults.
Cooper, whose «Black Mass» deals with Whitey Bulger, the most infamous
violent criminal in South Boston
history, deals with a criminal element in «Hostiles»
as well, though the focus could conceivably be the massive criminality on the part of both an army platoon and their enemies.
Intent to Destroy uses a historic feature film production
as a springboard to explore the
violent history of the Armenian Genocide and legacy of Turkish suppression and denial over the past century.
Just
as The Square gave viewers a you - are - there view of unfolding
history in Egypt, so does Winter on Fire transport you without much of an intermediary into Ukraine's
violent strife.
In short, the movie starts with Thor chained up in the lair of a fire demon named Surtur and ends on Asgard with Thor, his adoptive brother Loki (Tom Hiddleston), who is more often his enemy than his friend, an Asgardian warrior known
as a Valkyrie (Tessa Thompson), and the Hulk (Mark Ruffalo) battling Thor and Loki's recently freed sister Hela (Cate Blanchett, camping it up deliciously), the Goddess of Death, whose role in Asgard's conquering of the nine other realms has been largely obliterated from the official
history (this is the film's one major socio - cultural theme, and it gets a beautifully realized visualization when Hela causes a seemingly innocuous painted dome to crack open, revealing a portrait of a much darker and more
violent history underneath).
Set during the winter of 1981 — statistically one of the most crime - ridden of New York City's
history — A MOST
VIOLENT YEAR is a drama following the lives of an immigrant and his family
as they attempt to capitalize on the American Dream, while the rampant violence, decay, and corruption of the day drag them in and threaten to destroy all they have built.
As Rose searches for her daughter, she begins to learn the
history of Silent Hill — its
violent, puritanical past and the origins of its accursed state — and realizes that her daughter is just part of a larger, more terrifying destiny.
Scorsese himself holds the film in high regard, once describing it
as «the most
violent [film] I ever made,» which is a fairly bold claim from a filmmaker who has brought us some of the most brutal scenes in movie
history.
A crime drama set in New York City during the winter of 1981, statistically one of the most
violent years in the city's
history, and centered on a the lives of an immigrant and his family trying to expand their business and capitalize on opportunities
as the rampant violence, decay, and corruption of the day drag them in and threaten to destroy all they have built.
But when a mass grave is accidentally discovered nearby, revealing the grim truth behind the disappearance of a religious community known
as the Aroostook Baptists, Parker realizes that their deaths and the
violent passing of Grace Peltier are part of the same mystery, one that has its roots in her family
history and in the origins of the shadowy organization known
as the Fellowship.
Recreating a period of Australian and British
history as evocative and
violent as the American frontier era, Only Killers and Thieves is an unforgettable story of family, guilt, empire, race, manhood, and faith that combines the insightfulness of Philipp Meyer's The Son, the atmospheric beauty of Amanda Coplin's The Orchardist, and the raw storytelling power of Ian McGuire's The North Water.
History comes alive in The First Frontier
as Weidensaul retells the stories of many of the individuals whose lives both shaped and were shaped by this rugged,
violent and often terrifying frontier.
Rich cultural
history including settlement by a variety of First Nations, Danish, British and American settlers has shaped this region
as has the
violent wind and rainstorms that tested their mettle over the centuries.
Booker Dewitt is a self - confessed
violent killer with a
history of mental instability and a military background, plus some mild racial problems
as hinted at several times.
He's a brutal,
violent man, which makes him well suited to apocalyptic survival and his new occupation
as a bounty hunter, but Bend Studios is keen to stress that he's also a man struggling with the loss of his club brothers and
history wife / girlfriend.
Posed before a
violent tableaux (a picture within the picture that pays homage to the sweeping compositions of classical
history painting), the scene appears
as a suspended moment in a mysterious narrative.
Cutting, a video projection by Wangechi Mutu, also positions the female body
as a central site for investigating
history and culture, challenging the viewer with often
violent visions of the past, present and future.
As with Kentridge's film, where the complete image exists only in the mind of the viewer, Thom's
violent heritage is replayed in the mind of each viewer who interacts with the components of the artist's inherited
history.
He has also initiated a series of altered share certificates, now - obsolete documents referring to this same
violent, turbulent
history of colonial trade, ownership and power,
as well
as subtly referencing the contemporary art world's participation in commodity culture.
A master storyteller, Marshall weaves the political, urban, suburban, and African - American
history into ordinary narratives that are meant to upend popular perceptions of black culture
as impoverished,
violent or outraged and directly challenge conventional ideals of beauty.
However, instead of merely cataloging species
as Audobon did, Ford uses the familiar visual language of the well - known wildlife artist and other early natural
history artists to depict historically - based allegories of the
violent collision of man and nature.
Protestors released an open letter yesterday expressing their disappointment that the museum is honoring an artist they believe should instead be held accountable for her portrait of Emmett Till, «Open Casket» (2016), which many see not only
as an insult to Till's memory but also
as a white woman's
violent vision of a
history that isn't hers.
The fact that mother Alimanovic was born in Bosnia and Herzegovina and her children were born in Germany between 1994 and 1999 hints at her possible
history in Germany
as a refugee, escaping the
violent conflict in her home country.
Anyone with a vague recollection of the
history of Facebook will recognize the Cambridge Analytica situation
as a
violent symptom of something that's plagued Facebook and its users for years: apathy.
As a child, it didn't occur to me that the legal system's set against a strong, decent hard - working Aboriginal mother as opposed to a white male violent - drunkard with a criminal history was an example of structural sexis
As a child, it didn't occur to me that the legal system's set against a strong, decent hard - working Aboriginal mother
as opposed to a white male violent - drunkard with a criminal history was an example of structural sexis
as opposed to a white male
violent - drunkard with a criminal
history was an example of structural sexism.
However, it is important to note that substance use or abuse is not by itself dispositive on custody, and may be outweighed by other factors, such
as the existence of a strong relationship between parent and child or evidence that the other parent has a
history of
violent behavior.
A review of twenty studies on the adult lives of antisocial adolescent girls found higher mortality rates, a variety of psychiatric problems, dysfunctional and
violent relationships, poor educational achievement, and less stable work
histories than among non-delinquent girls.23 Chronic problem behavior during childhood has been linked with alcohol and drug abuse in adulthood,
as well
as with other mental health problems and disorders, such
as emotional disturbance and depression.24 David Hawkins, Richard Catalano, and Janet Miller have shown a similar link between conduct disorder among girls and adult substance abuse.25 Terrie Moffitt and several colleagues found that girls diagnosed with conduct disorder were more likely
as adults to suffer from a wide variety of problems than girls without such a diagnosis.26 Among the problems were poorer physical health and more symptoms of mental illness, reliance on social assistance, and victimization by,
as well
as violence toward, partners.
In preschool and during middle childhood, neglected children are more likely to be socially withdrawn and experience negative interactions with their peers.9, 12 Additionally, neglected children may have significant internalizing problems such
as withdrawal, somatic complaints, anxiety and depression when compared to physically - abused and sexually - abused children.7 Similar to adults with a
history of physical abuse, adults with a
history of neglect are at increased risk for
violent criminal behaviour.13