Sentences with phrase «violent moments»

A few seconds here and there, mainly to the two most violent moments in the film.

Aside from the initial shooting and some additional sci - fi explosions, the most violent moment comes when a character runs a car into a person standing behind it.

The effect of violent moments slowed down to a photograph capture not only the intervention of this act but also empower your senses and the ability to comprehend the image.

She explores themes such as the aura surrounding figures in famous paintings, the circulation patterns of currents between magnetic poles, and the actual stars as seen above violent moments in American history.

Perhaps the most violent moment is the explicit depiction of a burning body hung from a cross, including close - ups of the man's legs.

The comedic thriller plays rough, and is replete with violent moments of eye - opening nastiness, including an edited - in - the - nick - of - time near - depiction of a toe amputation.

It was a shockingly violent moment in a game which is generally more cartoonish in its portrayal.

This approach increases the intensity of the action as Saulnier takes no prisoners with some very violent moments.

JP LeBreton, lead on Double Fine's Spacebase DF - 9 and former lead level designer on BioShock 2, argued that some of gaming's best violent moments are the unexpected, non-scripted ones nobody else gets.

At times, this congeals into intoxicatingly energetic and disturbingly violent moments of survival play, but whenever the narrative returns to moments of static calm the film has a nagging sense of perfunctory ornamentation, it's more important elements given short shrift in an effort to balance a variety of odds and ends.

There are violent moments sprinkled throughout the film that should satisfy del Toro's horror crowd, but the movie's tone never feels like one genre or another.

There's a couple of badass gunfights and shoot outs, some incredibly violent moments, lots of blood as one might expect, foul language, and more, but it's a good time.

Instead, we have generic sea battles (against men becoming sea creatures, though), occasionally violent moments, tons of new mythology and secret revelations (none of which mean much, and all of which feel forced), and a tone more in tune with a serious epic than a post-modern swashbuckler.

In fact, there are such gloriously violent moments littered throughout that, were it not for George Richmond's glossy cinematography, it could quite frankly qualify for late - eighties, Hong Kong cop - fair.

Kenneth Branagh's Cinderella is, for the most part, a straightforward retelling of the fairy tale, and the Walt Disney Pictures imprimatur ensures that the filmmaker forgoes the more violent moments in the Brothers Grimm version of the story (no one cuts their toes off here in order to fit into Cinderella's glass slipper; to see that, you'd have to turn to Stephen Sondheim's Into the Woods).

Phoenix's portrayal of returned serviceman Freddie Quell in The Master, reflecting the film's mid-twentieth century setting, is split between buttoned down public appearances, given expression through his stiff body language, and intermittent, explosively violent moments.

A man must return to the house in which he grew up — a spooky one riddled with ghouls in the cellar representing sublimated memories of unmotivated, uninspired and, importantly, not at all scary violent moments.

It does have something of a reputation as a cult film, but that would appear to be primarily because of its intense violent moments that include Ichi slicing a couple of throats, slicing someone completely in half (with laughably - bad CGI), and several instances of Kakihara torturing others.

And the two - minute clip suggests this is one fairytale which definitely will not be for children, with plenty of scares and violent moments promised.

McDonagh («In Bruges», «Seven Psychopaths») stays true to his style with an off - kilter tone, some occasional ridiculously violent moments and a whole lot of implausible dialogue.

The girls collide in an informal dance contest at school that turns into a brawl (this fight is the most violent moment of the film).

Lambert doesn't hold back his rage during the climax, resulting in some shockingly violent moments.

Then read the bible, and tell me it doesn't have it's violent moments.

Another violent moment of the World Cup 2010 in South Africa.

This simply takes a bunch of the film's violent moments and packages them together.

In a film that has just a few melodramatic moments — such as when Nat is severely whipped for baptizing a white man on his master's property — the climactic, chaotic, violent moments might well give rise to cheers in the audience.

Though very often the violent moments in «I, Tonya» punctuate scenes that are otherwise farcical and funny, Gillespie, through careful technique, makes sure that the violence never becomes the punch line.