Sentences with phrase «violent scene from»

If they encounter a scary or violent scene from a movie or read about one in a book, it can stay on kids» minds for a very long time.

The video is available on the official White House YouTube channel, and shows a number of violent scenes from games including Fallout, Wolfenstein, Sniper Elite, and Call of Duty.

Not exact matches

Did the increased attention to violent crucifixion scenes arise from social changes in Western Europe?

Live feeds from Paris showed chaotic scenes, as police attempt to disperse violent protesters while redirecting crowds of peaceful marchers to side streets.

12.42: At Ofejikpi 1, Anyigba, Dekina LGA, which has 1,395 registered voters, a certain voter threatened to be violent with INEC officers at the polling unit, but the police intervened, removing him from the scene.

UK Uncut - the direct action group who occupied upmarket retailer Fortnum and Mason during Saturday's protest - came under criticism from Mr Cameron, who condemned their refusal to dismiss the violent scenes at the march.

A note of caution to parents... Several violent scenes graphically detailing human death are enough to keep this from younger viewers» eyes.

When you have dedicated episodes of these guys taking shelter from a storm, an entire episode with an awful hipstery filter fest, even more cringy dialogue and ridiculous death scenes that mean nothing other than just being shocking and violent; well that's when the show suffers.

Quarrelsome Bill (Richard Gere) has an undisclosed, violent altercation with his foreman, punches him to the ground, and renders him unconscious - thereby forcing him to run from the scene and leave town as a fugitive.

In the most pivotal, unforgettable scene, Jen holes up in a cave to engage in a ritual you know from almost every movie ever made about violent heroism: She has to patch herself up.

Matthew Heineman gets up close and personal with some of the RBSS members, who live with the daily threat of violent retribution and in some scenes comment from the cloistered security of German or Turkish safe houses.

(remix) music video by Danger Mouse and Jemini; deleted scenes and alternative takes, five in total, including an alternative ending (9 min) with a less subtle conversation between Richard and Mark, but a haunting final image of Richard with Anthony; images from Anjan Sarkars graphic novel animation matched to actual dialogue from the films soundtrack (the scene where Herbie first sees the elephant); In Shanes Shoes (24 min) documentary featuring the premiere at the 2004 Edinburgh Film Festival, interviews with Shane Meadows about run - ins with violent gangs in his youth, and on - location clowning; Northern Soul (26 min) also made by Meadows in 2004, and starring Toby Kebbell as an aspiring wrestler with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to show how much better Dead Mans Shoes is.

As for the complaints of eye - burning scenes of violence: this is far from the most violent 2013 movie, and the violence is neither extraneous nor gratuitous.

The stars» selections varied (not all of them strictly speaking sex scenes), and among them were a number of great moments in Criterion films — from the chaste love affair of David Lean's Brief Encounter to the violent eroticism of Nagisa Oshima's In the Realm of the Senses.

These elements, along with a short violent clip from the movie Dirty Harry and a scene where Max is drunk and violently vomits on another man, will have many parents raising their eyebrows.

Yes there's nudity — and more than that, several violent scenes — but the whole tone seems like a 1980s affair, with a standard Russian cartoonish accent from Lawrence, many twists that are confusingly predictable (you'll NEVER guess who the mole is!)

A dread - filled electronic score, neon, zombie - like performances and violent scenes of amputation — all fail to distract from the emptiness and sheer silliness of Nicolas Winding Refn's Bangkok - set, bloody and hilariously pompous revenge yarn «Only God Forgives».

In his great westerns, the river scenes are the brief escapes from violent lives in his character, reprieves in the middle of the drama before they march back out to meet their fates.

Penned by Jeremy Brock («The Last King of Scotland «-RRB- and Tony Grisoni (The «Red Riding» Trilogy, the much - hyped «Southcliffe» which also screens at TIFF), it's got tough subject matter — not least from a quasi - incestuous romance at the center — but it certainly looks the part judging from the trailer that features the halcyon, sun - kissed «before» as well as scenes of a violent, militaristic «after.»

Aside from a quick look at a passing steam train, there are brief scenes where Morgan threatens a local man as he pins him to the wall, then a violent shot of the outlaw involved in a brutal fistfight.

Running time: 129 minutes Studio: Fox Home Entertainment 3 - Disc DVD Extras: Widescreen theatrical feature film, unrated director's cut, Wolverine theatrical trailer, Valkyrie, S. Darko, The Wrestler, Seth MacFarlane's Cavalcade of Cartoon Comedy, commentary by director George Tillman, Jr., screenwriters Reggie Rock Bythewood and Cheo Hodari Coker, and editor Dirk Westervelt, commentary by with Biggie's mom Voletta Wallace, and his manager Wayne Barrow, Behind the Scenes: The Making of Notorious, I Got a Story to Tell: The Lyrics of Biggie Smalls, Notorious Thugs: Casting the Film, Biggie Boot Camp, Anatomy of a B.I.G. Performance, Party & [Expletive](never before seen footage), The B.I.G. Three - Sixty, Directing the Last Moments, It Happened Right Here, The Petersen Exit, The Shooting, The Impala, The Unfortunate Violent Act, The Window, 9 Deleted Scenes, 4 extended / alternate concerts, trailers from: Secret Life of Bees, Gospel Hill and Slumdog Millionaire, digital copy.

Judy Garland holds the film and the family in it together as the girl who only wants to love the boy next door, but it's Margaret O'Brien as the little willful sister who adds the extra bit of oomph, especially in the manic Halloween scene and the violent Christmas scene that carries the film from an exercise in sentimentality into a deeper territory of loss and distress.

Shot with all the expressive minimalism of a Dardennes film, the last quarter of Custody, from the dialogue - free party scene to the violent conclusion, is gripping beyond compare, the only film this year during which I forgot to breathe for a good portion of its running time.

It's one of those George Lucas situations where if it were anyone else shitting all over the legacy, there'd be a violent hue and cry instead of this collective embarrassed averting of gaze — a cheap ripper that steals scenes whole from better Argento flicks without a commensurate level of understanding of how to use them.

I was later somewhat disappointed to learn, as the quote above reveals, that the shot was achieved through visual effects, but it wasn't enough to erase the image from my mind: a distressed Milk confronts a police officer following a violent night of gay - bashing in the Castro as a whistle — a plot point raised earlier in the film — lies blood spattered on the ground, reflecting the scene throughout.

The trailer confirms that the violent hammer scene from the original is still intact, though the scene involving the live octopus is anyone's guess at this point.

From the excess of the Capitol to the claustrophobic hive of District 13 to the violent scenes of civil war, you have taken the ball and run with it in fabulously detailed and thoughtful ways, grounding the fantastical, and fusing disparate elements into a cohesive reality.

Political correctness is avoided in many scenes, though the message is clear that the hatred between the Native Americans and the mostly Anglo settlers and soldiers stems from the unethical seizure of land by violent force.

It was supposed to feature a violent intro scene that was originally cut from the first game.

Most of the death scenes have been trimmed to get a rating, and violent grace notes, such as a woman's head getting shredded in the blades of a lawnmower and a boy's arms getting torn from his torso by a pickup truck, are missing entirely.

While you may get whiplash from the «Deadpool» sequel's occasional very serious and emo scenes, the rest of the movie is thoroughly delightful, somehow managing to be even funnier — and more hilariously violent — than the original.

Urban has long been the best part of just about anything he appears in — from stealing whole scenes in JJ Abrams» Star Trek revival, to donning the titular futuristic lawman's helmet and gun in Alex Garland's savagely violent re-envisioning of Judge Dredd.

The scene's impact comes from how skillfully Villeneuve and his ace cinematographer Roger Deakins draw out the contrast between Harrison Ford's wizened, authentic flesh - and - blood presence and the eerie, time - capsule perfection of a circa - 1982 Sean Young, before leveling a violent, devastating punch line.

Scorsese himself holds the film in high regard, once describing it as «the most violent [film] I ever made,» which is a fairly bold claim from a filmmaker who has brought us some of the most brutal scenes in movie history.

While not reaching the depths of the Harvey Weinstein accusations, which included violent rape, the Times article painted Franco as a decidedly scummy guy who used his position of authority to coerce women into sex acts, cast acting students in myriad topless roles, and on one occasion remove a plastic guard from atop an actress's genitals before simulating oral sex on her for a scene.

Belting little children and dogs also seems a bit far - fetched and violent, as well, but I will take the guffaws that come from these scenes over some of the tepid sequences which plague the latter part of this effort.

Avoiding any violent action scenes or even the use of a weapon, you can believe that Willis could have saved your child from a troubled past and future.

The plot gives ample opportunity for director Curtiz to stage grand action scenes, from Thorpe's storming of the Spanish ship in the beginning, to his men's battle in the tropics and finally, as slaves, violent mutiny aboard the ship.

Virtually any scene that features any of them is usually interrupted by some violent event, from which our heroes must suddenly withdraw.

Here's an excerpt from an early scene, in which Helen must reason with a New York councilman whose violent actions have been caught on a surveillance camera.

What Berg now saw stood out from «hundreds, maybe a thousand» violent crime scenes he'd walked into during his twenty - five years as a police officer.

Yes, Nolan was set up to be violent with women and attracted to Placidia, but then he pretty much disappeared from the scene.

Graphically violent scenes do not deter me from reading a mystery — so many of the plots are grisly, after all — but many readers want a suspenseful book that will not make them wince.

There's plenty of action as Timothy (Jamie Mains) comes out from behind his surly exterior to express his rather juvenile and fumbly love for Jason's mother, Margerie, played by Janie Dee, followed by a gratuitous and cringeworthy scene in which they have violent sex, something Tim then brags about.

From what I have seen to far of Silent Hill 2, the kinds of images and scenes in the game appear graphically intense, often macabre, even violent in nature.

However, because it is difficult to express such a violent battle as playable content, the secret ending [from KH2: FM +] is an image (scene?)

It was a horrific scene, and according to much of the media that had arrived on - scene to report, the cause was our violent culture, a culture saturated in violence, be it from films, books games.

Aside from a quick look at a passing steam train, there are brief scenes where Morgan threatens a local man as he pins him to the wall, then a violent shot of the outlaw involved in a brutal fistfight.

Known for his opulent aesthetic featuring colorful scenes inlaid with enamel, glitter, and semi-precious stones, Shaw's phantasmagorical dreamscapes often depict characters in conflict and commonly draw from the artist's own «diaries» alongside the violent and erotic.

The struggle to gain access to the images — which depict death, fire - eaters, wrestlers, violent sections of cartoons, and gruesome scenes from Hollywood movies — symbolizes the consumer's struggle to escape loneliness, as well as the futile search for fulfillment in goods and services.