Merging the hyper -
violent tactility of The Raid or Universal Soldier: Day of Reckoning to Victoria's one - take wonder, it's as elegant as Tony Jaa's reverse - trajectory staircase assault in The Protector, albeit with an enthusiastically - bloodied grubbiness.
Shot by the talented Bradford Young, who displayed a detailed sense of
tactility and practical lighting in «Selma,» «Arrival» and «A Most
Violent Year,» he brings this approach to «Solo,» and the dim, dusty look just doesn't fit.