The Coens vary between dark and
violent thrillers like «No Country for Old Men» and Fargo, and quirky comedies like «Raising Arizona» and «The Big Lebowski».
Not exact matches
It's an exceptionally strange film, somewhere between a yakuza
thriller and a ponderous reflection on the
violent childishness of the criminal mind — only finally getting its due when Quentin Tarantino stepped in to offer U.S. distribution and certain themes began to show up in weirdo crime flicks
like Jim Jarmusch's Ghost Dog (which itself culled themes from Branded to Kill and Le Samouraï, the latter of which Beat cited as a particular influence).
As a result, the movie plays more
like a screwball comedy than a
violent action
thriller, though it contains many pieces of the latter and hardly any of the former.
Directed with a terrific sense of style by longtime television show director D.J. Caruso (Taking Lives, Two for the Money), this is definitely a «walk on the wild side» that should appeal to those who
like comic crime dramas
like Pulp Fiction, The Boondock Saints, Fight Club, and other over-the-top funny but
violent thrillers of this ilk.