Not exact matches
In the latest experiment, a camera filming each subject's back produced an
image that was projected through a head - mounted display to generate a
virtual body 2 metres in front
of them.
Mikei Huang's Perfect Eggplants Don't Exi - offers a unique
virtual reality experience that takes on
body image, standards
of beauty, and desire in gay culture with a bright, comical aesthetic that emphasizes the bizarre and arbitrary standards many
of us force ourselves to fit.
Themes explored in the exhibition include emergent ideas
of the
body and notions
of human enhancement; the internet as a site
of both surveillance and resistance; the circulation and control
of images and information; possibilities for new subjectivities, communities, and
virtual worlds; and new economies
of visibility initiated by social media.
This ecology supports Gordon's smooth world where
images slip from tableaus to photographs as if giving into the
virtual potentials
of Deleuze and Guattari's
body without organs.
Meineche Hansen works with materials such as woodcut, sculpture and computer - generated
images and
virtual reality animation, and focusses on the complexity
of the
body in industries such as the pharmaceutics, pornography and technology.
Ocean
of Images presents
bodies of work that critically redefine photography as a field
of experimentation and intellectual inquiry, where digital and analog,
virtual and real dimensions cross over.
The folds
of leathery skin are lifted and propped open by sculptures, casts and found objects to reveal collages
of a multitude
of images from a broad range
of sources: André Masson's Acéphale illustration depicts a headless monster, functioning as a parodic diagram
of the ideas
of the Surrealist philosopher Georges Bataille; Krang, the villain from Teenage Mutant Ninja Turtles, is an anthropomorphic brain housed in the torso
of a human - shaped exo - suit; the cryogenically - frozen
body of John Spartan from the film, Demolition Man; and a snapshot
of the artist's mother, apparently perturbed by a «
virtual autopsy display»
of a mummy in the British Museum.
The exhibition, arranged thematically, traces the impact
of the world wide web on the human
body, surveillance, the increasing accessibility and consumption
of information and
images,
virtual communities, and social media.
Themes explored in the exhibition include emergent ideas
of the
body and notions
of human enhancement; the internet as a site
of both surveillance and resistance; the circulation and control
of images and information; the possibilities for exploring identity and community afforded by
virtual domains; and new economies
of visibility accelerated by social media.
They are a «
virtual strip search» because they display an
image of passengers» naked
bodies on a computer screen.
The use
of virtual reality in the study, assessment, and treatment
of body image in eating disorders and nonclinical samples: a review
of the literature.
Virtual reality — based multidimensional therapy for the treatment
of body image disturbances in obesity: a controlled study.