Sentences with phrase «visible in the architecture»

Located just a stone's throw away from Westminster, St James's has a rich heritage visible in the architecture of its many traditional buildings.

Controlled from the 16th century onwards by the Portuguese, Dutch and finally the British prior to gaining full independence in 1948, the influences of colonial powers remain visible in architecture and a number of forts across the country.

The state also served as a summer retreat for British and thus, the colonial influence is clearly visible in the architecture.

The city itself is a wonderful place to explore, with different influences over the years clearly visible in its architecture.

Not exact matches

The architecture of the Republic of Ireland is one of the most visible features in the Irish countryside — with remains from all eras since the Stone Age abounding.

The opulence of the Spanish colonial era is visible everywhere in the city, from the detailed wood - work of the historic centre's balconies, doors and architecture to the lavishly decorated churches.

The blend of new world confidence, Victorian morality, a love of antiquity, and Indian spirituality created a unique community that found its expression in architecture that is still visible on the campus of Point Loma Nazarene University.

The mix of influences led to the development of unique local culture, music, art, cuisine, and architecture, which is most visible in the Old Town of Corfu, with its Italianate buildings, smattering of palaces, narrow alleyways hung with laundry, and grand squares built around imposing Orthodox and Catholic churches.

In Romanesque architecture are always visible is one of the elements that characterize it, especially in Spanish architecture, except in the Catalonia area where construction was done adopting a greater thickness of the wallIn Romanesque architecture are always visible is one of the elements that characterize it, especially in Spanish architecture, except in the Catalonia area where construction was done adopting a greater thickness of the wallin Spanish architecture, except in the Catalonia area where construction was done adopting a greater thickness of the wallin the Catalonia area where construction was done adopting a greater thickness of the walls.

Gaya Island Resort is located on Pulau Gaya, the largest of a cluster of five islands that form the Tunku Abdul Rahman Marine Park, a natural conservation area off the coast of Borneo, close to Kota Kinabalu.Gaya Island Resort has a unique setting: the land is fringed with a golden sandy beach, rocky coastal outcrops, and surrounded by coral reefs.The hilly island landscape is covered with lush tropical rainforest and an abundance of flora and fauna.And to complete this perfect setting, visible in the distance, is the stunning outline of Mount Kinabalu.The guest villa exterior respects Sabahan architecture, uses local materials and blends harmoniously with the natural environment.

Music, architecture, design, geometry, and, above all, language are embedded, if not visible, in her work.

The shape of either end of this pipeline resembles the tapered arches visible in Gothic cathedrals and Islamic architecture, hinting at the religious connotation of entering the darkness then stepping into the light.

There are however no conventional sculptures in this museum, just as there are no people and no visible spatial environments or architectures; simply the debris of rotating and pirouetting objects, utensils and ornaments in a black void.

Demonstrating the care taken in integrating the artworks with one another and with the architecture, Eliasson's flickering tiles are visible from the bar through a large glass window.

Born in Tehran, I.R.I., Hoseini captures empty historical echoes as bodies walk among the literal and figurative, the visible and invisible ruins of objects and architectures.

The delineation of architecture in two dimensions is most visible in his drawings.

ROYAL DANISH ACADEMY OF FINE ARTS, Copenhagen, Denmark 2011 «Some Structures; drawing, writing, finance» AARHUS, SCHOOL OF ARCHITECTURE, Aarhus, Denmark 2011 «Hunting Life in an Open Book» «Arts, Letters and Numbers: An expanded disciplinary geography» PARSONS THE NEW SCHOOL FOR DESIGN, New York, NY 2010 «Design and Existential Risk» Fall Lecture series «Risk Distribution: Why I teach algorithmic trading in an art school» GLASS HOUSE CONVERSATIONS; Dialogue in the Digital Age 2010 Invited Participant by Geoff Manaugh philipjohnsonglasshouse.org ACADIA 2010 Conference LIFE in: formation, New York, NY 2010 Lecture: «Time Promise Land: Notes on our current geographies» COOPER UNION, New York, NY 2010, «Hejduk, Hamlet and the Ghost Promise» with response from David Shapiro (poet) Rhode Island School of Design, Providence, RI 2010, National Science Foundation, Making Science Visible Conference «Embodied Knowledge Navigating Disciplinary Geographies» COOPER UNION Panel discussion, New York, NY 2010, «Light is Calling» Participant and moderator Bill Morrison, Kyna Leski, Chris Rose CÍRCULO DE BELLAS ARTES, Madrid, Spain Conference on John Hejduk 2009, «Hejduk, Hamlet and the Ghost Promise» COOPER UNION, New York, NY Public Art lectures with Dennis Adams 2009, «No More Shall We Part» HARVARD UNIVERSITY, GSD, Cambridge, MA Critical Digital Conference 2009, «Creative Imagination In the Shadow of Oppenhiemer» Rhode Island School of Design, Providence, RI How Do We Look to the Outsidin an Open Book» «Arts, Letters and Numbers: An expanded disciplinary geography» PARSONS THE NEW SCHOOL FOR DESIGN, New York, NY 2010 «Design and Existential Risk» Fall Lecture series «Risk Distribution: Why I teach algorithmic trading in an art school» GLASS HOUSE CONVERSATIONS; Dialogue in the Digital Age 2010 Invited Participant by Geoff Manaugh philipjohnsonglasshouse.org ACADIA 2010 Conference LIFE in: formation, New York, NY 2010 Lecture: «Time Promise Land: Notes on our current geographies» COOPER UNION, New York, NY 2010, «Hejduk, Hamlet and the Ghost Promise» with response from David Shapiro (poet) Rhode Island School of Design, Providence, RI 2010, National Science Foundation, Making Science Visible Conference «Embodied Knowledge Navigating Disciplinary Geographies» COOPER UNION Panel discussion, New York, NY 2010, «Light is Calling» Participant and moderator Bill Morrison, Kyna Leski, Chris Rose CÍRCULO DE BELLAS ARTES, Madrid, Spain Conference on John Hejduk 2009, «Hejduk, Hamlet and the Ghost Promise» COOPER UNION, New York, NY Public Art lectures with Dennis Adams 2009, «No More Shall We Part» HARVARD UNIVERSITY, GSD, Cambridge, MA Critical Digital Conference 2009, «Creative Imagination In the Shadow of Oppenhiemer» Rhode Island School of Design, Providence, RI How Do We Look to the Outsidin an art school» GLASS HOUSE CONVERSATIONS; Dialogue in the Digital Age 2010 Invited Participant by Geoff Manaugh philipjohnsonglasshouse.org ACADIA 2010 Conference LIFE in: formation, New York, NY 2010 Lecture: «Time Promise Land: Notes on our current geographies» COOPER UNION, New York, NY 2010, «Hejduk, Hamlet and the Ghost Promise» with response from David Shapiro (poet) Rhode Island School of Design, Providence, RI 2010, National Science Foundation, Making Science Visible Conference «Embodied Knowledge Navigating Disciplinary Geographies» COOPER UNION Panel discussion, New York, NY 2010, «Light is Calling» Participant and moderator Bill Morrison, Kyna Leski, Chris Rose CÍRCULO DE BELLAS ARTES, Madrid, Spain Conference on John Hejduk 2009, «Hejduk, Hamlet and the Ghost Promise» COOPER UNION, New York, NY Public Art lectures with Dennis Adams 2009, «No More Shall We Part» HARVARD UNIVERSITY, GSD, Cambridge, MA Critical Digital Conference 2009, «Creative Imagination In the Shadow of Oppenhiemer» Rhode Island School of Design, Providence, RI How Do We Look to the Outsidin the Digital Age 2010 Invited Participant by Geoff Manaugh philipjohnsonglasshouse.org ACADIA 2010 Conference LIFE in: formation, New York, NY 2010 Lecture: «Time Promise Land: Notes on our current geographies» COOPER UNION, New York, NY 2010, «Hejduk, Hamlet and the Ghost Promise» with response from David Shapiro (poet) Rhode Island School of Design, Providence, RI 2010, National Science Foundation, Making Science Visible Conference «Embodied Knowledge Navigating Disciplinary Geographies» COOPER UNION Panel discussion, New York, NY 2010, «Light is Calling» Participant and moderator Bill Morrison, Kyna Leski, Chris Rose CÍRCULO DE BELLAS ARTES, Madrid, Spain Conference on John Hejduk 2009, «Hejduk, Hamlet and the Ghost Promise» COOPER UNION, New York, NY Public Art lectures with Dennis Adams 2009, «No More Shall We Part» HARVARD UNIVERSITY, GSD, Cambridge, MA Critical Digital Conference 2009, «Creative Imagination In the Shadow of Oppenhiemer» Rhode Island School of Design, Providence, RI How Do We Look to the Outsidin: formation, New York, NY 2010 Lecture: «Time Promise Land: Notes on our current geographies» COOPER UNION, New York, NY 2010, «Hejduk, Hamlet and the Ghost Promise» with response from David Shapiro (poet) Rhode Island School of Design, Providence, RI 2010, National Science Foundation, Making Science Visible Conference «Embodied Knowledge Navigating Disciplinary Geographies» COOPER UNION Panel discussion, New York, NY 2010, «Light is Calling» Participant and moderator Bill Morrison, Kyna Leski, Chris Rose CÍRCULO DE BELLAS ARTES, Madrid, Spain Conference on John Hejduk 2009, «Hejduk, Hamlet and the Ghost Promise» COOPER UNION, New York, NY Public Art lectures with Dennis Adams 2009, «No More Shall We Part» HARVARD UNIVERSITY, GSD, Cambridge, MA Critical Digital Conference 2009, «Creative Imagination In the Shadow of Oppenhiemer» Rhode Island School of Design, Providence, RI How Do We Look to the OutsidIn the Shadow of Oppenhiemer» Rhode Island School of Design, Providence, RI How Do We Look to the Outside?

Ironically, however, the growing functionality of art - most visible in the skyscraper architecture of late 19th century America, which required no internal or external sculptural decoration - may have helped to pave the way for the introduction of abstraction.

Above the main space, visible through a newly cut opening in the interior architecture, was a selection of Richard Prince's great «Cowboy» photos.

In this article, Judd bemoans most of what would be deemed proper architecture, asserting to the contrary, «dams, roads, bridges, tunnels, storage buildings, and various other useful structures comprise the best visible things made this century.

This artist has grown up in a place where there are full - scale utopias, their thinking has been profoundly influenced by Brazilian modernist architecture and even more, by its contrast with the visible at the foot of its buildings precariousness.

The wooden cantilever regulates sun and is the only visible architecture in the landscape.

Due to the presence of the Portuguese for nearly 500 years, the cultural influence from Portugal is undeniable and very visible, not only by the architecture and beautifully kept colonial buildings and churches, but also by the fact that Macau has maintained a Chinese - Portuguese bilingual system in the Government and in its legal system.

Today, Landezine is internationally renowned landscape architecture website and one of the most visible in the profession.

Featuring the new Cortex A72 architecture from ARM and a Mali T880 GPU, the Kirin 950 is blazing fast, and that's visible in the silky smooth performance of the Mate 8.

Today, Landezine is internationally renowned landscape architecture website and one of the most visible in the profession.