«At times... they present the illusion of an almost corrugated surface,» he explained, «until
the visible weave of the canvas tautens it, pulling out its creases, as it were.
«Far from harmonizing the individual stripes by colour, Louis usually vibrates them, creating an illusion of painterliness in their optical flicker... [at times] they present the illusion of an almost corrugated surface, until
the visible weave of the canvas tautens it, pulling out its creases» (J. Elderfield, Morris Louis, exh.
Not exact matches
Humidity plays havoc with oil paints which sink faster into the
canvas, but he seems to have shrugged and let them go their way, appearing thinner and even patchy on the surface
of some
canvases, often leaving the
weave visible and occasional gaps between blocks
of colour.
The
weave of the raw
canvas was
visible within the painted forms, and, at the same time, the visibility
of the
canvas beneath the painted surface negated the sense
of illusion and depth.
The thin paint
of the edge
of the bed, through which the
weave of the
canvas is clearly
visible, contrasts sharply with the thick paint
of the bed clothes, just as the thin vertical strokes
of the curtain contrast with the creamy treatment
of the flesh.