This film adaptation offers us a refreshing new
vision as the novel's author himself takes to the director's seat.
Not exact matches
«
As part of Salesforce, we will be able to help bring customers»
vision to life with a truly
novel combination of strategic leadership, design thinking, brand strategy, industry - leading engineering and software.
These theological
visions come from many sources, including: apocalyptic books of the Bible from Daniel to Revelation; a nineteenth - century viewpoint on the end of times known
as dispensational premillennialism; and images of the so - called «rapture» popularized in
novels such
as Hal Lindsey's The Late Great Planet Earth (1970) and the more recent Left Behind series.
Her latest
novel, The Handmaid's Tale (Houghton Mifflin, 1986), is commanding attention
as a considerably more ambitious book, part of a new phase of her work that includes the poems in True Stories and the
novel Bodily Harm (both published in 1981) Exposing male / female power games within an alarmingly widened field of
vision, Atwood bears prophetic witness to the largest, most subtle and most violent manifestations of power in our time.
In The Philosopher's Pupil (1983) a man's life is changed by his
vision of a flying saucer; a key episode in The Good Apprentice turns on what appears to be the effects of a love potion; a young girl in The Green Knight exerts an involuntary telekinesis over the stones that she has collected in her room; in the same
novel the goodness of a man named Peter Mir (Mir meaning, in Russian, both «world» and «peace,»
as several characters note) seems to be contagious, bringing sweet dreams and love to those with whom he comes in contact.
God offers
as its subjective aim a
vision of what that entity might become, disclosing relevant
novel possibilities that would provide «ideal» opportunities for the concrescing subject with the maximum enjoyment of complexity and intensity.
For although Austen can be legitimately claimed
as the formal forerunner of the vulgar romance fiction now clogging whole sections of the world's bookstores, her own
novels far transcend the very genre she is supposed to have inaugurated ¯ and precisely because of the moral
vision that came from her upbringing and which has now, it would seem, all but disappeared in the wake of Sitcom World.
An essential element of Hall's
novel vision of the future is the idea that once technology has been fully established
as a self - governing, self - sustaining system, a sort of «automatic rationality» with which we need no longer concern ourselves, we will be free to turn away from «actions over against nature,» to turn our attention «inward» to the sort of «actions» which enhance the aesthetic value of experience.
With the approach of Updike's 50th birthday, and with the publication of this his 25th book, it is time to offer an assessment of his work
as a whole: to trace his natively Lutheran
vision of life
as cast by God into an indissoluble ambiguity, to examine his treatment of death and sex
as the two phenomena wherein the human contradiction is most sharply focused, to set this new
novel in relation to the earlier «Rabbit» books, and to determine what is religiously troubling and compelling about Updike's art.
It is also what some critics call an «encyclopedic
novel,» at once a fictional distillation of a civilization — in this case, that of medieval Britain, or at least a
vision of it — complete with the arcana of various subjects (in this case, medieval warfare, falconry, heraldry, hagiography, psalters, scholasticism, and so on) that you expect from Pynchon and DeLillo, and the highly individual
vision of a writer who is using Malory's vast romance
as a springboard for his own imagination.
His «cartograms» take state - and county - level election returns
as well
as data about population and electoral college representation and churn out a
vision of the U.S. that is
novel, yet still recognizable.
Psychologists at Saarland University have developed a
novel therapy to help people who are experiencing impaired spatial
vision, possibly
as a result of a stroke.
Author of books: Atmospheres of Mars and Venus (1961, nonfiction) Planets (1966, nonfiction, with Jonathan Norton Leonard) Intelligent Life in the Universe (1966, nonfiction, with Iosif S. Shklovskii) Planetary Exploration (1970, nonfiction) Planetary Atmospheres (1971, nonfiction, with Tobias C. Owen and Harlan J. Smith) U.F.O.'s: A Scientific Debate (1972, with Thornton Page) The Cosmic Connection: An Extraterrestrial Perspective (1973, nonfiction) Communication with Extraterrestrial Intelligence (1973, nonfiction) The Dragons of Eden: Speculations on the Evolution of Human Intelligence (1977, nonfiction) Murmurs of Earth: The Voyager Interstellar Record (1978, nonfiction) Broca's Brain: Reflections on the Romance of Science (1979, nonfiction) Cosmos (1980, nonfiction) Comet (1985, nonfiction, with Ann Druyan) Contact (1985,
novel) Nuclear Winter (1985, nonfiction) A Path where No Man Thought: Nuclear Winter and the End of the Arms Race (1990, nonfiction, with Richard P. Turco) The Demon - Haunted World: Science
as a Candle in the Dark (1996, essays) Shadows of Forgotten Ancestors: A Search for Who We Are (1992, nonfiction, with Ann Druyan) Pale Blue Dot: A
Vision of the Human Future in Space (1994, essays) Billions and Billions (1996, essays) The Varieties of Scientific Experience: A Personal View of the Search for God (2006, nonfiction, posthumous, with Ann Druyan)
Fresh off the smashing success of Neighbors, Heat
Vision reports that Sony is developing an adaptation of the upcoming Shane Kuhn
novel The Intern's Handbook: A Thriller
as a star vehicle for Dave Franco.
It works well in New York street scenes and panoramas — such
as the
novel's celebrated
vision of Manhattan glimpsed from the Queensborough Bridge («the city seen for the first time, in its first wild promise of all the mystery and beauty in the world»)-- but it makes the actors look more like mannequins than people.
1984 is based on the classic science fiction
novel by George Orwell, which offered a bleak
vision of a future dystopia where one's thoughts and actions were controlled by a totalitarian government ruled by an entity known simply
as «Big Brother».
On top of this, Red Dragon is also a remake,
as most hardcore fans of the
novels and movies will have seen Manhunter, which was done over 16 years prior, before Silence of the Lambs, so we've already seen a
vision of the
novel played out in the not - too - distant past, still relatively fresh in the mind.
Far more than just a vehicle for a cosmology, this inventive
novel slices right to the bone of human yearning, offering up an indelible
vision of life and death
as equally rich sides of the same coin.
The world would be a much better place if they all simply went away... Counting Heads arrives
as a science fiction
novel like a bolt of electricity, galvanizing readers with an entirely new
vision of the future.
Leonardo's challenges
as a genius with a great
vision and also a human being who needs to pay his bills and feed his dependents is explored throughout the
novel.
Because of the industry contacts made when Melissa worked
as The Guide To Romance Fiction at About.com, she decided to release her first paranormal romantic suspense
novel, Night
Visions, under the pen name Ariana Dupré.
I used to wish I already had a published
novel out there, but lately I've decided it's exciting to have the opportunity to form my career in my,
as you say, «a
vision.»
His acclaimed graphic
novel «
Vision Machine» is now available
as a free iPad app.
This is the essence of my
vision of Findependence.Even if you choose for the time being to remain employed,
as I say in Findependence Day (the
novel), you're working because you choose to, not because you must (financially speaking).
Dale Peck is the author of the
novels Martin and John (1993), What We Lost (2004), and The Garden of Lost and Found (2012),
as well
as the essay collection Hatchet Jobs (2004) and the memoir
Visions and Revisions: Coming of Age in the Age of AIDS (2015).
Sundblad is known for her collaborative work across mediums — including painting, singing, and performance art —
as well
as for her
vision as co-founder and director of Reena Spaulings Fine Art (named after the fictional New York City it - girl at the center of Bernadette Corporation's collectively penned
novel of the same name).
For instance, Wood's daughter's painted face, the flowers of an orchid, and the musculature of Manute Bol's arm appear equally
as intimate portrayals, kaleidoscopic
visions, and
novel painterly events.
Tracing the evolution of Hancock's
vision by showing the genesis of his mythology, including that of the epic Mound saga, and his wide range of high and low influences (comics, graphic
novels, cartoons, music and film,
as well
as visual art), this catalogue demonstrates the fundamental, continuing importance of drawing in Hancock's work up to the present day.