Sentences with phrase «vision for the film finally»

As stalagmites of gooey black nanotechnology ooze from Lucy's body and the film begins to feel like a glossy version of Akira (only one that wouldn't dare infringe on the beauty of its star), Luc Besson's vision for the film finally comes into perfect focus: this isn't just the story of a woman who realises the full potential of her brain, it's also the story of a filmmaker remembering the full potential of his genre.

Not exact matches

Sir Andrew has also composed new music for a film version of Evita which, against his better judgment, starred Madonna in the lead role, and has produced his own version of Jesus Christ Superstar on stage and home video that he feels finally, at long last, captures his true vision of the piece.

Some things that probably factor into the industry's disagreement: Peter Jackson adapted books fifty years old and respected as great literature, the Potter books were being written alongside the first movies; Lord of the Rings centered on adult characters and played to a wider audience with PG - 13 ratings, the first Potter movies were PG, skewed younger, and starred kids (though anyone can see the films matured and so did the fans, many already wrote the series off); finally, where Jackson provided one distinct vision and a cast of respected performers, Potter had a rotating director roster (all of them secondary to Rowling) and limited opportunities for its accomplished actors, giving the brunt of the work to the three kids and spectacle.

Weird visions ensue (bad dreams and worse), and then there's the captain's log that our heroes spend the bulk of the film «filtering» before finally discovering that the warnings contained therein are in Latin for a reason.

Wonder Woman (Patty Jenkins, 2017), because it's the most powerful popular feminist statement in mainstream cinema thus far, inspiring countless young women and girls to dare to succeed; because Patty Jenkins more than deserved it after languishing in the wilderness of episodic television after her masterful film Monster (2003), when any male director would have gone on to direct four of five features on the strength of that one film; because it's about damned time that a female comic book feature got made; because Jenkins still had to fight to get a fair payday to direct WW 2 — enduring months of fight - to - the - death negotiations to get a directorial fee comparable to that of Zack Snyder or J.J. Abrams for the sequel; and finally because she's better than either of those two directors, who are overrated hacks with little or no vision at all.