Not exact matches
Each title gets a full - length audio commentary from Travis Crawford, a dogged
film critic and programmer with the instincts
of a historian, who goes into detail on the background
of just about every lead and significant supporting player who
appears on screen, in addition to the producers and financiers behind the scenes who allowed (or more likely didn't allow) Romero to realize his
vision on screen.
He may obtain a third stone by the end
of the
film too, as Loki's staff
appears to pry the Mind Stone out
of Vision's head.
The short answer is that there
appears to be a conflict
of vision, and the movie in itself is conflicted in whether it wants to be a sci - fi or horror
film, never content in being both at the same time.
I'll take that: Thanos may obtain a third stone by the end
of the
film too, as Loki's staff
appears to pry the Mind Stone out
of Vision's head
Horribly disfigured in a Gaston Leroux kind
of way (complete with mask), David begins to have terrible
visions,
appears to have killed someone, and makes altogether too much
of the fact that he likes French Nouvelle Vague
films.
It attracted the notice
of De Palma himself, who not only praised his efforts for helping to bring back his original
vision, he deemed it to be the
film's true director's cut and lobbied to have a cleaned - up version
of it
appear on the Blu - ray alongside the theatrical version — after all, it does make sense for a
film about a split personality to be presented in two different ways, doesn't it?
At first blush, the vibrant ink drawings, collages,
film works, dioramas, and sculptures by Canadian artist Marcel Dzama
appear to be whimsical
visions of a playful imagination.
Black folks are the subjects, which strew the walls in these varying rooms,
appearing on canvas and
film as solo figures and kin, as posed and observed citizens
of Taylor's
vision.
For all their mystery, for all the taciturnity
of their refusal, these paintings lodge the totality
of their effect in a sleight
of hand through which the material surface
of the picture
appears to be supplanted by an optical membrane: a resonant
film that seems the very envelope
of vision, like the blackness you «see» when you shut your eyes.