Tagged as: 2015, 99 Homes, Amercan Ultra, Amy, and the Dying Girl, Anomalisa,
ant - man, Avengers Age of Ultron, Beasts of No Nation, Best of Enemies, Black Mass, Blackhat, Bridge of Spies, Brooklyn, Burnt,
By the Sea, carol, Chi - Raq, Cinderella, Creed, Crimson Peak, Da Blood of Jesus, dope, Earl, End of the Tour, Ex Machina, F4ntastic Four, Far From the Madding Crowd, Fifty Shades of Grey, Films of 2015, Focus, Furious 7, get hard, Inside Out, Irrational Man, It Follows, Joy, Jupiter Ascending, Jurassic World, Love and Mercy, Macbeth, Mad Max: Fury Road, Magic Mike XXL, Me, Mission Impossible: Rogue Nation, Mississippi Grind, Mistress America, Mr. Holmes, Outcast, Room, Sicario, Spectre, Spotlight, Star Wars: The Force Awakens, Steve Jobs, Straight Outta Compton, Suffragette, Tangerine, Terminator: Genysis, The 33, The Big Short, the danish girl, The Gift, The Green Inferno, the hateful eight, The Look of Silence, the man from u.n.c.l.e., The Martian, The Peanuts Movie, The Revenant, The Ridiculous Six, The
Visit, Tomorrowland, Trainwreck, Trumbo, Unfriended, We Are Your Friends, Welcome to Me, Youth
When philosopher Davide Dal Sasso came to
visit the Valerio Nicolai solo show Permanent Transformation of a Magician in
Ant (Treti Galaxie, Torino, 2016), I got struck
by his very first comment: «Ok, I'm here inside this art exhibition, but I'm not looking at the artworks, I'm looking at the birds».