Sentences with phrase «visitor conversations about the works»

There was a listening station where you could eavesdrop on visitor conversations about the works on view and artistic practice in general.

Not exact matches

Passing Thoughts and Making Plans is a conversation about the role of photography in each of the artists» practice and aims to give visitors a deeper understanding of the process of making work, through having a rare glimpse of the preparatory work behind a finished piece.
When looking at these two photographs in Still Life with Fish, I was compelled to open up a conversation with visitors about why the exhibition's curators might have chosen to place these works on the same wall.
She is also known for her work with community groups: inside the O visitors will find a list of «notes taken from conversations with collaborators» in alphabetical order, ranging from «About money» to «Yes» via «pointless to be antagonistic» and «red shoes no knickers».
Biennale visitors fortunate enough to have already experienced the work and others curious about what it has in store packed the Serpentine Gallery last Tuesday to hear the artist in conversation with German Pavilion curator Susanne Pfeffer and Hans Ulrich Obrist.
«The gallery talk will be a conversation with gallery visitors to provide context about the artists featured in A Harder Task,» Barrett said, «and to compare their work to other well - known American artists from the South, including Jasper Johns, Noah Purifoy, Robert Rauschenberg and Cy Twombly.
The California - Pacific Triennial places artists working in California within this broader global network, one that is particularly relevant to our region, and that will offer visitors their only opportunity to engage in a more cosmopolitan conversation about contemporary art.
His works involved «constructed situations», with visitors to These Associations embarking on conversations with participants about «what progress might be».
In addition to screenings of his films, access to his library, manuscripts, drawings, and other materials, the visitors are exposed to an unedited conversation about his work with three artists of the younger generation in the Moroccan art scene, thus interrogating collective memory.
In this conversation with Dr. Bettina Krogemann, the managing director of 100 Tonson Gallery, Aey Phanachet, talks about the concept of the work, the involvement of the visitors and how it was received by collectors.
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