Sentences with phrase «visitors go to museums»

Not exact matches

The Notebaert Goes to the Birds with New Birds of Paradise Exhibit - Third Coast Review - February 2, 2018 Just as Museum Week was kicking off in Chicago, the Notebaert was celebrating its 161st birthday and the opening of their newest special exhibit, Birds of Paradise — Amazing Avian Evolution, which includes an amazing live animal exhibit called The Bird House that features a rotating cast of local and exotic birds for visitors to meet, learn about and interact with.

Atlantis is promised to the Kennedy Space Center's Visitors Center, while Discovery will go to the Smithsonian's National Air and Space Museum near Washington, D.C., and Endeavour will be placed at the California Science Center in Los Angeles.

Although many tourists will photograph it from Michigan Avenue, visitors often don't know that you can go inside to explore the free museum within.

The Central Square is surrounded with a number of interesting buildings such as the interesting and informative Archaeological Museum as well as pavement cafes where visitors can sit and watch the world go by, while the waterfront is another go area to hang out.

Enjoy rail travel in Serbia, home to the energetic capital, Belgrade, where great museums and restaurants will keep visitors on the go.

«We're privileged to serve over 30 million visitors on our website each year,» writes Chief Digital Officer Loic Tallon in the museum's news release, adding, «but if we want to connect the collection to three billion individuals around the world, we know that they're never all going to come to metmuseum.org.»

In addition, the Museum Shop offers yet another art - centric experience for visitors through an array of curated merchandise — the purchase of which goes to support CAMH programs and operations.

I often think of the lobby gallery at the Whitney Museum as a place where visitors kill time while waiting for the elevator and where art goes to die.

It reveals that only a quarter of museums responded to their questionnaire, and invites visitors to go inside the Gallery to discover more.

Before Pozzi went on hiatus, a visitor to the museum declared, «The hand on this Sargent is one of the more beautiful things I've seen in a while.»

The Barnes Tries to Price Out the Riff Raff — In addition to extending its free admission hours to cover entire Saturdays, the popular Barnes Collection, which is approaching the one year anniversary of its controversial move to its new home in Center City Philadelphia, has also decided to raise admission prices from $ 18 to $ 22, perhaps in part to get new visitors to take museum - going more seriously, as CEO Derek Gillman stating that the museum has seen «many more people not familiar... with what is proper behavior» and «more trangressions of people touching things and getting too close.»

Solo exhibitions include «the wet wet wanderer», as part of «Para Fiction», Witte de With Center for Contemporary Art, Rotterdam, The Netherlands (2017); «softer and rounder so as to shine through your smooth marble», SALT Galata, Istanbul, Turkey (2017); «And she will say: hi her, ailleurs, to higher grounds...», Kunstmuseum Luzern, Switzerland (2016); «GDM — Grand Dad's Visitor Center», Pirelli HangarBicocca, Milan, Italy (2016); «all behind, we'll go deeper, deep down and she will say,» Museum Für Moderne Kunst Frankfurt Am Main, Frankfurt, Germany (2016); «Into All That is Here», Red Brick Art Museum, Beijing, China (2016); «we would be floating away from the dirty past», Haus Der Kunst, Munich, Germany (2015); «For Forgetting», New Museum, New York, NY, USA (2014); «While You Weren't Looking», Laboratorio Arte Alameda, Mexico City, Mexico (2014); Max Mara Art Prize for Women, Whitechapel Gallery, London, UK and Collezione Maramotti, Reggio Emilia, Italy (2013); «Laure Prouvost / Adam Chodzko» as part of «Schwitters in Britain», Tate Britain, London, UK (2013); The Hepworth Wakefield, Wakefield, UK (2012); and «All These Things Think Link», Flat Time House, London, UK.

[Editors» Note: This coming weekend, we'll be touring Brooklyn for GO Open Studios, an event in which visitors vote on which artist they feel deserves to get an exhibition at the Brooklyn Museum.

I went on to expound on my good fortune to be able to walk a few blocks to our museum and how for other visitors, the VMFA is fairly close to major highway exits.

Take a look into what we do for yourself through our blog posts, which, among other things, showcases visitors» reactions to the museum; what the press has to say about our exhibitions and events; and our newsletter, which provides thoughtful and in - depth editorials into the goings - on at UMOCA each month.

The National Building Museum in America's Washington D.C. has launched a one - of - a-kind installation for visitors this month with an interactive architectural display that brings the quintessential summer experience of going to the beach to the city.

Each room is its own installation, confronting the visitors with a unique experience that both stands on its own as a piece of performance art and as a piece of the larger, diverse show that is equally enjoyed by the infrequent museum - goer to the contemporary art critic.

Free «happy hour» admission for all visitors 4 - 5 p.m. Reach the museum at 860-278-2670 or go to thewadsworth.org.

Event visitors will help to nominate art that will go on display at the museum itself.

Selected recent solo exhibitions include: Para / Fictions, Witte de With Center for Contemporary Art, Rotterdam NL (upcoming 2017); AND SHE WILL SAY: HI HER, AILLEURS, TO HIGHER GROUNDS..., Kunstmuseum Luzern CH; GDM - Grandad Visitor Center, Pirelli Hangar Bicocca, Milan IT; ALL BEHIND, WE»LL GO DEEPER, DEEP DOWN AND SHE WILL SAY:, MMK, Frankfurt DE; DROPPED HERE AND THEN, TO LIVE, LEAVE IT ALL BEHIND, FRAC / Consortium Dijon FR; Into all is here, Red Brick Art Museum, Beijing CN; C'est l'est not ouest, State of Concept, Athens GR; A Way To Leak, Lick, Leek, Fahrenheit, Los Angeles US (all 2016); We would be floating away from the dirty past, DER ÖFFENTLICHKEIT: Laure Prouvost, Haus Der Kunst, Munich DE; Dear dirty dark drink drift down deep droll (in der dole), carlier gebauer, Berlin DE; Laure Prouvost: It, Heat, Hit, e-flux, New York US; Burrow Me, Rupert, Vilnius LT (all 2015); Laure Prouvost, Neuer Berliner Kunstverein, Berlin DE; While You Weren't Looking, Laboratorio Arte Alameda, Mexico City, MX; The Meeting, MOT International, Brussels BE; Polpomotorino, Morra Greco Foundation, Naples IT; For Forgetting, New Museum, New York US (all 2014); Max Mara Art Prize for Women, Whitechapel Gallery, London UK and Reggio Emilia IT; Laure Prouvost / Adam Chodzko, Tate Britain, London UK; Display: Laure Prouvost, Contemporary Art Society, London UK (all 2013TO HIGHER GROUNDS..., Kunstmuseum Luzern CH; GDM - Grandad Visitor Center, Pirelli Hangar Bicocca, Milan IT; ALL BEHIND, WE»LL GO DEEPER, DEEP DOWN AND SHE WILL SAY:, MMK, Frankfurt DE; DROPPED HERE AND THEN, TO LIVE, LEAVE IT ALL BEHIND, FRAC / Consortium Dijon FR; Into all is here, Red Brick Art Museum, Beijing CN; C'est l'est not ouest, State of Concept, Athens GR; A Way To Leak, Lick, Leek, Fahrenheit, Los Angeles US (all 2016); We would be floating away from the dirty past, DER ÖFFENTLICHKEIT: Laure Prouvost, Haus Der Kunst, Munich DE; Dear dirty dark drink drift down deep droll (in der dole), carlier gebauer, Berlin DE; Laure Prouvost: It, Heat, Hit, e-flux, New York US; Burrow Me, Rupert, Vilnius LT (all 2015); Laure Prouvost, Neuer Berliner Kunstverein, Berlin DE; While You Weren't Looking, Laboratorio Arte Alameda, Mexico City, MX; The Meeting, MOT International, Brussels BE; Polpomotorino, Morra Greco Foundation, Naples IT; For Forgetting, New Museum, New York US (all 2014); Max Mara Art Prize for Women, Whitechapel Gallery, London UK and Reggio Emilia IT; Laure Prouvost / Adam Chodzko, Tate Britain, London UK; Display: Laure Prouvost, Contemporary Art Society, London UK (all 2013TO LIVE, LEAVE IT ALL BEHIND, FRAC / Consortium Dijon FR; Into all is here, Red Brick Art Museum, Beijing CN; C'est l'est not ouest, State of Concept, Athens GR; A Way To Leak, Lick, Leek, Fahrenheit, Los Angeles US (all 2016); We would be floating away from the dirty past, DER ÖFFENTLICHKEIT: Laure Prouvost, Haus Der Kunst, Munich DE; Dear dirty dark drink drift down deep droll (in der dole), carlier gebauer, Berlin DE; Laure Prouvost: It, Heat, Hit, e-flux, New York US; Burrow Me, Rupert, Vilnius LT (all 2015); Laure Prouvost, Neuer Berliner Kunstverein, Berlin DE; While You Weren't Looking, Laboratorio Arte Alameda, Mexico City, MX; The Meeting, MOT International, Brussels BE; Polpomotorino, Morra Greco Foundation, Naples IT; For Forgetting, New Museum, New York US (all 2014); Max Mara Art Prize for Women, Whitechapel Gallery, London UK and Reggio Emilia IT; Laure Prouvost / Adam Chodzko, Tate Britain, London UK; Display: Laure Prouvost, Contemporary Art Society, London UK (all 2013To Leak, Lick, Leek, Fahrenheit, Los Angeles US (all 2016); We would be floating away from the dirty past, DER ÖFFENTLICHKEIT: Laure Prouvost, Haus Der Kunst, Munich DE; Dear dirty dark drink drift down deep droll (in der dole), carlier gebauer, Berlin DE; Laure Prouvost: It, Heat, Hit, e-flux, New York US; Burrow Me, Rupert, Vilnius LT (all 2015); Laure Prouvost, Neuer Berliner Kunstverein, Berlin DE; While You Weren't Looking, Laboratorio Arte Alameda, Mexico City, MX; The Meeting, MOT International, Brussels BE; Polpomotorino, Morra Greco Foundation, Naples IT; For Forgetting, New Museum, New York US (all 2014); Max Mara Art Prize for Women, Whitechapel Gallery, London UK and Reggio Emilia IT; Laure Prouvost / Adam Chodzko, Tate Britain, London UK; Display: Laure Prouvost, Contemporary Art Society, London UK (all 2013).

Any attempt to encourage the one - time visitor to appreciate the permanent collection (something many museums fail to emphasize) and to remind infrequent gallery - goers that the experience of art can be an enjoyably relaxed and meditative one, not time - bound by staggered entry or a box to tick on the social calendar, is to be applauded.

Now that it has reopened — and last week was named a finalist in the Art Fund prize for Museum of the Year 2014 — my guess is that as many visitors will go to see the permanent collection as they do for exhibitions.

This is where museum goers will find a monographic gallery of works by Takashi Murakami, a nine - screen video piece by Icelandic artist Ragnar Kjartansson entitled The Visitors that the Broads acquired in 2013, and a space off the lobby that Heyler has dedicated to Yayoi Kusama's Infinity Mirrored Room — The Souls of Millions of Light Years Away.