Sentences with phrase «visitors to an exhibition showing»

The bright, squeakily pink doors leading in to the Linbury galleries are the first time the artist has made functioning doors and are Hume's way of welcoming visitors to an exhibition showing well - known work alongside paintings being seen in the UK for the first time.

Not exact matches

With a wide range of potential industry shows to attend, Dan admitted it can be a challenge for visitors to decide what exhibitions are worth leaving the office or factory for.

Labelexpo Europe 2017, the largest international event dedicated to the label and package printing sector, culminated in its biggest - ever edition with record - breaking exhibitor and visitor figures and show floor occupying nine exhibition halls — 12 %

Visitors scheduled to attend TFWA Asia Pacific Exhibition & Conference from 10 - 14 May in Singapore can get a preview of some of the latest products which will be on show by visiting the TFWA Product Showcase.

Labelexpo Europe 2017, the largest international event dedicated to the label and package printing sector, culminated in its biggest - ever edition with record - breaking exhibitor and visitor figures and show floor occupying nine exhibition halls — 12 % more

Ali Muharremoðlu stated that they reached a record - breaking number of exhibitors and visitors at this year's autumn exhibitions, and emphasized that the interest shown to Eurasia Packaging, Food - Tech Eurasia, and Wood Processing Machinery - Intermob exhibitions was very promising

The organiser recommends visitors to pre-register online in order to avoid queues and to secure themselves a free, fast track entry to the exhibition, a personal visitor badge and a complimentary copy of the official show catalogue.

Visitors to The Education Show will also have access to a range of free CPD (continuing professional development) and training, through a programme of seminars and workshops running in theatres alongside the exhibition.

Jointly hosted by VNU Exhibitions Asia and the Guangdong Aquarium Industry Association, the show is expected to attract 300 exhibitors and over 12,000 aquarium professional visitors from China and overseas.

«Exhibitors and visitors found in the show organizers strong supporters to their business and are happily satisfied with the results of their show attendance,» said David Zhong, president of VNU Exhibitions «Smiles are certainly not a scientific way to quantify the success of a show, but to see many happy faces among professional people is a first positive indicator of attendees» satisfaction.»

Altogether, the show's management expects around 10,000 exhibitors and organisations from over 180 countries and some 110,000 trade visitors to attend the 26 halls on the Berlin Exhibition Grounds.

That piece, an emblematic expression of his community - geared work, will be present in the Polish artist's first major American exhibition when it opens at the New Museum this month, along with a new installation featuring sculptures that the artist will make over the show's duration, to be shown alongside drawings accumulated from the exhibition's visitors.

So far, Muir has nearly tripled the number of ICA patrons, according to The Art Newspaper, and has been drawing crowds with shows of popular artists like Jacob Kassay and the provocative new drawing exhibition «Keep Your Timber Limber,» which brought out 1,200 visitors to its opening earlier this week.

Following unprecedented visitor figures for a solo show, Chris Dercon, Director of the Tate Modern commented: «We are delighted that so many people came to see and discuss the Damien Hirst exhibition -LSB-...] It was wonderful to see such iconic works brought together in one place and to offer our visitors a chance to experience them first - hand.»

We are delighted to introduce our visitors the oeuvre of this ingenious artisan through the upcoming exhibition, which together with our current Portico Gallery show, White Gold: Highlights from the Arnhold Collection of Meissen Porcelain, will offer them a sense of the important contributions made by those at work for the Saxon court at Dresden.

Featuring silk worms, hosepipes, and a free stalker for every visitor, the Hayward Gallery's latest show is guaranteed to take exhibition - goers out of their comfort zones.

At the opening the Mayor of London Sadiq Khan, said: «It's fantastic that the free Frieze Sculpture exhibition will open as part of an exceptional summer of culture in the capital, showing that London is open to innovation, creativity and to visitors from around the world.

Part of the credit for this must go to the show's curators, who quietly, and without self - aggrandising fanfare, stitched together a strong narrative through which the visitor can negotiate the exhibition with.

by Alan Feuer Boston Globe, Nov. 16, Intimacy of attention paid in close up by Sebastian Smee Brooklyn Daily Eagle, Nov. 16, «Visions of an American Dreamland:» New book and Brooklyn Museum exhibition highlight Coney Island by Peter Stamelman The New York Times, Nov. 15, Amusement for Everyone by Ken Johnson Boston Globe, Nov. 11, Andy Warhol and Robert Mapplethorpe Rocked the Boat by Mark Feeney Crave, Nov. 11, Exhibit Warhol & Mapplethorpe: Guise & Dolls by Miss Rosen Antiques and the Arts Weekly, Nov. 10, Q&A: Linda Roth WSFB / Better Connecticut, Nov. 9, Get Some Art History at this Local Stop by Kara Sundlun Take Magazine, November 2015, This MATRIX is Real by Janet Reynolds American Fine Art Magazine, November 2015, Radical Chick and Taylor Made by Jay Cantor Art New England, November 2015, Preview: Warhol & Mapplethorpe: Guise & Dolls by Susan Rand Brown The Hartford Courant, Oct. 16, Gender - Bending «Warhol & Mapplethorpe» Exhibit At Wadsworth by Susan Dunne The Wall Street Journal, Oct. 13, At the Wadsworth Atheneum, an Old Building Gets New Life by Lee Rosenbaum Hartford Courant, Oct. 2, Artist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Stepexhibition highlight Coney Island by Peter Stamelman The New York Times, Nov. 15, Amusement for Everyone by Ken Johnson Boston Globe, Nov. 11, Andy Warhol and Robert Mapplethorpe Rocked the Boat by Mark Feeney Crave, Nov. 11, Exhibit Warhol & Mapplethorpe: Guise & Dolls by Miss Rosen Antiques and the Arts Weekly, Nov. 10, Q&A: Linda Roth WSFB / Better Connecticut, Nov. 9, Get Some Art History at this Local Stop by Kara Sundlun Take Magazine, November 2015, This MATRIX is Real by Janet Reynolds American Fine Art Magazine, November 2015, Radical Chick and Taylor Made by Jay Cantor Art New England, November 2015, Preview: Warhol & Mapplethorpe: Guise & Dolls by Susan Rand Brown The Hartford Courant, Oct. 16, Gender - Bending «Warhol & Mapplethorpe» Exhibit At Wadsworth by Susan Dunne The Wall Street Journal, Oct. 13, At the Wadsworth Atheneum, an Old Building Gets New Life by Lee Rosenbaum Hartford Courant, Oct. 2, Artist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, StepExhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Right Up!

This exhibition encourages visitors to compare and contrast major paintings by Mitchell and Riopelle in order to show how their relationship impacted their respective techniques and styles during the twenty - four years they were together.

In order to gauge public opinion of Virtual Normality — Women Net Artists 2.0, a group show at MdbK Leipzig curated by Anika Meier, Indie Mag has gathered responses from visitors to the museum about the current state of feminism today in this unique review of the exhibition.

Showcasing many of Basquiat's works, as well as archival footage of MoMA PS1's seminal 1981 New York / New Wave exhibition — a 100 - plus - artist group exhibition that detailed the city's downtown counterculture scene at the time — the show immerses visitors into Basquiat's short but prolific career, just as it was about to blow up.

Her vision for the show is extraordinary and this exhibition looks to push boundaries in terms of what visitors expect to see at contemporary art exhibitions.

Shows at the London gallery, such as Light Show and Ana Mendieta: Traces, attracted many new visitors to the gallery, while the Hayward's eclectic touring exhibitions, including Curiosity: Art and the Pleasure of Knowing and The Universal Addressability of Dumb Things, brought unexpected art to record - breaking audiences across the UK.

Drawing on his father's recollections of living through China's Cultural Revolution, his own experiences as a modern Chinese citizen and his interactions with people during the show, Sun Xun hopes visitors to the exhibition will discover a different point of view regarding China's complex history.

The shows were organized by different curators — Clarrie Wallis and Katherine Stout, respectively — though they occupied adjacent galleries and shared an exhibition guide, which explained that the «exhibitions run in parallel, offering visitors the chance to see the work of two complementary British artists from different generations».

Dramatically presenting the concept to visitors after entering the gallery, the exhibition continues the thematic idea by weaving fine art photography with art mediums of paintings, drawings and more throughout the show.

Especially, the exhibition invites visitors to Suh's creative journey by introducing his recent work, Seoul Home (2012), which can be characterized as the culmination of his series work of hanok, and his video works such as Gate (2011) and Bridging Home (2012), which have not be shown to the Korean audience.

Nearing the end of his collegiate endeavors at the Royal College of Art, Hockney featured in the exhibition Young Contemporaries alongside Peter Blake — this show is often regarded as the one that announced the arrival of British Pop art, an exhibition which allowed visitors to see what the likes of Hockney and his friends had in store for the future of UK's art.

Almost 400,000 visitors went to see that show, an unprecedented amount of traffic for an art exhibition.

From September 28th 2013 the Gemeentemuseum Den Haag exhibition: «The Anatomy Lesson: From Rembrandt To Damien Hirst», will showcase two Francis Bacon works in a show promising to give visitors the chance to get right «under the skin» of their species, through works by artist ranging from Rembrandt to HirsTo Damien Hirst», will showcase two Francis Bacon works in a show promising to give visitors the chance to get right «under the skin» of their species, through works by artist ranging from Rembrandt to Hirsto give visitors the chance to get right «under the skin» of their species, through works by artist ranging from Rembrandt to Hirsto get right «under the skin» of their species, through works by artist ranging from Rembrandt to Hirsto Hirst.

The exhibition's curator, Jérí» me Sans conceived a show that allows the visitor to dive into the world of: mentalKLINIK.

The exhibition serves an as opportunity to show works not yet seen in Cape Town, and to introduce visitors to artists newly represented by the gallery.

With such a variety of genres and styles of photography on show, all visitors to the exhibition will find images that they will enjoy, and that will inspire them or provoke an emotion.»

05 Dec 2002 Escaped Animals at IMMA A variety of small animals have recently taken up residence in the grounds at the Irish Museum of Modern Art. 02 Dec 2002 Successful Year at IMMA 2002 Visitor numbers at the Irish Museum of Modern Art have shown a further increase this year and are set to top the 290,000 mark by year end, the highest attendance figure for IMMA since the record - breaking Andy Warhol exhibition of 1997 - 98.

Originally conceived by curator Hans Ulrich Obrist and artist Christian Boltansky in 1995, the show encourages visitors to participate in the exhibition by touching and even taking home works of art.

Even the equipment and fittings of the show itself are «vintage» and enable visitors to undertake a journey back in time to the 1960s and 1970s: the staged «living room» in the exhibition space invites visitors to enjoy the videos at their full length and to cast themselves back to the 1960s.

In addition to ambitious stands featuring leading galleries from around the globe, each show's singular exhibition sectors spotlight the latest developments in the visual arts, offering visitors new ideas, new inspiration and new contacts in the art world.

From the caption outside, which welcomes visitors to the show by insisting that «empire» is «a highly provocative term», and that the «imperial narratives» examined in the exhibition have influenced «social structures, culture and the fault lines of contemporary global politics», this is a prissy and off - putting event.

The record for the number of visitors to a contemporary art exhibition, set in 1997 by the groundbreaking Sensation BritArt show at the Royal Academy, has been broken by the inaugural show at Charles Saatchi's new London gallery in Chelsea.

Now more than ever, there are high - quality galleries, sophisticated museum shows, performances, temporary exhibition spaces, pop - up events, and charity benefits — all to entice visitors away from beach and food.

Getting back to the actual exhibition, Lester — not unlike Nathaniel Mellors before him, minus the grotesque — envisioned the whole gallery space as a continuous body, installing a styrofoam corridor that channels the visitors through the rooms and occasionally curls up to embrace some of the artworks on show.

«Shown alongside drawings and paintings from the Getty's collection, and displayed adjacent to the special exhibition of the work of Giovanni Bellini, visitors will be able to appreciate these objects not just as books of faith, but as the exceptional examples of landscape painting that they are.»

With a program of special exhibitions, performances, panel discussions, visits to private collections, and crossover events featuring film, music, and architecture, the show attracted more than 40,000 visitors -LSB-...]

Visitors to this exhibition had a rare opportunity to touch, use, test, buy or take away the objects in the show.

The show attracted 137,438 visitors (5,494 per day), making it the only UK exhibition in the world's top 20 most attended shows in 2014, and the seventh most popular contemporary art exhibition worldwide according to The Art Newspaper's annual survey of international museum attendance.

The Brucennial 2012, billed with some measure of self - effacement as «the single most important art exhibition in the history of the world,» opened big last week, with visitors standing in light rain for up to 2 hours to get into the show's beer - fueled launch party at 159 Bleecker Street in the West Village.

In addition to ambitious stands featuring leading galleries from around the world, each show's exhibition sectors spotlight the latest developments in the visual arts, offering visitors new ideas, new inspiration and new contacts in the art world.

As of 18 November a new exhibition will be open at Kumu, and it will be dedicated to the relations between music and art, showing visitors a symphony of colours, under the guidance of the curator, Bart C. Pushaw.

1997-09-05 04:00:00 PDT SAN FRANCISCO — EVER SINCE the late -»70s King Tut exhibition, the American museum experience has been formed - many might say deformed - by the blockbusters, the really big shows that attract to museums crowds of visitors, many of whom are indifferent to their usual offerings.