Sentences with phrase «visual art and culture»
About Blog The Art History Program at Bard offers the opportunity to explore visual art and culture through courses across a broad range of periods and societies and close student - teacher contact.
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THE CINEMATIC IMPULSE INSTALLATION / Drawing from the Nasher Museum's permanent collection, The Cinematic Impulse explores the intricate relationships between cinema, visual art and culture.
Chit Chat's are meant to promote learning through conversation, to increase dialogue, encourage debate, and stimulate exchange in visual art and culture.
The Georgia Museum of Art at the University of Georgia at Athens honored Amos with the 2016 Larry D. and Brenda A. Thompson Award for contributions to visual art and culture.
Our publishing programme focuses on promoting the work of unknown and artists, writers and thinkers whose perspectives on modern and contemporary visual art and culture challenge and provoke international discussion and debate.
Hilarie M. Sheets is an independent journalist and critic focused on visual art and culture.
Her aesthetic influences are culled from traditional African and Caribbean visual art and culture; her meticulous fashioning and application of materials such as raffia, beads, and porcelain to her pieces alludes to women's labor and its past and present importance in global trade.
He is presently Director of the Center for Visual Art and Culture as well as an associate professor at the University of Connecticut.
GHost [Since 2008 -RCB- leads the visual arts and creative research project GHost, which explores how ghosts are manifested in contemporary visual art and culture.
Bynoe is the co-founder and Editor - in - Chief of ARC Magazine, the premiere visual art and culture publication focusing on contemporary visual art created throughout the Caribbean and its diaspora.
Gad is also correspondent editor for Ibraaz (www.ibraaz.org), an online magazine dedicated to visual art and culture in the Middle East and North Africa.
Since presenting our first exhibit back in 2003, our commitment to providing you greater access to visual art and culture has continued through our multi-platform programming.
The Foundation's mission is to advance appreciation and understanding of visual art and culture through the exhibition, preservation, and publication of David Hockney's work.
As if to drive home the point of Marshall's voracious interest in visual art and culture, one gallery of Mastry contains an installation of hundreds of images culled from magazines, postcards, and other printed materials, all spread across the floor in wild disarray.
In February, the Georgia Museum of Art at the University of Georgia at Athens honored Amos for her contributions to visual art and culture, presenting her with the 2016 Larry D. and Brenda A. Thompson Award.
Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.
This week new exhibition openings included «Julie Mehretu: Hoodnyx, Voodoo, and Stelae» at Marian Goodman Gallery in New York; «30 Americans» at the Tacoma Art Museum in Washington State; and «Willie Cole: On Site» at The David Driskell Center for the Study of Visual Art and Culture of African American and the African Diaspora at the University of Maryland, College Park.
Stretcher is an artist collective dedicated to creating dialogue of visual arts and culture in the San Francisco Bay Area through its online publication, www.stretcher.org.
2012 African American Art in the 20th Century, Smithsonian American Art Museum, Washington, DC Successions: Prints by African American Artists from the Jean & Robert Steele Collection, David C. Driskell Center at the University of Maryland, College Park, MD Blues for Smoke, The Museum of Contemporary Art, Los Angeles, CA; Whitney Museum of American Art, New York, NY; Wexner Center for the Arts, The Ohio State University, Columbus, OH After Tanner: African American Artists since 1940, Pennsylvania Academy of Fine Arts, Philadelphia, PA... On Paper, Michael Rosenfeld Gallery LLC, New York, NY African American Art Since 1950: Perspectives from The David C. Driskell Center, organized by Smithsonian Institute of Traveling Exhibition Services (SITES), The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD; Susquehanna Art Museum, Harrisburg, PA; Polk Museum of Art, Lakeland, FL; Figge Art Museum, Davenport, IA; The Harvey B. Gantt Center for African - American Arts + Culture, Charlotte, NC; Taft Museum of Art, Cincinnati, OH INsite / INchelsea, Michael Rosenfeld Gallery LLC, New York, NY
Its focus is the visual arts and culture of the American South within the context of the region's history and culture.
The mission of The Ogden Museum of Southern Art, University of New Orleans, is to broaden the knowledge, understanding and appreciation of the visual arts and culture of the American South through its permanent collections, changing exhibitions, educational programs, publications, research center, and its Goldring - Woldenberg Institute for the Advancement of Southern Art and Culture.
A respected historian of African American art, Driskell is a professor emeritus at the University of Maryland, College Park, where the David C. Driskell Center focuses on the study of the visual arts and culture of African Americans and the African diaspora.
The purpose of these programs is to foster new forums for the discussion of important issues related to the contemporary visual arts and culture and to encourage new scholarship and exhibition initiatives that can contribute to the development of the graduate curriculum.
2010 William T. Williams: Variations on Themes, The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD
2012 Blues for Smoke, Museum of Contemporary Art, Los Angeles, CA; Whitney Museum of American Art, New York, NY; Wexner Center for the Arts, The Ohio State University, Columbus, OH Narrative of African American Art and Identity, The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD Convergence: Jazz, Films and the Visual Arts, The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD; Museum of Art, Bates College, Lewiston, MA African American Art Since 1950: Perspectives from The David C. Driskell Center, organized by Smithsonian Institute of Traveling Exhibition Services (SITES), The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD; Susquehanna Art Museum, Harrisburg, PA; Polk Museum of Art, Lakeland, FL; Figge Art Museum, Davenport, IA; The Harvey B. Gantt Center for African - American Arts + Culture, Charlotte, NC; Taft Museum of Art, Cincinnati, OH Magical Visions: Ten Contemporary African American Artists, University Museums, University of Delaware, Newark, DE
2012 African American Art in the 20th Century, Smithsonian American Art Museum, Washington, DC After Tanner: African American Artists since 1940, Pennsylvania Academy of Fine Arts, Philadelphia, PA To be a Lady: Forty - five Women in the Arts, 1285 Avenue of the Americas Art Gallery, New York, NY Blues for Smoke, The Museum of Contemporary Art, Los Angeles, CA; Whitney Museum of American Art, New York, NY African American Art Since 1950: Perspectives from The David C. Driskell Center, organized by Smithsonian Institute of Traveling Exhibition Services (SITES), The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD; Susquehanna Art Museum, Harrisburg, PA; Polk Museum of Art, Lakeland, FL; Figge Art Museum, Davenport, IA; The Harvey B. Gantt Center for African - American Arts + Culture, Charlotte, NC; Taft Museum of Art, Cincinnati, OH INsite / INchelsea: The Inaugural Exhibition, Michael Rosenfeld Gallery LLC, New York, NY
2009 Sound: Print: Record: African American Legacies, University Museums, University of Delaware, Newark, DE Tradition Redefined: The Larry and Brenda Thompson Collection of African American Art, The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland College Park, MD Highlights from The David C. Driskell Center Permanent Collection, The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD
Mug Shots: Performing Persona, Center for Visual Arts and Culture, The University of Connecticut, Storrs, CT
2012 LA Raw: Abject Expressionism in Los Angeles, 1945 - 1980: From Rico Lebrun to Paul McCarthy, Pasadena Museum of California Art, Pasadena, CA African American Art Since 1950: Perspectives from The David C. Driskell Center, organized by Smithsonian Institute of Traveling Exhibition Services (SITES), The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD; Susquehanna Art Museum, Harrisburg, PA; Polk Museum of Art, Lakeland, FL; Figge Art Museum, Davenport, IA; The Harvey B. Gantt Center for African - American Arts + Culture, Charlotte, NC; Taft Museum of Art, Cincinnati, OH Breaking in Two: Provocative Visions of Motherhood, Santa Monica Art Center, Santa Monica, CA Against the Grain: Wood in Contemporary Art, Craft and Design, Museum of Arts and Design, New York, NY; Mint Museum of Art, Charlotte, NC; Museum of Art in Fort Lauderdale, FL Successions: Prints by African American Artists from the Jean & Robert Steele Collection, David C. Driskell Center at the University of Maryland, College Park, MD Regarding Warhol: Fifty Artists, Fifty Years, The Metropolitan Museum of Art New York, NY From Nothing to SOMEthing: Assemblage, Collage and Sculpture, Tobey C. Moss Gallery, Los Angeles, CA To be a Lady: Forty - five Women in the Arts, 1285 Avenue of the Americas Art Gallery, New York, NY Full Spectrum: Prints from the Brandywine Workshop, Philadelphia Museum of Art, Philadelphia, PA African American Art Since 1950: Perspectives from the David C. Driskell Center, David C. Driskell Center at the University of Maryland, College Park, MD African American Visions: Selections from the Samella Lewis Collection, Ruth Chandler Williamson Gallery, Scripps College, Claremont, CA Baila Con Duende: Group Art Exhibition, Watts Towers Art Center, Watts, CA We the People, Robert Rauschenberg Project Space, New York, NY The Female Gaze: Women Artists Making Their World, Pennsylvania Academy of the Fine Arts, Philadelphia, PA INsite / INchelsea: The Inaugural Exhibition, Michael Rosenfeld Gallery LLC, New York, NY
More on Susan Caraballo: Art Center South Florida supporting artists and advancing the knowledge and practice of contemporary visual arts and culture in South Florida Feast Miami Vegan pop - up dinners at art venues to financially support new & emerging creative projects Susan Caraballo Website www.susancaraballo.blogspot.com Connect on Twitter @susancaraballo About 12...
Getty Villa, Pacific Palisades, Los Angeles This art museum and educational centre is devoted to the study of the civilization, visual arts and culture of Classical Antiquity.
Through these exhibitions and other activities, such us talk, workshops and performances, the Fondazione Memmo aims to support these institutions, which are considered vital in the maintenance and development of the contemporary visual arts and culture in Rome.
He completed his graduate studies at the University of Maryland College Park, where he earned a master's and Ph.D. in art history, and worked for a year at the David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora.
He is Executive Director of the David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora, and Distinguished Artist in Residence, Department of Art, at the University of Maryland.
DAVID DRISKELL is professor emeritus of art at the University of Maryland, College Park, where he established the David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora.
A 114 - page exhibition catalogue with essays by Julie L. McGee, Adrienne L. Childs, and Floyd Coleman, published by the David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora.
The University of Maryland opened The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora in 2001 to celebrate his legacy as an artist and art historian.
A 114 - page exhibition catalogue with essays by Julie L. McGee, Adrienne L. Childs, and Floyd Coleman, published by the David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora, is available.
Not exact matches
Until sixty years ago, the Church had earned a lasting place in history for inspiring Christian culture through the literary, visual, and musical arts, understood as beautiful.
Greek culture and language, the cultivation of the body, sex and family mores at odds with the traditions of Yahwism - Judaism, fascination with the visual arts — all of this Hellenistic world pressed in upon Judaism and Jerusalem and even infiltrated in the persons of regularly visiting Jews from communities outside Palestine.
As Joseph Epstein recently observed, after Andy Warhol, serious people no longer need pay attention to it: «Contemporary visual art, perhaps for the first time in the history of painting and sculpture, is one of those things a cultured person no longer has to know.»
Passed at a recent international conference, held by St Dunstan's and the European Blind Union and presented to the European Commission and European Disability Forum in Brussels, the Resolution urges national governments to promote the full participation of people with a visual impairment in all aspects of art and culture.
Dawn Chan writes about art, culture and technology, and her articles on visual art, video games, books, tech, and music can be found in the NewYorker.com, the New York Times, Artforum and Bookforum.com.
About Site - Launched in 2010, Colossal is a Webby - nominated blog that explores art and other aspects of visual culture.
An extensive background and numerous skills in architectural design, a lifelong passion for art, and a penchant for culture has provided Laura Dittrich, a visual storyteller based in Germany, with a keen eye for aesthetics and a unique creative vision materialized through aesthetic visuals such as cinemagraphs and experimental video content in the form of outfit editorials (cinematorials).
Take Magazine features in - depth stories of people in New England who are making culture happen in the fields of visual art, music, design, literature, film, dance, food, fashion, and theater as well as the timely information you will need to plan your cultural consumption throughout New England.
Australia About Blog Manuscript is a menswear, visual arts, culture and design journal published quarterly.
London About Blog Founded in 2009, Elephant.art is the definitive guide to contemporary art and visual culture.
Texas About Blog Arts and Culture Texas Magazine is a free periodical for the community with a focus on the contemporary visual and performing arts and how it affects life and lives in TeArts and Culture Texas Magazine is a free periodical for the community with a focus on the contemporary visual and performing arts and how it affects life and lives in Tearts and how it affects life and lives in Texas.
He is the author / creator of Forestpunk, a trawl through the dark side of culture in all its shapes and guises, and co-founder of Bitstar Productions, a visual arts collective, with his girlfriend and soulmate Lily H. Valentine.