Sentences with phrase «visual artist after»

The self - taught artist has been painting since childhood and became a full - time visual artist after leaving his job as a software engineer.

The director, one of China's most respected visual artists after his stunning work on crossover hit wu xia films like House of Flying Daggers and Hero, is no stranger to over-the-top stylization.

The Joan Mitchell Foundation provides emergency support to visual artists after natural or manmade disasters that have affected their community.

Not exact matches

Only after the rules have been mastered and the artist feels safe within the structure of traditional visual artwork, can he stretch his wings and be his most creative.

Disc 7 - Jurassic Park - Return to Jurassic Park: Dawn of a New Era - Return to Jurassic Park: Making Prehistory - Return to Jurassic Park: The Next Step in Evolution - The Making of Jurassic Park - Original Featurette on the Making of the Film - Steven Spielberg Directs Jurassic Park - Hurricane in Kauai - Early Pre-Production Meetings - Location Scouting - Phil Tippett Animatics: Raptors in the Kitchen - Animatics: T - Rex Attack - ILM and Jurassic Park: Before and After the Visual Effects - Foley Artists - Storyboards - Production Archives: Photographs, Design Sketches and Conceptual Paintings - Jurassic Park: Making the Game - Theatrical Trailer - BD - Live - My Scenes - D - BOX - Pocket BLU App

The grant was used to bring outside artists into Renaissance Academy to facilitate an after school program that provided students additional arts enrichment in drama, visual arts, and dance.

Visual artist Ciler was El Ganzo's first artist - in - residence after the hotel reopened following Hurricane Odile.

After 16 wonderful years at Pixar, working on most of the studios» films as a character, environment, graphic artist, art director and production designer, I was excited to bring my experience and passion for visual storytelling to Dynamighty.

The Turner Prize; named after the painter J. M. W. Turner, is an annual prize presented to a British visual artist under the age of 50.

No artist before or after has succeeded so brilliantly in filling the graphic space with so much visual impact.»

Patterned after NPN's model performing arts program, the Visual Artists Network was launched in 2007 as a pilot, and in 2009 the program was formally established through the induction of the VAN Partners, fifteen leading contemporary arts organizations from across the United States.

In this packed, compulsive show, the much - exhibited artist continues to employ what he calls «visual algorithms» to manufacture pattern after abstract pattern, allowing predetermined formal rules to steer the direction and determine the conclusion of any given project.

Published by Moderna Museet, Stockholm in association with Hatje Cantz, the formidable catalogue also demonstrates the «great force» with which af Klint merged her talents as medium and artist.7 Edited by Iris Müller - Westermann, curator of International Art at Moderna Museet, the volume is weighted heavily on the visual; page after page of af Klint's works threaten to overwhelm the senses even in reproduction.

The Joan Mitchell Foundation provides emergency support to US based visual artists working in the mediums of painting, sculpture, and / or drawing, who have suffered significant losses after natural or man - made disasters that have affected their community.

Art Basel Miami Beach, with GAVLAK Los Angeles / Palm Beach, Miami, FL (catalogue) Ten Year Anniversary Show, Gavlak, Palm Beach, FL and Los Angeles, CA Re (a) d, curated by Ryan Steadman, Nathalie Karg Gallery, New York, NY The Valentine's Day Cardiovascular, Geoffrey Young Gallery, Great Barrington, MA Puente, KINMAN, London, UK 2014 The Go Between: Selections from the Ernesto Esposito Collection, Museo di Capodimonte, Naples, Italy Art Basel Miami Beach, Gavlak booth, Miami Beach, FL 100 Painters of Tomorrow: New York Exhibition, One Art Space, New York, NY Inaugural Exhibition, Gavlak, Los Angeles, CA The Armory Show, Gavlak Booth, Pier 94, New York NY Painting: A Love Story, Contemporary Arts Museum Houston, Houston, TX (catalogue) 2013 Art Basel Miami Beach, Gavlak Booth, Miami Beach, FL (catalogue) This is the Story of America, Brand New Gallery, Milan, Italy Rema Hort Mann Foundation LA Arts Initiative Auction, Hannah Hoffman Gallery, Los Angeles, CA Acid Summer, Curated by Matthew Craven, DCKT Contemporary, New York, NY All Fucking Summer, Gavlak, Palm Beach, FL Whitney Museum Art Party Benefit Auction, Whitney Museum of American Art, New York, NY MiArt2013, Gavlak Booth, Milan, Italy The Armory Show, Focus: USA, Gavlak Booth # 908, New York, NY (catalogue) Art Rotterdam, Office Baroque Gallery, Rotterdam, Netherlands My Echo, My Shadow, Gavlak, Palm Beach, FL 39 Great Jones, Galerie Eva Presenhuber, Zurich (catalogue) 239 Days, School of Visual Arts MFA Alumni Show, Allegra LaViola Gallery, New York, NY 2012 News From Chicago and New York City, Curated by Henning Strassburger, Fiebach Minninger, Cologne, Germany Time, After Time, Curated by ARTNESIA, Ronchini Gallery, London, UK (catalogue) SUNY New Paltz Alumni Show, Dosky Projects, Long Island City, NY What's the Point, Jen Bekman Gallery, New York, NY It's a Small, Small World, Curated by Marilyn Minter and Organized by Hennessy Youngman, Family Business, New York, NY The Virgins Show, Curated by Marilyn Minter, Family Business, New York, NY Just the Tip, SVA MFA Fine Arts Thesis Exhibition, Organized in Collaboration with Mike Egan, Visual Arts Gallery, New York, NY (catalogue) 2011 MFA Fine Arts Fall Open Studios, School of Visual Arts, New York, NY Sentimental Education, Gavlak, Palm Beach, FL Things Fall Apart, Curated by Asya Geisberg, Visual Arts Gallery, New York, NY Abstract Means, Curated by Richard Brooks, Visual Arts Gallery, New York, NY MFA Fine Arts Spring Open Studios, School of Visual Arts, New York, NY Celebrating 15 Years: Young Artists at Heckscher, Heckscher Museum of Art, Huntington, NY College Art Association New York MFA Exhibition, Hunter College / Times Square Gallery, New York, NY Vuu Collective W / S 2011 Show, K&K Gallery, Brooklyn, NY 2010 MFA Fine Arts Winter Open Studios, School of Visual Arts, New York, NY Emerge to be Seen, Westside Gallery, New York, NY Marks That Matter, Juried by Gillian Jagger, Muroff Kotler Visual Arts Gallery, SUNY Ulster, Stone Ridge, NY The New, Art (That Matters), Oyster Bay, NY New York Art & Culture Exhibition Series, Albany International Airport, Albany, NY 2009 No Girls Allowed: BFA Thesis Exhibition, Samuel Dorsky Museum of Art, SUNY New Paltz, New Paltz, NY Best of Show: 2009 Best of SUNY Exhibition, State University Plaza, Albany, NY 2008 Crit 3: Work from Students and Alumni of SUNY New Paltz, Curated by Kathy Goodell, Spencertown Art Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley Art Gallery, New Paltz, NY Three, Smiley Art Gallery, New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler, Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor, organized by Grey Area COLLECTIONS Norton Museum of Art, West Palm Beach, FL AWARDS AND HONORS 2015 Painting Fellowship, New York Foundation for the Arts

LONG SCHEDULED FOR OFFICIAL RELEASE Feb. 20, it's a visual feast featuring page after page of full - color images of hundreds of art works she acquired over the years, interspersed with written contributions by New York gallery owner Jack Shainman, Chicago - based artist Kerry James Marshall and Thelma Golden of the Studio Museum in Harlem, among others.

After dark OMAi and the visual artists project their creations on a wall of East Building during two performances.

State of Concept is proud to present After Europe, the first Greek solo exhibition of Dutch visual artist Jonas Staal, curated by iLiana Fokianaki.

2012 African American Art in the 20th Century, Smithsonian American Art Museum, Washington, DC Successions: Prints by African American Artists from the Jean & Robert Steele Collection, David C. Driskell Center at the University of Maryland, College Park, MD Blues for Smoke, The Museum of Contemporary Art, Los Angeles, CA; Whitney Museum of American Art, New York, NY; Wexner Center for the Arts, The Ohio State University, Columbus, OH After Tanner: African American Artists since 1940, Pennsylvania Academy of Fine Arts, Philadelphia, PA... On Paper, Michael Rosenfeld Gallery LLC, New York, NY African American Art Since 1950: Perspectives from The David C. Driskell Center, organized by Smithsonian Institute of Traveling Exhibition Services (SITES), The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD; Susquehanna Art Museum, Harrisburg, PA; Polk Museum of Art, Lakeland, FL; Figge Art Museum, Davenport, IA; The Harvey B. Gantt Center for African - American Arts + Culture, Charlotte, NC; Taft Museum of Art, Cincinnati, OH INsite / INchelsea, Michael Rosenfeld Gallery LLC, New York, NY

Former on and off Broadway theater professional, and Bushwick's professional mom Nina Keneally and visual artist, art director and performer Lisa Levy would like to change the conversation concerning art in guiding free studio tours over Bushwick Open Studios weekend on Oct. 1 - 2 Keneally and Levy will also play host to an after party at The Bodega on Saturday from 5 to 7:30 p.m.

After his graduation with a BFA in painting from the School of Visual Arts in New York, Michael Reeder pursued a career as a professional artist.

Soon after artist's death, in accordance with his will, the Andy Warhol Foundation for the Visual Arts began.

Named after the late Baltimore civic leader Walter Sondheim and his late wife, Janet, the Sondheim Prize recognizes the achievements of visual artists living or working in Maryland, Washington, D.C., Northern Virginia, and southeastern Pennsylvania.

After numerous studio visits, it was clear that the underlining concern for many of these artist was seeing gender in a way that is beyond visual and conceptual restrictions, not being constrained to binaries that have been constructed throughout history.

«With visual artists, sound artists, and dancers all coming together, last year was something of a celebratory free - for - all, a sprawling jam session with one guitar hero after the next compounding the awesomeness until your thoughts turned to the line at the Porta - John.

Among the first episodes is a never - shown making - of movie about a project commissioned after an encounter between Bernie Krause and the London studio United Visual Artists (UVA).

Chapter 1: Things Must be Pulverized: Abstract Expressionism Charts the move from figurative to abstract painting as the dominant style of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymans

2012 African American Art in the 20th Century, Smithsonian American Art Museum, Washington, DC After Tanner: African American Artists since 1940, Pennsylvania Academy of Fine Arts, Philadelphia, PA To be a Lady: Forty - five Women in the Arts, 1285 Avenue of the Americas Art Gallery, New York, NY Blues for Smoke, The Museum of Contemporary Art, Los Angeles, CA; Whitney Museum of American Art, New York, NY African American Art Since 1950: Perspectives from The David C. Driskell Center, organized by Smithsonian Institute of Traveling Exhibition Services (SITES), The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD; Susquehanna Art Museum, Harrisburg, PA; Polk Museum of Art, Lakeland, FL; Figge Art Museum, Davenport, IA; The Harvey B. Gantt Center for African - American Arts + Culture, Charlotte, NC; Taft Museum of Art, Cincinnati, OH INsite / INchelsea: The Inaugural Exhibition, Michael Rosenfeld Gallery LLC, New York, NY

Following the close of Helen Frankenthaler's estate after her death in late 2011, the Helen Frankenthaler Foundation has taken shape in its current incarnation as a newly active organization with a mission, as broadly defined by the artist, to encourage scholarship and understanding of the visual arts.

Among the disparate influences, including van Gogh and Schubert, regularly cited by Chamberlain were the poets Charles Olson, Robert Duncan, and Creeley, whom he first encountered at Black Mountain College in 1955 — 56, that is, after the visual artists had departed.

A reception for the artist will be held this Thursday, November 16th from 6 - 8 p.m. Tim Eitel, along with several fellow graduates of the Leipzig Academy of Visual Arts, first gained recognition after creating the collective art gallery, Liga, in Berlin in 2001.

After moving to Trinidad from London in 2005, Ofili's work took a new direction and prompted «The Blue Rider» series, which takes its name from the early 20th century artist group that sought spirituality by connecting visual art with music.

Haris Epaminonda, Untitled (2005/6) and Hulusi Mustafa, Two figs (2008), (co-represented Cyprus at the 52nd Venice Biennale in 2007), Socratis Socratous, illegal installation (2004)(53rd Venice Biennale in 2009), Marianna Christofides, Logbook Entries: Braunsfeld (2012)(54th Venice Biennale in 2011), Phanos Kyriacou, Oo (2013)(55th Venice Biennale in 2013) and Christodoulos Panayiotou, Untitled (2015) part of Two Days After Forever (56th Venice Biennale in 2015) characterize a generation of artists whose visual language corresponds to themes of self - reflective practices, esoteric exploration and philosophical discourse.

after 11p St Leroy II and Ali Coyote after 12a Oxnylia after 1 am and more all night Open Studios with Maggie Knox Jon Davis / 55BelleChase Bhakti Baxter Michael Vasquez Federico Cattaneo Ernesto Kunde Nina Surel Deft Union Inside Maggie Knox Candle Making workshop starting at 5 pm Open Studio and engagement with resident artist Rondell Crier (in partnership and support with Diaspora Vibe Cultural Arts Incubator, Inc, Adeline Edwards Foundation, Visual Art Network) Exhibition with works by Eurydice Kamvyselli, Deming King Harriman Art, Nicole Salcedo, Elizabeth Newberry, Francesca Lalanne, Magdalena Goudie and all the vibes with ABA Jewels «My Queen before you go tell my horse» a Performance by Jamilah Sabur, 9:30 pm (details below) Candle Vigil for all lost to the current violence of our time If you want a full experience with us take the 11 am boxing class at SolBox FC, 7101 North Miami Avenue (with shower) Please park in the back parking lot, entrance at 7101 North Miami Avenue, in the streets around or take a LYFT CODE FOR 5 FREE RIDES UP TO $ 10 EACH >> > SUPERFINERIDE Special thanks and love to Marlee's Green Tea, Miami Spaces, Gummdrops, Naomi's Garden, Gramps, Diaspora Vibe Cultural Arts Incubator (just to name a few) for their ongoing love and support and Thanks to Superfine - The Fairest Fair for their effort and support in bringing this evening to light.

Also featuring the Rose Period painting «The Actor,» which the museum immaculately restored after it suffered a nasty gash earlier this year, the show thrums with visual invention of an Olympian order — and renders MoMA's comparatively tiny show of the artist's prints redundant.

After extensive research, the artist builds collections that unite aspects of visual art, literature, music, politics, history, and sociology, and crystallize in sprawling theatrical installations.

After FAILE and JR, it's the turn of Brooklyn - based artist Dustin Yellin to participate in the third installation of New York City Ballet's Art Series initiative that invites every year contemporary visual artists to create original works inspired by ballet.

The title of the exhibition is named after 90s Hip - Hop stylist Misa Hylton - Brim, who was responsible for creating some of the most iconic looks in the music industry for artists including Missy Elliot, Mary J. Blige and Puff Daddy, using fashion to make expressive visual statements about their identities.

Although the gallery wishes to create a dialogue between contemporary artists mostly from North Africa, Middle East and South Asia, after being reopened in 2010, it doesn't restrict itself from exploring other regions in order to suggest another visual discussion in between pieces of multi generational and cosmopolitan artist.

After becoming a Creative Director for a number of agencies, I have never, ever stopped longing for my original essence to bloom: to make a living telling visual stories as a fine artist.

Recent projects in Alberta include Everyday Rituals (survival tactics), an exhibition of photographs and video at SNAP Gallery in Edmonton, Common Opulence 2, an artist residency and sustainable building initiative in Peace Country and After Aurora, an unexpected structure and performance in Intersite Visual Arts Festival (Calgary).

The Turner Prize, named after JMW Turner and awarded to a British visual artist under the age of 50, is a significant coup for the Derry organisers, the first time the exhibition has been held outside England.

Neither kitsch or pop, or even as simple as «simple», this is an artist who has created a visual language based on the continuously evolving present — it is our reality and he is, after all, an observer.

Artists submitted their visual material and after a process of two meetings, eight artists were seArtists submitted their visual material and after a process of two meetings, eight artists were seartists were selected.

From the graceful silence sought after by the Zero artists to the visual effects attaching by the Kinetic artists, and the innovative techniques of Pino Pinelli and Mimmo Rotella, Rethinking Space unites the various strands of Italian art of the 1950s and 1960s and beyond to provide a complete overview of one of the most fruitful times in twentieth century art history.

After treating the undoubtedly political position of the artist in «Hercules» (2007) and the problems related to psychological issues and language in «Horizon Problems» (2011), Agut now proposes a physical and visual experience that brings us closer to the moment zero of artistic creation, the moment when the artist confronts himself with his work and starts to think about it.

Shortly after we arrived in Santa Fe, Anna leafed through a free tabloid and discovered that the visual artist Judy Chicago was giving a gallery talk at the opening of her new show at the David Richard Gallery.

Meanwhile, after presenting his installation «Library of Black Lies» (2016) at MIT's List Visual Arts Center, Los Angeles artist Edgar Arceneaux is premiering the work on the West Coast.

After completing her MA in Visual Culture at Middlesex University, she was invited to be the artist in residence at the 198 Gallery.

Featuring more than 34 objects by 17 artists, Post-Op: «The Responsive Eye» Fifty Years After focuses primarily on the artists and their interests in visual perception and less on the cultural phenomenon of Op Art per se.