Sentences with phrase «visual artist on view»

Subject to Constant Change a solo presentation of works by the Italian - German visual artist on view 1 February 2013 — 6 May 2013.

Not exact matches

Much new media is available free online on virtual platforms from the personal websites of visual artists to a plethora of sites (such as Vimeo) that offer online viewing communities for lovers of art films, new digital media, and experimental filmmaking.

The Skybridge at Elsewhere is a built - in floating project space for emerging visual & installation artists to showcase work on a seasonally rotated basis, open during the day for viewing hours.

Jake Berthot: Artist Model, Angels Putti, Poetry Visual Prose, works on paper will be on view from July 5 - August 10, 2012 at Betty Cuningham Gallery, New York.

Assembling in Marfa will be a faction of contemporary artists who are peeling the page one frame - at - a-time in an inquiry into the visual dimension of language, ranging from David Gatten's reflection on the role of documents and Michael Tracy's secret, worldly recitations to Julia Meltzer and David Thorne's digital archives where images become a fault - line between world views and hidden narratives.

by Stephanie Cristello Curated by and including work of artist Jessica Stockholder, whose exhibition Door Hinges is concurrently on view in the lower galleries of Kavi Gupta's Elizabeth Street location, ASSISTED features sixteen artists, and could easily be a visual essay on form and object - hood.

Reacting to the range of works on view, which included a selection from the artist's Concorde series (1997), still lifes, portraits, and abstract works created using dye or developing fluid on light sensitive paper, Morton noted «what makes Tillmans's best work sing: the ability, through looking a little, and loving a little, to turn events in our visual lives into vivid, everyday poetry, with all the pleasure and knotty exegesis that implies.

Curated by and including work of artist Jessica Stockholder, whose exhibition Door Hinges is concurrently on view in the lower galleries of Kavi Gupta's Elizabeth Street location, ASSISTED features sixteen artists, and could easily be a visual essay on form and object - hood.

As can be seen in the rash of exhibitions recently or currently on view, the digital revolution has been a double - edged sword for artists who work with or in the medium of ephemera and miscellany; on one hand, artists can easily manufacture their own work; on the other, some printed materials may soon be obsolete, changing the nature of the visual landscape and cultural communications.

Curated by and including work of artist Jessica Stockholder, whose exhibition Door Hinges is concurrently on view in the lower galleries of Kavi Gupta's Elizabeth Street location, ASSISTED features 16 artists, and could easily be a visual essay on form and object - hood.

On view from January 13 through May 20, 2018 at the Frances Young Tang Teaching Museum, Elevator Music 35: Ephraim Asili — Jazz Salt is the 35th version of the Museum's Elevator Music series, which activates the Museum's elevator and engages artists across the visual and performing arts to create immersive, sound - based installations.

A reception will then follow in the galleries where the 2018 Invitational Exhibition of Visual Arts, with works by 35 contemporary artists, will be on view.

2005 Drawings & Works on Paper II: selected artists from the U.S.A., Patrick Heide Art Projects, London, UK Watercolor: Current Views, Gallery Joe, Philadelphia, PA The Seventh Annual Altoids Curiously Strong Collection, traveling to: Consolidated Works, Seattle, WA; Blue Star Art Complex, San Antonio, TX, Soo Visual Arts, Minneapolis, MN; Luckman Center Gallery, Los Angeles, CA; The New Museum, New York, NY Delicate Demons and Heavenly Delights, Oliver Kamm 5BE Gallery, New York, NY

- Solo exhibition for the artist of year - the winner (individual artist or 1 team) will be eligible for travel and accommodation - production (printing, framing or related presentation material)- exhibition exposure at the Festival's main exhibition space / outdoor - inclusion in art magazine and any related press - long term festival representation and promotion on official website - publications / catalog - being seen by a substantial number of visual arts professionals and the media - having their work viewed by an international panel of influential experts in the field of photography

View from the Roof Silkscreen on paper, 11 x 15» Andrea Dezsö, a visual artist and writer, creates deeply personal narratives across a broad range of media including drawing, artist's books, cut paper, embroidery, sculpture, installation, animation, and large - scale murals.

ORANGES AND SARDINES: CONVERSATIONS ON ABSTRACT PAINTING OPENS AT THE HAMMER MUSEUM On view at the Hammer November 9 - February 8, 2009 Los Angeles, CA - Oranges and Sardines examines art through the eyes and minds of artists and is a testament to the persistence of the visual art object, particularly abstract paintinON ABSTRACT PAINTING OPENS AT THE HAMMER MUSEUM On view at the Hammer November 9 - February 8, 2009 Los Angeles, CA - Oranges and Sardines examines art through the eyes and minds of artists and is a testament to the persistence of the visual art object, particularly abstract paintinOn view at the Hammer November 9 - February 8, 2009 Los Angeles, CA - Oranges and Sardines examines art through the eyes and minds of artists and is a testament to the persistence of the visual art object, particularly abstract painting.

«EAF14,» the Emerging Artist Fellowship Exhibition, is a cornerstone of the park's visual arts programming and widely acclaimed for the ambition, breadth, and innovation of the works on view.

Starting from portraits of persons at the periphery of history such as poet and artist Mina Loy (1882 — 1966) or author and Dada - co-founder Emmy Ball - Hennings (1885 — 1948), he translates the view on the past to a new layer of visual perception.

To curate the works on view a finished piece by one member artist was passed along, in succession, to another gallery artist who selected a visual response with a work of their own, in turn passing it down the line.

On view in ICA Miami's second floor galleries through January 16, 2016, the exhibition includes the first comprehensive presentation of photographs from the artist's ongoing series Black Box Collision A, which since 2012 has seen the artist isolating and documenting the letter «A» from the vestiges of sign, advertisement, message, and other modes of visual communication.

The Skybridge at Elsewhere is a built - in floating project space for emerging visual & installation artists to showcase work on a seasonally rotated basis, open during the day for viewing hours.

Found randomly interspersed among the artists» and organizations» papers in the Downtown Collection at Fales, the works on view here display a surprisingly wide range of both documentary approaches and visual experimentation.

A built - in floating project space for emerging visual & installation artists to showcase work on a seasonally rotated basis, open during the day for viewing hours.

Image credits, top to bottom: Cindy Sherman, Untitled, 1981, chromogenic print, 24 x 48 in., collection Walker Art Center, Art Center Acquisition Fund, 1982, courtesy of the artist and Metro Pictures; installation view of Benches & Binoculars (hipsters may vary), photo by Cameron Wittig, courtesy Walker Art Center; Andy Warhol, Sixteen Jackies, 1964, acrylic, enamel on canvas, 80-3/8 x 64-3/8 in., collection Walker Art Center, Art Center Acquisition Fund, 1968, © 2009 The Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York

Shot in 16 mm in colours or black and white, the films are a visual diary of the artist's private life, travels, views on politics as well as his creative process — in particular his experimentation on colours.

Though only a small selection of Still's 1,500 drawings are on view, they reflect a practice of lifelong visual inquiry and show drawing to be an important, perhaps crucial, tool in Still's dramatic evolution from regional artist to icon of the New York School.

The artworks on view demonstrate that Poe's texts have not only influenced writers, but visual artists as well.

Masha Chlenova, PhD, curator of Russian Revolution: A Contested Legacy currently on view at IPCNY, investigates the primacy of prints in the years immediately following the Russian Revolution and in Russian visual culture of the late 1920s, and introduces contemporary works by Russian - born artists Yevgeniy Fiks and Anton Ginzburg.

MAHWAH — «Messages from Ghana,» an exhibit of recent paintings by Kwaku Kissiedu, a Ghanaian artist with a growing international reputation, will be on view in the Pascal Gallery in the Russ Berrie Center for Performing and Visual Arts in February.

Her 10 works on view at the Museum of Contemporary Art of Georgia as part of the 2012/2013 Working Artist Project fellowship feel very much like visual puzzle pieces one needs time and patience to assemble into a whole.

Ally is a multi-year collaboration between visual and performance artist Janine Antoni, movement artist Anna Halprin, and choreographer Stephen Petronio, on view at the Fabric Workshop and Museum.

View and compare landscape paintings in a lesson that focuses on the visual qualities of nature and how artists capture nature in their art.

Side Eye: Portraits in Profile Long before the «profile pic» and «profiling» gained common currency, artists employed visual representations of specific individuals from the side, rather than head - on or in three - quarter view.

The eleven artists juxtapose divergent approaches in conversation with each other, reflecting on primal questions consuming artists over the millennia: Elliot Arkin's conceptual use of web - based commerce spins an absurdist view on the commodification of artists; Babette Bloch's stainless steel reassessments of nature and artistic precedent limn positives and negatives through light; Christopher Carroll Calkins's street photography captures moments of under - the - radar narratives; Valentina DuBasky's acrylic and marble dust works on paper and plaster are a contemporary comment on the prehistory of art; Gabriel Ferrer's performance - like in - the - moment sumi - ink drawings on handmade paper reflect on memory and personal narrative; Christopher Gallego's realist, pure light - filled oil painting elevates the ordinariness of an artist's space to visual poetry; Ana Golici, in pergamano and collage, takes inspiration from 17th Century female naturalist, entomologist and botanical illustrator Maria Sibylla Merian to explore questions of science, nature and objective truth; Emilie Lemakis's monumental amplification of an ancient Greek krater employs scale to upend perceptions for the viewer's reconsideration; Mark Mellon's bronzes address the oppositions of movement and stillness; the alchemy of Michael Townsend's uncontrolled poured acrylic paintings equate the properties of materials with the turbulence of the universe; Jessica Daryl Winer's engagement with luminous color and choreographic line reflects in visual resonance the sonic history of a musical instrument.

The show goes on view in Fort Collins at the Clara Hatton Gallery at CSU's Visual Arts Building, with an opening reception slated for Friday, September 26th from 6 - 8 pm (and preceded by an artist talk that afternoon at 5 pm).

might be the question that comes to mind when viewing the work of African - American commercial photographer Barbara DuMetz, whose exhibition, «The Creators: Photographic Images of Literary, Music and Visual Artists,» is on view through July 10 at the Southwest Arts Center in Atlanta.

A geometric abstract painting by William T. Williams opens the visual art gallery, where early, modern and contemporary works by artists such as Ed Clark, Robert S. Duncanson, Felrath Hines, Whitfield Lovell, Archibald Motley, Jefferson Pinder, Betye Saar, Lorna Simpson, Alma Thomas, and Kara Walker, are on view.

With 125 works on view by nearly as many artists, the exhibition is refreshingly decentralized, offering a dizzying display of subjects, subjectivities, and visual and political strategies.

The first major survey exhibition by visual artist Annabeth Rosen (1992) presenting the artist's contemporary ceramic sculptures and works on paper, is on view at Contemporary Arts Museum Houston through November 26.

Visual artist Neysa Grassi's (1995) exhibition at Locks Gallery, The Beginning of Everything (on view through March 31) was reviewed in The Philadelphia Inquirer.

This commission provides space for visual artists to create installations frequently in dialogue with exhibitions on view in the Gallery.

Visual artist Micah Danges (2015) was selected to participate in Chewing the Scenery, a group exhibition at Crane Arts» Icebox Project Space curated by Jonathan Santoro and Meredith Sellers, on view through March 27.

The artist thus creates an exhibition situation, which — depending on the position and perspective of the viewer — opens new contexts and points of reference between the altogether seven works on view: through overlapping and juxtaposition, fragmented image details of architectural constructions are transformed into new — rational and irrational — visual connections and associations.

From the Greenwich Village café, where she starts her day, to Rockaway Beach, where she seeks repose, the pictures on view form a visual biography of the artist, who will occasionally read excerpts from M Train at the gallery during the run of the show.

, China Art Objects Galleries, Los Angeles, California, US Blickachsen 4 / Axes of View 4 (Sculpturen im Kurpark), Galerie Scheffel, Bad Homburg v.d. Höhe, DE Dia: Beacon, Dia, Beacon, New York, US Arttranspennine03, Arttranspenine, North of England, UK Corso Terracciano 56, Alfonso Artiaco, Naples, IT De Collectie, Luc Deleu, Museum of Contemporary Art Antwerp, BE The Snow Show: Venice, UNESCO Regional Bureau for Science in Europe (ROSTE), Venice, IT Utopia Station Lab / Museum in Progress, Venice Biennale, Venice, IT Sink or Swim, Premier La Ciudad Radiante (La Città Radiosa), Fundación Bancaja, Valencia, IT Dust Memories, Swiss Institute - Contemporary Art, IT Independence, South London Gallery, London, UK Look & Feel Art Landscape Nature, De Verbeelding, Zeevolde, NL Telling A Work Of Art, Andrew Jensen Gallery, Aukland; New Zealand: Dunnedin Public Art Gallery, Dunnedin, Otago Settlers Museum, Dunnedin, NZSAFN, SAFN, Reykjavík, IS Histoires Contemporaines, Institute d'Art Contemporain, Villeurbanne, FR Artists» Gifts, Museum of Contemporary Art, Los Angeles, California, US Definitely Provisional (a library), Whitechapel Project Space, London, UK Stop & Go, Frac Nord - Pas de Calais, Dunkerque, FR The Distance Between Me & You, Lisson Gallery, London, UK Nomades & Bibliophiles, Koldo Mixelena Kulturunea, San Sebastian, ES In Full View, Andrea Rosen Gallery, New York, US Image and Writing in Works of the Collection of the Serralves Foundation, Serralves Foundation, Porto, PT Definitely Provisional (a library), Whitechapel Project Space, London, UK Selections from the Lewitt Collection, New Britain Museum of American Art, Conneticut, US Pictures, Patents, Monkeys, and More... on Collecting, Institute of Contemporary Art, University of Pennsylvania, US SEETHE, Catriona Jeffries Gallery, Vancouver, CA Trickfilm, Buchmann Galerie Köln, Koln, DE Look & Feel Kunst Landschap Natuur, Dag van de Verbeelding, De Verbeelding, Zeewolde, NL Utopia Station Poster Project, Haus der Kunst, Munich, DE Surface Charge, Anderson Gallery, Virginia Commonwealth University, Richmond, Virginia, US Temporal Surfaces, Vancouver Art Gallery, Vancouver, CA Artists» Books, Outside of a Dog, Baltic The Center for Contemporary Art, Gateshead, UK Incommunicado, Sainsbury Center for Visual Arts University of East Anglia, Norwich, UK Wittgenstein: Family Likenesses, Institute of Visual Culture with Wittgenstein Archive, Cambridge, UK The Snow Show / New York, Scandinavia House, New York, US Muhka - een keuze, Muhka, Antwerpen, BE Frieze Art Fair, Regent's Park, London, UK Zahlen - Zeit - Zeichen / Numbers - Time - Signs, Galerie Dorothea van der Koelen, Mainz, DE «Art Is Very...» Attributed To Lawrence..., Kent Institute of Art & Design, Zandra Rhodes Gallery, Rochester, UK Argosfestival 2003, A First Quarter screening, Brussels, DE Partners, Haus der Kunst, Munich, DE Ned Sublette / Songs I wrote with Lawrence Weiner, Bowery Poetry Club, New York, US Une Maison - Une Collection (Collection FRAC Bourgogne), Atelier Cantoisel, Joigny, FR Postcards From the Edge, Galerie Lelong, New York, US The RxArt Ball, Dolce & Gabanna Showroom, New York, US RCA Secret, Gulbenkian Galleries, Royal College of Art, London, UK La Nuit Americaine, Yvon Lambert, New York, US Elephant Juice (sexo entre amigos), Kurimanzutto, MX Ready to Shoot / Videogalerie Schum, Kunsthalle Düsseldorf, Dusseldorf, DE; travelled to Casino Luxembourg, LU, Museu Serralves, PT The Boat Show, Wynick / Tuck, Toronto, CA; travelled to Richard Salmon Gallery, London, UK; Hatton Gallery, Newcastle University, UK

Hallway Commissions provide space for visual artists to create installations, frequently in dialogue with exhibitions on view in the Gallery of BRIC House.

MAHWAH, N.J. — Renowned Japanese American artist Tomokazu Matsuyama will speak in the Adler Theater, in the Berrie Center for Performing and Visual Arts at Ramapo College of New Jersey, on Thursday, April 13 at 3 p.m. Matsuyama's work is currently featured in the College's Kresge Gallery exhibition Forms and Effects: Ukiyo - e to Anime which continues on view through April 21.

Several collage works on paper are on view in «Introduction 2011», an exhibition highlighting the Center for Emerging Visual Artists Fellows.

For sensitive viewers of art, and for those curious about the relationship between what and how images are bred in artists» studios, this two - part exhibit at Gagosian Gallery, In the Studio: Photographs, curated by Peter Galassi (980 Madison Avenue) and In the Studio: Paintings, curated by John Elderfield (522 West 21st Street), both of which are on view until April 18, 2015, is a visual feast.

Thirty - two works by Nevelson and Siskind, most of them from early in the artists» careers, are now on view at Bruce Silverstein's, in Chelsea, in a museum - scale show that's part essay, part refresher course on the visual possibilities and pleasures of pure form.