Sentences with phrase «visual artists comes»

RUCKUS features a collection of visual artists coming from inter-disciplinary backgrounds in the fields of fine arts, engineering, science and interactive festival art.

Not exact matches

When they came for the visual artists, I said nothing, because I was not a visual artist.

Berlin Pictoplasma Conference — Coming May Berlin serves as the world's most vibrant meeting point for artists trailblazing the face of tomorrow's visual culture.

Jellyfish Eyes (Criterion, Blu - ray, DVD), the debut feature from visual artist Takashi Murakami, is a fantasy of childhood innocence and fantastical creatures come to life as playmates in a post-Fukushima world.

When it comes to bringing the 14th MCU film to the screen, Feige is in no doubt where the unique challenges lay: «Doing justice to the amazing visuals of artist Steve Ditko, who drew the early Dr Strange books.

Jonny Greenwood: The visual side of Radiohead comes from Thom and [artist] Stanley Donwood working together while we're recording — often in the same room — on canvas, paper, computers.

It comes as no surprise to learn that Don't Hang Up is the feature directorial debut of two visual effects artists.

Reed and his team of visual artists take the Honey I Shrunk the Kids concept and really highlight how far film technology has come in presenting engaging and visually stimulating concepts of being miniature.

Lee Beard, who was a senior visual - art major last year, says, «You come to this school saying, «I want to be an artist,» and you think it's going to be one thing, and you end up making art galleries, building portfolios, learning your strengths.»

This coming Sunday I'll be moderating a panel at IndieCade East called From Sequential to Interactive: Comic Artists and Visual Novels.

Additional performing artists, visual artists, art installations, vendors, and games (including VR titles) will be announced in the coming weeks!

I think the work of H.R. Giger will come to mind for most, but the visuals here are obviously inspired by several artists who honed their craft in a darker style.

With varied backgrounds — Rachel is a voice - over artist and Ross is a visual artist and carpenter — we were intrigued to find out more about how Bon Volks came about, and what it offers to the local cultural scene.

Visual artists might help a person create a visual representation of their ideal day at work that they can look to when things aren't going well, or help a whole office create a mural wall that they can add to when new successes coVisual artists might help a person create a visual representation of their ideal day at work that they can look to when things aren't going well, or help a whole office create a mural wall that they can add to when new successes covisual representation of their ideal day at work that they can look to when things aren't going well, or help a whole office create a mural wall that they can add to when new successes come up.

The mcb - a event promises to be a true all - rounder: a remarkable visual artist, an encyclopedic mind, a gifted transmitter of ideas and a man coming to grips with the major issues of today's world.

Looking over the top of the installation, series of spiral shadows seem to float over the clean - cut tubes — an intriguing visual element that came about during the artist's experimentation with the packaging material over the past year and a half.

Select Group Exhibitions 2017 Monarchs: Brown and Native Contemporary Artists in the Path of the Butterfly, Bemis Center for Contemporary Art, Omaha, NE 2017 Buffalo in the American Living Room, Plains Art Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe, NM

Tim Rollins came to New York in 1975 high on the writings of Joseph Kosuth — first studying with and then assisting the conceptual artist at the School of Visual Arts.

With this comes a critical redefinition of pattern: These artists explore iterative generation of form, using a framework more akin to a mathematical pattern or a computer pattern than to a purely visual process focused on decoration or ornamentation.

More than a visual artist, Cave has come to see himself as a messenger, endeavoring to coalesce discussions around important issues.

Come and enjoy the finest of films and visuals from artists and film - makers, from around the globe, exploring what it's like to be on the outside.

The relationship between drawing and sculpture is particularly interesting in contemporary art practice; Antony Gormley is one of the most eloquent artists when it comes to articulating ideas that pertain to individual perception, collective needs, intellectual processes, or the applications and development of a visual language to assuage the spiritual or emotional privations of the modern world.

These artists developed a new visual language that came to define Modernism in Mexico.

This suspended projection depicts a rock being scanned by a copy - machine - like light from below, a simple yet scenic visual solution that well represents the Eindhoven - based artist's knack for synthetic visions — something I had the chance to witness for the first time at FatForm's Present Forever show, for which Geeven came up with an upside - down car, rotating endlessly on the garage floor.

Transformer aims to provide a platform for up - and - coming artists while fostering an appreciation for contemporary visual arts.

The announcement that Johnson, a multidisciplinary visual artist, was making his directorial debut with an adaptation of Richard Wright's novel came last February.

«Inherently political, the act of erasing, transmuting or removing content is something that comes naturally to the visual artist,» the curator continues, «-- one might even posit that it is an inevitable part of the creative process.»

The artist's self determination when it comes to visual arts is rooted in her long term interest in independent music and black - owned businesses.

Extensive installation views capture the dynamic combination of visual imagery and text that has come to characterize Pettibon's practice, and a selection of gritty black - and - white photographs by Andreas Laszlo Konrath offers an intimate glimpse into the artist's working process.

Four artists of Arab heritage came together in an international collaboration to create new poetry, music, and visual art works grappling with notions of displacement.

«With visual artists, sound artists, and dancers all coming together, last year was something of a celebratory free - for - all, a sprawling jam session with one guitar hero after the next compounding the awesomeness until your thoughts turned to the line at the Porta - John.

In his more recent body of work, titled Flat Screen Nature (2012 — current), Goode uses an industrial hand saw to cut through sheets of painted fiberglass, creating allegorical landscapes of jagged edges and menacing peripheries; the artist's visual vocabulary comes full circle to represent our environment's vulnerable sky, land, and sea.

A program of Taylor's long - running Consenses project, Come to Your Senses asks visual artists, poets, dancers, musicians, perfumers, chefs, and sculptors to use one another's art as a catalyst to create their own work.

Reflecting on a newly made work, What Happened in the Year of the Dragon, which also includes the artist's own calligraphy, Beres writes, «The ultimate result of Sun's animation then, is not so much a film, as we have come to recognize it, but rather a manuscript — an alluringly immersive visual work of authorship.»

Transformer Art Gallery 1404 P Street NW Washington DC Tel: [phone] Hours: Weds - Sat 1 - 7 pm Transformer aims to provide a platform for up - and - coming artists while fostering an appreciation for contemporary visual arts.

Immovable, a ballet choreographed by Julia K. Gleich and created in collaboration with artist Rachel Beach, is coming to the Visual Arts Center of New Jersey on Sunday, March 19, as part of the closing reception of Beach's exhibition, Touchstone.

It evolved and appeared in the open when the Civil Rights Movement empowered these African American artists to let their previously hidden visual arts come out of the woods and cemeteries and be seen in the front yards and along the roads.

My choices range from luscious Abstract Expressionism coming out of India, Norway and Switzerland to the visual poetry of a photographer using Polaroids and a sophisticated installation by a mainland Chinese artist.

Internationally celebrated, Israel - born artist Izhar Patkin has lived in the United States since 1977, first coming to prominence in the mid-1980s with his iconic Black Paintings, an inventive visual adaptation of Jean Genet's play The Blacks: A Clown Show.

Even though Radical Presence is about black artists working in performance, the subtext is that it is about performance art coming from the visual spectrum and the fact that you can pick up any book on performance and not see these artists in that book.

The scholarship seems to be more solidly about black performance coming specifically out of theater, so while there have been some publications that have addressed it piecemeal or one artist out of a plenitude, this show creates a real examination of those artists working primarily in the visual arena who are doing performance work.

And today, contemporary visual artists and critics from New York and other major metropolitan areas, who have been and continue to be at the forefront of a progressive, changing art world - Yvonne Jacquette, Alex Katz, Rudy Burkhardt, Jonathan Borofsky, Kenneth Noland, Neil Welliver, Robert Indiana, Lucy Lippard, William Wegman - come to Maine to refocus and refresh their work in an inspiring landscape.

For many Chinese artists, their country's long, illustrious, and in some ways hide - bound visual traditions are an elephant in the studio when it comes to making contemporary art.

Like other artists whose work is on show here, Joseph is familiar with contexts outside the traditional art world; he has directed several music videos and recently came to public attention for his contributions to Beyoncé's 2016 «visual album» Lemonade.

Come explore this culturally diverse community which houses 11 visual and performing arts organizations and over 46 visual artists» studios in the beautiful, former PS 160 designed by Charles B. J. Snyder in the Dutch neo-gothic style in 1897.

Our gratitude goes out to all the participating artists and everyone who comes out to support Visual AIDS, enabling us to produce AIDS - focused contemporary art programs and provide supplies and assistance to artists living with HIV / AIDS, many who are unable to continue producing work without such support.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

Yet, as one looks closely at each piece, the fine points of the artist's style come alive, creating a visual disconnect with what one expects to view and what one actually sees.

Jafa's Love Is the Message, The Message Is Death is the first breakthrough by an artist who has been perfecting his contribution to black visual culture for decades, but has only recently come into the spotlight.

I just skipped right over flickr, for right or for wrong; and I have to admit as a visual artist (well, mostly — I'm in fact an Architect by trade) that Pinterest is a dream come true.