Sentences with phrase «visual artists formed»

By 2001, gallery directors and visual artists formed a collective in order to promote the visual arts in a more focused manner.

Not exact matches

I am sure I am not alone in that I spend far more time watching abstract films and short experimental videos than I do watching feature films; in part because I make experimental films, and in part because, to my mind, the most risk - taking visual artists don't necessarily work in feature films; but instead work in video art and experimental filmmaking and newly emerging filmic art forms, such as gifs.

One of the great technical innovators and visual artists of his time, Gance was a master conductor of the cinematic form.

Thinking is an art form, similar to the actions of a visual artist perfecting his or her craft.

• To investigate and interpret a variety of selected artists and discuss their sense of place of human form • To study drawings with reference to their visual literacy and the formal elements (tone, texture, colour, line, form).

Many AIE students are working artists or have trained in the visual arts, music, theatre, dance, creative writing, and other art forms.

Accompanying each small biography is a well - reproduced, representative work from each artist and a discussion, in clear, succinct language, that will encourage readers to look closely at the images (and visual art in general) and form their own opinions of what they see.

The Association of Science Fiction & Fantasy Artists (ASFA)-- is an organization formed for artistic, literary, educational and charitable purposes centered around the visual arts of Science Fiction, Fantasy, Mythology...

At The London Book Fair this week, Hannah Berry (graphic novelist, writer and illustrator), Audrey Niffenegger (visual artist and writer), Corinne Pearlman (Creative Director, Myriad Editions) and Sophie Castille (International Rights Director, Mediation) formed the panel to question, in this «golden era for comics and graphic novels», if this is even true, and examine the state of women in comics today.

The lighter version of creative grooming is known as pet tuning and is more owner - oriented, adjusting the pets» visual appearance to their owners» amusement or life style, while the creative grooming is more of an art form, therefore more artist (groomer) oriented.

The female form has always been an inspiration and a common theme with visual artists.

And as its name implies, aesthetics factor highly into Art Bar's décor in the form of bold colors, modern furnishings and local artwork in partnership with The Center for Emerging Visual Artists.

Visual artists, cosplayers, amateur musicians and even poets and novelists set up their booths at predetermined locations, bringing with them just about every conceivable form of salable artistic expression.

Following the exhibition publication which relies more heavily on text than image, Printed in Germany is an artist's book conceived as a stand - alone visual object that extends Williams's conceptual and aesthetic ideas into book form.

In unison, both artists had responded in visual terms with a modernist form of Classicism.

The Baum: Emerging American Photographer Award Cintas Foundation Visual Arts Fellowship Rema Hort Mann Foundation Art Gant Alice Kimball Traveling Grant Florida Individual Artist Fellowship Art Access Traveling Grant New Forms Visual Arts Grant South Florida Cultural Consortium Visual Arts Fellowship

The exhibition, the artist's first solo show of paintings in New York in six years, continues to reveal Taaffe as a philosopher of painting, offering compelling meditations on art and culture, both contemporary and historical, and visual ruminations on the interrelated families of forms and images in art, architecture, and archaeology.

Unified through the explorations of the perceived and projected self, the participating artists examine the notions and visual representation of identity as formed and influenced by place, culture, gender, and conformity.

by Stephanie Cristello Curated by and including work of artist Jessica Stockholder, whose exhibition Door Hinges is concurrently on view in the lower galleries of Kavi Gupta's Elizabeth Street location, ASSISTED features sixteen artists, and could easily be a visual essay on form and object - hood.

Curated by and including work of artist Jessica Stockholder, whose exhibition Door Hinges is concurrently on view in the lower galleries of Kavi Gupta's Elizabeth Street location, ASSISTED features sixteen artists, and could easily be a visual essay on form and object - hood.

From the influences of African art on the Modernist forms of artists like Picasso, to the work of contemporary artists such as Kara Walker, Ellen Gallagher and Chris Ofili, the exhibition will map out visual and cultural hybridity in modern and contemporary art that has arisen from the journeys made by people of Black African descent.

In so doing, the philosophical continuity of the artist's disparate visual strategies will be framed, strategies the artist has repeated and contradicted, as his investigation into the painted form has changed direction or reversed course over the past five decades.

With this comes a critical redefinition of pattern: These artists explore iterative generation of form, using a framework more akin to a mathematical pattern or a computer pattern than to a purely visual process focused on decoration or ornamentation.

The experiments between visual artists such as Robert Morris and Robert Rauschenberg and dancers from Yvonne Rainer to Merce Cunningham in New York in the 1960s led to the insertion of bodily forms and movements into the visual -LSB-.....]

Describing his work as «long - form, visual, comedic poetry» and «glorified political cartooning,» the artist continues to use his unique background to create heroically - scaled installations, most often anchored by wall - sized, photorealistic drawings utilizing charcoal, graphite and colored pencils.

It can take an almost exclusively visual and material form, as illuminated manuscript, Chinese painting as poetry, or an artist's book.

Metaphorically, the title seeks to celebrate the ever - changing perspectives of artists and their capacity to develop visual forms that respond to the culture of the United States.

Moth Press publishes these exchanges in the form of unique artist books, audio and visual recordings.

Across the range of works presented in Night Vision, visitors will see how reduced visual information and an altered perception in the dark tested artists» ability to render shadow, light, and form.

Performance artist, MLu Zondi lights up the Highways Performance Space with his performance art work that seamlessly weaves together the various art forms of visual art, contemporary dance, acting and poetry that audiences will find both emotionally inspiring and intellectually compelling.

They had the vision of luring other artists to form a visual arts district in Fort Lauderdale.

Within the unified format of this collective sketchbook, a visual dialogue is exchanged from artist to artist, page to page, forming a colourful language of imagery, technique and ideas.

The exhibition's underlying mission is a compelling one: to inspire a close inspection and fresh discussion of two seemingly disparate topics — contemporary abstract painting by a New Orleans - based artist and Edo - period Japanese landscapes — using visual and conceptual links to form an effective springboard for joint exploration.

The exhibition considers drawing in Europe and the United States throughout time, observing how artists advanced the role of drawing in artist's creative processes — from a primary tool to record the visual world to a medium distinguished for its expressive qualities and immediacy in the advent of photography and subsequent technological advances in the digital age, ultimatelyunderscoring what makes drawing different from other forms of notation.

ASSISTED creates a kind of visual community of artists invested in a particular way of investigating form and objecthood.

«This season, we have the opportunity to evolve and create new forms of expression that span both time and place — from a prodigiously talented group of self - made dancers from New York in their debut institutional performance, to the first U.S. exhibition from one of the most influential visual artists working today in France,» stated Alex Poots, Artistic Director of Park Avenue Armory.

Many contemporary artists such as Nan Goldin, Catherine Opie, and Wolfgang Tillmans have utilized the conventions of portraiture to record their own individual communities, giving visual form to subcultures that have often gone unrepresented in mainstream culture.

Curated by and including work of artist Jessica Stockholder, whose exhibition Door Hinges is concurrently on view in the lower galleries of Kavi Gupta's Elizabeth Street location, ASSISTED features 16 artists, and could easily be a visual essay on form and object - hood.

Through my lens I document a photographic essay or visual «N (art) rative» that captures the happenings, personalities, collectors, gallerists, artists and the art itself; all elements that form the richly varied and textured fabric of the SoCal art world.

Esopus is an annual publication that presents innovative content from diverse creative disciplines and features six long - form projects by celebrated contemporary visual artists.

Together the works form a powerful visual lexicon, a yearbook depicting the faces of a new culture forged by the artist.

Using the potential of the most modern media technology, these artists give visual form to philosophical questions, which involves dividing time up into small sections and holding it up as if in a loop, by continual repetition of the same process.

The show's title is drawn from Cunningham's belief that movement, sound and visual art shared a «common time» and his work — in the form of photographs and installations — is presented alongside an impressive roster of artists, including John Cage, Trisha Brown, Tacita Dean, Jasper Johns, and Robert Rauschenberg.

Few contemporary artists have developed a visual vocabulary as immediately recognizable as the Chicago - born artist Christopher Wool's — and what's remarkable is that he was able to achieve this distinction across a number of different series, from his influential text paintings to his elegantly minimal canvases marked by fences and other repetitive forms to his dynamic gestural abstractions that borrow from graffiti culture.

Known for championing artists who create groundbreaking and challenging forms of visual expression, Lehmann Maupin presents work highlighting personal investigations and individual narratives through conceptual approaches that often address such issues as gender, class, religion, history, politics, and globalism.

Performa: New Visual Art Performance presents an authoritative introduction to the genre, many forms including radio broadcast, dance, live installation, new technologies, film and video, music, historic reconstructions and lecture - as - performance, and provides a vivid tour through the world of contemporary performance, featuring inventive documentation of works by some of the most significant artists of our time, including Jesper Just, Francis Alys, Christian Marclay, Laurie Simmons, Tamy Ben - Tor, Melik Ohanian, Michael Smith, Christian Holstad, and Gelitin.

They locate themselves in place and space by paying attention to what is around them, and each artist's work is marked by a certain attentiveness to the mundane, the quotidian — the physical structures that form the background of our visual lives.

«Primarily an exhibiting society, the AAA created an open and generally egalitarian forum for the exhibition of abstract and non-objective art stressing the common bond between artists who understood form as a vital physical and visual vehicle for content.

The artist's approach to abstraction is not a conceptual or analytical exercise, but a life - affirming method of communication with the viewer, each brush stroke containing much more than just visual information: «Paint strokes do a number of things, but they do not simply describe the form in my work: they affirm the human spirit, the involvement of the human spirit» (S. Scully, Resistance and Persistence: Selected Writings, London, 2006, p. 25).

British artists could melt colour and form certainly, but the ability to move beyond that and in to another realm of visual and conceptual space — it was the Italians.