Not exact matches
Held on four consecutive weekdays, all
visual -
art day
camps are coordinated through the City of Temecula Community Services Department.
Camps include
Visual Arts, Creative Writing, Filmography, Maker Lab & Robotics and Drama.
The goal of the 2 - week day
camp program is to prepare and present a creative drama work incorporating all performing
arts areas of Drama, Vocal and Instrumental Music, Dance, and
Visual Art.
The goal of the 1 - week day
camp program is to provide educational workshops in Drama, Movement, Music,
Visual Art, and Vocal techniques with the aim of introducing children to the
Arts.
This state has some particular draws for artistically minded kids, including Nashville Children's Theatre and
camps at the Frist Center for the
Visual Arts, also in Nashville.
Visit the OCCA store or click the images above to become an OCCA member, support the VAC Maintenance Fund, host a performance, sponsor an
art exhibition or reception, donate to all OCCA programs, fund theatre camp scholarships, contribute to the Oregon Coast Jazz Party, or make a contribution to the OCCA Youth Visual Art progr
art exhibition or reception, donate to all OCCA programs, fund theatre
camp scholarships, contribute to the Oregon Coast Jazz Party, or make a contribution to the OCCA Youth
Visual Art progr
Art program.
Since 2002, BlackRock has been the center for cultural exploration in Upper Montgomery County Maryland, presenting contemporary
visual art exhibitions, live performances, concerts, film screenings, social dances and other special events as well as classes,
camps and workshops in the
visual and performing
arts.
Choreographer and Dance
Art Foundation Artistic Director Joe Moran invites dramaturge Martin Hargreaves and artist Pablo Bronstein to discuss the implications of
camp and the queer body in the
visual arts.
That Flood was both part of Hardcore as it existed musically (in 1980 his band, Culturcide, put out their first 7 - inch: «Another Miracle / Consider Museums as Concentration
Camps») and has been practicing
visual art for over 30 years poses an interesting question: how, if at all, can
art be hardcore?
From 2010 to 2015, she was a curatorial advisor for
visual arts at the steirischer herbst festival, Graz, Austria, where she organized exhibitions including Adaptation (2012) and Liquid Assets (2013) and co-curated the 24/7 marathon -
camp Truth is concrete (2012).