Sentences with phrase «visual arts research project»

She is a Research Fellow in Contemporary Art at the University of Central Lancashire where she works on Making Histories Visible, an interdisciplinary visual arts research project based at UCLan's Centre for Contemporary Art, led by Professor Lubaina Himid MBE, winner of the Turner Prize 2017.

Christine Eyene Christine is a Research Fellow in Contemporary Art at the University of Central Lancashire where she works on Making Histories Visible, an interdisciplinary visual arts research project led by Lubaina Himid MBE artist and Professor of Contemporary Art at UCLan.

Christine is a Research Fellow in Contemporary Art at the University of Central Lancashire where she works on Making Histories Visible, an interdisciplinary visual arts research project led by 2017 Turner Prize winner Lubaina Himid, artist and Professor of Contemporary Art at UCLan.

Christine Eyene is a Research Fellow in Contemporary Art at the University of Central Lancashire where she works on Making Histories Visible, an interdisciplinary visual arts research project led by Turner Prize 2017 nominee Lubaina Himid, Professor of Contemporary Art at UCLan.

Making Histories Visible is an interdisciplinary visual arts research project based at the Centre for Contemporary Art (School of Art, Design and Fashion), University of Central Lancashire.

Making Histories Visible, interdisciplinary visual arts research project based at the Centre for Contemporary Art (School of Art, Design and Fashion), University of Central Lancashire (UCLan), is pleased to announce the launch of the MHV Lecture Series.

Christine Eyene is a Research Fellow in Contemporary Art at the University of Central Lancashire where she works on Making Histories Visible, an interdisciplinary visual arts research project led by Lubaina Himid MBE artist and Professor of Contemporary Art at UCLan.

In addition to her prolific artistic practice, she holds the position of Professor of Contemporary Art at the University of Central Lancashire, where she leads the interdisciplinary visual art research project Making Histories Visible, reflecting critically on the success and failures of the Black Arts Movement and participating in numerous conferences on art of the diasporas.

Making Histories Visible is an interdisciplinary visual art research project led by Lubaina Himid.

Making Histories Visible is an interdisciplinary visual art research project based in the School of Art, Design and Performance at the University of Central Lancashire.

With Prof Lubaina Himid she co-directed the interdisciplinary visual art research project Making Histories Visible based at UCLan and contributed the show reel Images and Conversations from the 1980s to the exhibition Thin Black Line (s) at Tate Britain in 2011.

The curator and art historian who works on UCLan's Making Histories Visible project, an interdisciplinary visual art research project based at UCLan's Centre for Contemporary Art led by Lubaina Himid, Professor of Contemporary Art, hopes the two exhibitions will also inspire students from the University.

Making Histories Visible is an interdisciplinary visual art research project based at the Centre for Contemporary Art (School of Art, Design and Fashion), University of Central Lancashire.

Making Histories Visible is an interdisciplinary visual art research project that enables distinct areas of international excellence in contemporary arts research.

She is Guild Research Fellow in Contemporary Art at the University of Central Lancashire where she collaborates to Making Histories Visible, an interdisciplinary visual art research project led by Professor Lubaina Himid MBE.

Making Histories Visible is an interdisciplinary visual art research project based in the Centre for Contemporary Art (School of Art, Design and Fashion) at the University of Central Lancashire (UCLan).

Not exact matches

Research confirms that students are more motivated to learn through arts - integrated projects that include music, movement, visual art, and drama.

This project was multidisciplinary and encompassed drama, visual arts, literacy, media, music and research.

Edwards works within the Walker's visual arts department developing and implementing artist projects and exhibitions, and expanding interdisciplinary scholarship and research while making key contributions to the Walker's acquisitions planning.

We are particularly interested in projects that seek to exhibit challenging and experimental work, engaging with new ideas of research through critical dialogue and experimentation in contemporary visual arts.

ELIGIBILITY: Eligible are All disciplines and interdisciplinary projects in Arts, Sciences and Technologies, Education and Research, included Environmental projects, Literary Arts, Performing Arts and Music, Applied Arts, Visual Arts, New Media.

Edwards also works within the Walker's Visual Arts department developing and implementing artist projects and exhibitions, and expanding interdisciplinary scholarship and research, while making key contributions to the Walker's acquisitions planning.

As part of the larger project started in the early 80's with shows such as the Thin Black Line (1986) and Black Woman Time Now (1983) devised to highlight the contribution black artists have made to visual art in Britain, she has with Susan Walsh in collaboration with the Interpretation and Education Team at Tate Liverpool, produced and distributed Open Sesame (2005) and The Point of Collection (2007) These are two DVD / text research documents which examine and reveal the contribution made to the exhibition education and collecting strategies at Tate in recent decades by artists of African, African / American, Asian and Caribbean descent.

He studied music composition, performance, and visual arts at Goldsmiths College, Bergen National Academy of Arts, and completed his doctoral project with the Norwegian Research Fellowship Prograarts at Goldsmiths College, Bergen National Academy of Arts, and completed his doctoral project with the Norwegian Research Fellowship PrograArts, and completed his doctoral project with the Norwegian Research Fellowship Programme.

The project, created by designer Valentina D'Efilippo and research Miriam Quick and curated by W+K, is a visual representation of the musical data from Bowie's 1969 track «Space Oddity» and comes in a series of 10 engraved records along with large art prints and a projection.

This exhibition, a curatorial project researched and developed by CAUSA (Collective for Advanced and Unified Studies in the Visual Arts), will address the work of these artists from both cross-cultural and interdisciplinary perspectives — specifically examining their respective contributions to the visual culture of Vancouver during the period 1941 toVisual Arts), will address the work of these artists from both cross-cultural and interdisciplinary perspectives — specifically examining their respective contributions to the visual culture of Vancouver during the period 1941 tovisual culture of Vancouver during the period 1941 to 1971.

2009 - Lieutenant Governor's Arts Award Winner, Saskatchewan2009 - Established Artist Individual Assistance Grant, Saskatchewan Arts Board2009 - Artists» Showcase Award, Center for Fine Art Photography, USA2008 - New Media Initiatives Grant for Babylon + on + on, Saskatchewan Arts Board2008 - Western Magazine Awards - Best Photographic Series finalist2007 - Individual Assistance Project Grant, Saskatchewan Arts Board, Regina2006 - Individual Assistance Travel Grant: Media, Saskatchewan Arts Board, Regina2006 - Governor General's Gold Medal Nomination, University of Regina2005 - Graduate Scholarship, Faculty of Graduate Studies and Research, University of Regina2005 - Scholarly Award, Department of Computer Science, University of Regina2004 - Teaching Assistantship, Department of Visual Arts, University of Regina2004 - Teaching Assistantship, Department of Music, University of Regina2004 - Asia Pacific Studies Award, Graduate Studies and Research, University of Regina2003 - Entrance Scholarship, Faculty of Graduate Studies and Research, University of Regina

The Guerrilla Girls Research and New Work project is a collaboration between leading visual arts organisations and in partnership with many others.

Her work focuses on managing visual arts projects and research for publishing and curatorial purposes.

Sama Alshaibi has been awarded two production grants, Visual Arts AFAC Grant - Arab Fund for Arts and Culture (2017) and Artist Research and Development Grant - Arizona Commission on the Arts (2018) for her forthcoming project «Carry Over», a multimedia series that, according to the artist, «recalls, decodes, and subverts familiar images while questioning their ability to inform nuanced understanding of complex identities.»

The AS - AP Steering Committee is: David Platzker, AS - AP project director; Linda Earle, executive director, Skowhegan School of Painting and Sculpture; Milan Hughston, chief of library and museum archives, The Museum of Modern Art; Maria Lind, director of the graduate program, Center for Curatorial Studies; Elizabeth Merena, director, Visual Arts Program, New York State Council on the Arts; Andrew Perchuk, Contemporary Programs and Research, Getty Research Institute; Marvin Taylor, faculty, Collections and Research Services, Fales Library, New York University Libraries; Martha Wilson, Franklin Furnace Archives; and revolving participants from the College Art Association.

GHost [Since 2008 -RCB- leads the visual arts and creative research project GHost, which explores how ghosts are manifested in contemporary visual art and culture.

This research project addressed the interpretation and understanding of internationalism in contemporary visual arts in Europe.

Archives: Blk Art Group Research Project, African - Caribbean, Asian & African Art in Britain Archive (Chelsea College of Arts Library, University of the Arts), The June Givanni Pan African Cinema Archive (including films by Imruh Bakari, Ceddo, Amani Naphtali and Maybelle Peters), Making Histories Visible Archive (Centre of Contemporary Art at the University of Central Lancashire), The Stuart Hall Library, Iniva (Institute of International Visual Arts), London.

The objectives of curatorial course are aiming to: — promote reflections questioning the role of the curator, and research projects in the field of contemporary visual culture; — set up working platforms that may enable participants to develop further curatorial works; — proliferate networking between young creators of the visual art scene and encourage international circulation of cultural projects.

Press to Exit project space was established in September 2004 by Yane Calovski and Hristina Ivanoska as a special program - based artist initiative for research and production in the field of visual arts and curatorial practices.

YC: Press to Exit project space is a special program - based artist initiative for research and production in the field of visual arts and curatorial practices.

Going on to research and develop their project ideas with a # 4,000 bursary and production support from Film and Video Umbrella, the four will present their pilot pieces in an exhibition at Jerwood Visual Arts in March 2014.

While the country's longstanding former President Robert Mugabe was being ousted through a military - led coup, Chiurai was exhibiting his politically - driven work, which combines art historical imagery with references from popular culture and archival material to explore the visual language and tropes that help construct myths, history, and ultimately power.Under the continued curation of Candice Allison, «Madness and Civilization» re-stages this exhibition alongside new works and research that highlights Chiurai's creative projects over the past two years.

He is the Principal Investigator and Director of Tate Encounters: Britishness and Visual Cultures, a collaborative research project with Tate Britain and University of the Arts.

These are continuations of research interests first expressed in her dissertation «Finding Place: The art of Wangechi Mutu, Maria Magdalena Campos - Pons and Ingrid Mwangi Robert Hutter» (Stony Brook University, 2014), and in collaborative projects such as «Understanding Place in Socio - visual Geographies» (University of North Carolina Asheville, 2013).

Archives: Blk Art Group Research Project, African - Caribbean, Asian & African Art in Britain Archive (Chelsea College of Arts Library, University of the Arts), The June Givanni Pan African Cinema Archive (including films by Imruh Bakari and Amani Naphtali), Making Histories Visible Archive (Centre of Contemporary Art at the University of Central Lancashire), The Stuart Hall Library, Iniva (Institute of International Visual Arts), London

Meet at 2.15 pm at Mary Slessor Gardens, Dundee, calling at Dundee Contemporary Arts, Visual Research Centre at DCA, Generator Projects, and ending at West Ward Works at 6 pm.

ROSC had a significant impact on the development of contemporary art in Ireland, and for ROSC 50 (1967/2017) IMMA and NIVAL (the National Irish Visual Arts Library) are undertaking a collaborative research project to revisit the Irish art historical account of ROSC.

In 2017, to mark the 50th anniversary of the first ROSC, IMMA and NIVAL (the National Irish Visual Arts Library) are undertaking a collaborative research project to revisit the Irish art historical account of ROSC.

As the Alkatraz team are aware of their specific role and tasks within the frame of the Metelkova City visual community, they have invited the team of the World of Art (SCCA - Ljubljana, Center for Contemporary Arts) to join in the creation of an exhibition - research project of the visual scene of the Metelkova City.

Dr Veronica Sekules, Head of Education and Research, Sainsbury Centre for Visual Arts, University of East Anglia, and Project Manager, Visual Dialogues (2005 - 6), Tate Britain, UK