Sentences with phrase «visual beauty of this film»

Everyone pulls their weight in capturing the sheer visual beauty of this film.

Not exact matches

Over the past few years, we've seen many strong non-fiction films that are either one or the other: The you - are - there doc Restrepo and its sequel, Korengal, are like visual journalism, embedded in a disputed valley in Afghanistan; and a number of other non-fiction films, from These Birds Walk to 12 O» Clock Boys, have an ecstatic beauty that evoke the term «Malick-esque.»

The Telegraph's Robbie Collin find it «sensual and lyrical, tremendously well acted, heavy in visual and verbal metaphor, and so ablaze with pastoral beauty that the hillsides and forests seem to glow with their own amber light,» and Eric Kohn of Indiewire agrees, claiming the film «maintains a visual sophistication unparalleled in international cinema.»

This inspired an unexpected independent film of great visual beauty and unconventional structure which introduced western audiences to Indian culture and music and launched Renoir on a new international phase of his career.

The visual touches by cinematographer Yves Belanger are the highlight of the film, next to the beauty of Saorise we get to see New York and Ireland in the 50's with all it's glory.

The film is a visual thing of beauty but really falls into the category of looking too fake.

Massive redeeming feature is the cinematography.l have never seem Florida captured in all it's beauty of weather and landscapes allied to the vulgarity of retail Americana.It is a visual feast and highly evocative and atmospheric.William Dafoe is always highly watchable.The film is lacking is compassion and humanity and has too much one way traffic of human self inflicted hardship.

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It has its moments of visual beauty, but a little more poetic daring and a little less in the way of safe artiness might have made this one something more than an expertly conceived business proposition.â $ After a second viewing of the film recently, I still find myself feeling that way.

Like all of Rohmer's films, this one observes a moral dilemma in which some people act well and others badly; it has the visual beauty of an engraving, a pace that echoes the inexorable progress of the revolution, and the belief that it is less important whether you are Left or Right than whether you behave bravely in accord with your principles.

Moonlight's visual sense is highly painterly, too, from the pastel tones of the Liberty City locations (James Laxton's cinematography catches them with an easy beauty that surely belies their real character) through to the distinct colour orientations of the film's three parts.

The great care in which Wong Kar - wai took with each frame of the film, the props detail, and the action choreography were evident, resulting in a film of great visual beauty and precision.

Previously announced honorees include Angelina Jolie for «Hollywood Foreign Language Film Award» for the film First They Killed My Father; Roger Deakins will receive «Hollywood Cinematography Award» for Blade Runner 2049; Thomas Newman will receive «Hollywood Film Composer Award» for Victoria & Abdul; Sidney Wollinsky will receive «Hollywood Editor Award» for The Shape of Water; Joe Letteri, Dan Lemmon, Dan Barrett and Erik Winquist will receive «Hollywood Visual Effects Award» for War of the Plant of the Apes; Jacqueline Duran will receive «Hollwyood Costume Design Award» for both Darkest Hour and Beauty and the Beast; Jenny Shircore will receive «Hollywood Make - Up & Hair Styling Award» for Beauty and the Beast; Dennis Gassner will receive «Hollywood Production Design Award» for Blade Runner; Addison Teague and Dave Acord will receive «Hollywood Sound Award» for Guardians of the Galazy, Vol.

by Walter Chaw A gyno - centric reimagining of Disney's own Sleeping Beauty, visual - effects guy Robert Stromberg's directorial debut Maleficent (from a script by never - good Disney house - overwriter Linda Woolverton) takes all the ingredients for a horrible disaster and somehow wrestles a fitfully fascinating film from them.

There is no debate as to the sheer beauty of the visuals seen in Pixar's films — from the animation to the lighting, each sequence is stacked with tiny details that warrant repeat viewings to fully appreciate.

While the tone of the film changes in the second portion (from dreamy ideals to stark realities), many sequences and shots still carry that slightly surreal aesthetic, which heightens the intrigue and beauty of this gritty working - class limbo; even more so than his other films, Mud showcases Nichols as a sharp and artistic visual storyteller.

Middle Earth is a dangerous place in this film, with giant spiders and pretty aggressive elves lurking in the forests of Mirkwood, and the Tolkien franchise once again gives viewers a visual treat, featuring not only the beauty of nature but also a fascinating take of Lake - town as a decrepit, cold and unforgiving town (think 19th century London, minus the smog), complete with a morally corrupt mayor and a gullible crowd.

Isaac Julien was nominated for the Turner Prize for his complex poetic film installations, that combine a theoretical sophistication with visual beauty, seen in exhibitions of his work at Cornerhouse, Manchester, the South London Gallery and Victoria Miro Gallery, London in collaboration with Film and Video Umbrella, and in The Film Art of Isaac Julien at the Center for Curatorial Studies, Bard College, New York (and tour).

His films still have tinges of the visual art world to them, from the painterly use of excrement in Hunger to the cruel beauty of Slave's landscapes.

The jagged edges of the looping forms position digital visuals between film and still image, capturing essential qualities of their abstraction and beauty.