Sentences with phrase «visual change for this game»

Not exact matches

The visuals and sound are all upgraded for a modern era without changing the heart of the game.

I had a quick look online at the change log for DmC: Devil May Cry Definitive Edition and it's clear that they weren't content to just slap a new coat of polish to the visuals, with an astounding 16 or so pages of additions and refinements, many of which have been explicitly designed with the intention of swaying the opinion of those who denounced the game the first time around.

At the same time, the changes to the visual engine and minor gameplay tweaks probably aren't enough to justify a purchase for fans that have already completed the game (especially on GBA).

The Mass Effect games were never known for technically impressive visuals, and this changes here to some extent with the move over to Frostbite engine.

- the team has been adding weapons one by one because they want the same amount of attention for each weapon - the team learned that when they added two new weapons at once, one would end up getting overshadowed by the other - there were more new stages than returning stages because bringing back old stages would have little surprise - since they want to satisfy both new and returning players, they changed the order of stage additions - there weren't any major direction changes in balancing from Splatoon 1 - there have been more pattern combinations between weapons and stages, so there was more involved to balance them all - matchmaking is handled by getting 8 players with similar rank points, and then they're split by weapons - the rank point gap between S + players is bigger than ordinary players - only about one in 1,000 active players are in the S +40 to S +50 region in Ranked Battles - there's even less than one in 10 players that reach S +, while 80 % of the overall player base are in A or less - about 90 % of S + ranked players are within a + / -150 hidden ranked power range - rock was the popular genre in Splatoon, so they tried changing it for the sequel - they prioritized making good background music first before forming the band to play that music - the design team would make the CD jacket - like artwork afterwards - due to this, the band members would often change; some getting added while some others removed - Off the Hook is an exception, as they first decided they would be a DJ and rapper along with their visuals first - Off the Hook's song came afterwards - In Splatoon street fashion was the trend, but in Splatoon 2 they tried adding more uniqueness - the aim was to add Flow with ethnic clothing and Jelfonzo with high fashion - all Jellyfish in this world are born by splitting, which means Jelfonzo was born by splitting from Jelonzo - Jellyfish are like a hive mind - when they hold a wedding ceremony, they're just simply holding the ceremony - Jelonzo and Jelfonzo start gaining their own consciences so they can speak - Flow used her working holiday to go on a trip before reaching Inkopolis Square - during the trip, she met the owner of Headspace - the owner liked her, so she got hired to work there - Bisk has a unique way of speaking: anastrophe - the team tried to express him as an adult man - they made him into a giant spider crab because they wanted someone with high posture - he came from a cold country and broke up with his girlfriend to join a band - just like Flow, he became attracted to squids - Crusty Sean finally has his own shop, but he opened it because he's someone who follows the current trends - one of the trends happens to be people opening their own shops - drink tickets aren't stacked, but the probability is higher than a single brand - the music in Inkopolis Square changes depending on the player's location - sounds contribute to creating atmosphere in the location - the song at front of Grizzco Industries had an atmosphere that feels like some smell can radiate from the game screen - as for Salmon Run, they imagined it as a Japanese restaurant outside Japan that is not run by a Japanese person - each time the player moves between the shops, the game uses an arrange shift that shows the personality of each inhabitant - the arrangement in Shella Fresh is related to Bisk's guitar and mystery files that describe his past - with the Squid Sisters moved to Hero Mode, Off the Hook was put in charge in guiding battles and festivals - Bomb Rush Blush has an orchestra «because it would sound like the final boss» - the team wanted to express the feel of the story's real culprit with this music - the probability of each event occurring in Salmon Run is different - there are no specific requirements, meaning they're picked randomly - this means it's possible for fog to appear three times in a row - the Salmon have different appearances based on the environment they're raised in - if the environment is harsher, they would become large salmon - Steelheads and Maws have big bodies, while Scrappers and Steel Eels have high intelligence - Salmons basically wield kitchenware, but everybody else has a virtue in fighting to actually cook the Salmons - Grill is the ultimate form of this - when Salmons are fighting to the death, they can feel the same sense of unity - they would be one with the world if they were eaten by other creatures, and they also fight for the pride of their race - MakoMart is based on a large supermarket in America - the update also took place on Black Friday in America, which was why Squids are buying a lot of things in the trailer - Arowana Mall looks like it has more passages because there are changes in tenants and also renovation work - Walleye Warehouse has no changes at all, because the team wanted to have at least one map that stayed intact - the only thing different in this map is the graffiti, which is based on the winner of Famitsu's Squid Fashion Contest - all members in the band Ink Theory graduated from music university - they are well - educated girls who also do aggressive things - the band members wearing neckties are respecting the Hightide Era from the prequel - the team will continue adding weapons and stages for a year, and Splatfests for two years - the team will also continue to make more updates including balancing

«When people play action games, they're changing the brain's pathway responsible for visual processing,» according to lead researcher Daphne Bavelier.

The same could be said for the in - game visuals, which remain exactly the same as they were in Armored Core V. Obviously, it's a lot to ask for a studio to come in and completely the redo the graphics for an expansion pack, but that doesn't change the fact that Verdict Day's visuals could do with some sprucing up.

However, with Activision's showing off their next - gen engine over at GDC, it's a given that this year's CoD title would mark the use of a new engine for the series, and one can except a sea change in the game's visuals, which were extremely dated till now.

* Can now change wheels from quick play lobby * Fixed avatar image loading that sometimes failed * Fixed crashes * Improved visual quality on high - resolution screens * Improved text input for account info and chat * Changed to immersive full - screen mode * Fixed UI scale for tablets: buttons are now smaller * Added confirmation dialog before quitting game with back button * Added support for Intel CPUs * Fixed issue where the screen would dim or turn off while the game was running

DESIGN & BALANCE Level cap raised to 35 Reviewed all survival events: obstacles have a lesser slow down effect Added Pure Time Attack game mode in Quick Race Slightly increased Turbo performances for Conqueror, Lunare, ESA Slightly increased engine power for ESA Slightly increased wall damage (10 %) Solved a bug for which the AI would very rarely use powerups Fixed some contracts that would propose the wrong event and / or the wrong reward AUDIO & VISUALS Option to change audio to 5.1 or 2.0 Added Windowed / Fullscreen option Audio feedback for lobby countdown start BUGFIXES & STUFF Solved problem with corrupted save files (famous RedoutSettings.sav), causing the game to hang in the loading screen.

You play against a timer of sorts which is represented by a medical drip, as the drip empties you start to get withdrawal symptoms which can be all kinds of weird on screen visuals and game changing events such as falling pizza slices, teleports for balls to go through and many more.

This gameplay shows a shooter with complex controls that most likely provides limited controller layout alternatives for fine motor disabilities (true), chaotic onscreen action that is difficult to discern for visual disabilities (true due to a thin white aiming reticle that changes to red in a game with a red and black color scheme), and for deaf and hard of hearing players the co-op teamwork relies on quick responses to audio cues (true for players dependent on voice chat).

For Skyward Sword, a new visual style combining the characteristics of both realism and cel - shading is accompanied by several changes that were made to the dungeons, as hinted by the developers long before the game's release.

On the visual side of things the game is usually very bright, but for those who need it there is a brightness slider you can change in the options menu.

There may be little change but the ever present mysteries of the two cities remain enticing, and the slight visual overhaul presents a new appreciation for the older games.

Our sensibilities for visuals in games are changing.

The sequel, Digital Devil Monogatari: Megami Tensei II, didn't change much from the original, but improved upon the game's visuals and demon gathering mechanics in small ways and set the stage for the future of the series.