Sentences with phrase «visual culture created»

Journeys to New Worlds offers compelling evidence of the new visual culture created by the global empires of these two nations in the seventeenth and eighteenth centuries.

Not exact matches

Investigating World Cultures 03/09/2001 [Geography, Technology Grades 6 - 8 Submitted by David Anderson] Students work in groups to write research reports and create visuals about countries, put on a culture fair, and use PowerPoint to present their information.

This fantasy inspires us to create symbols, visuals, and maps that all audiences can understand — regardless of their culture, abilities, and language.

Learn how to rephrase the performance objectives of college and career ready standards for the visual, performing, and media arts into good questions that will engage students to create, perform, respond to, and connect works presented in various formats and mediums, by various artists, in different contexts, and from different cultures.

The visual above was created from discussions at our wellbeing steering group, a voluntary body of staff who want to drive wellbeing deep into our culture and ethos.

Spielberg leans into the bleeding edge of CGI visuals with Ready Player One, creating an almost hypnotic treat for the senses and one that's steeped, not just in pop culture, but in games design and cinematography too.

The glow of red, white and blue from Rafael Ferrer's Artforhum neon, rendered in the typeface of the magazine to which the wordplay refers, creates a new visual language around established culture.

Stretcher is an artist collective dedicated to creating dialogue of visual arts and culture in the San Francisco Bay Area through its online publication, www.stretcher.org.

Long before the advent of current visual technologies, he foresaw our digital reality, employing photocopy machines and other midcentury tools in his early works to create analog visualizations of what are now fundamental traits of our digital culture.

This exhibition charts the role of visual culture in creating his heroic persona, particularly how the duke exploited portraiture to shape the way he was represented in both his public and personal life.

Informed by elements of popular culture ranging from manga and anime to punk rock, Yoshitomo Nara fuses Japanese visual traditions and Western Modernism to create adorable but menacing characters that possess a startling emotional intensity.

Drawing visual references from both cultures, Ebtekar comprises these works that together create a dialog with the unknown.

Infused by pop culture and political references, avaf is influenced by multiple sources and visual traits from art, culture, politics, sociology, fashion and music, creating stunning and visually explosive mash - ups of transformed and re-contextualized references.

The students at Watkins have often taken an active role in the city's visual culture — dreaming up imaginative pop - up projects, programming and creating the exhibitions for the Watkins Arcade Gallery in downtown Nashville, and participating in the larger dialogue that the city...

This selection of works from the Noyes» permanent collection creates visual and conceptual links to the works from the Taiwanese artists at Kramer Hall's exhibition, bridging the gaps between Eastern and Western art, culture, and abstraction.

In an increasingly visual culture in which the mediation of images is more than ever in question, Crosby's paintings are a testimony to the complex process of creating and receiving an image.

Together, Hammond's «Dazzle paintings», Results of a Search series, and photographs create a unique place at the intersection of visual culture and the human imagination.

David Lawrey & Jaki Middleton's collaborative practice draws on popular visual culture, art history and cinematic traditions to create works that engage the viewer via optical phenomena, juxtaposition and repetition.

American painter, printmaker, and sculptor Oliver Lee Jackson (b. 1935) has created a complex body of work which masterfully weaves together visual influences ranging from the Renaissance to modernism with principles of rhythm and improvisation drawn from his study of African cultures and American jazz.

Brancato also teaches at Maryland Institute College of Art where her focus is on creating engaging experiences where undergraduate and graduate students learn about the role of art and visual culture in shaping culture.

Throughout his career, Erizku has created a unique visual language and distinctive iconography that address issues of race, identity, politics and cultural history, while drawing from myriad references ranging from urban culture to advertising to the art historical canon.

Chapter 1: Things Must be Pulverized: Abstract Expressionism Charts the move from figurative to abstract painting as the dominant style of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymans

Informed by elements of popular culture ranging from manga and anime to punk rock, Nara fuses Japanese visual traditions and Western modernism to create young characters that possess a startling emotional intensity.

In São Paulo, artists like Os Gemeos merged the local tradition of «pixação» - illicit political statements scrawled onto the city walls - with hip - hop culture to create a unique visual idiom.

Abigail Romanchak is a visual artist known that perpetuates Native Hawaiian culture and perspectives on the imprint human beings and technology create on the natural environment.

The World Jewellery Museum presents Beyond Liaisons, the first major exhibition in Asia to explore the visual dialogue between art jewellery created by well - established international living artists and traditional jewellery from various cultures around the world.

Drawing on pop culture and art history, Hayuk uses what she refers to as «visual information» to create abstract works that channel psychedelic culture.

Wikipedia explains that «In the visual arts, to appropriate means to properly adopt, borrow, recycle or sample aspects (or the entire form) of man - made visual culture... Inherent in our understanding of appropriation is the concept that the new work recontextualises whatever it borrows to create the new work.

Neo-futuristic abstract expressionism best describes the genre of Johnathan's work; colorful and evocative, his paintings create powerful visual discourses about the relationships we form with pop culture and its most iconic characters.

Ahearn creates imaginary environments through the inventive layering and juxtaposition of both banal and pop culture visual elements.

Native Arts and Cultures Foundation Announces Artist Open Call and April 14 Presentation (VANCOUVER, Wash.)-- Artists residing in North Dakota, South Dakota, Minnesota or Wisconsin who are creating visual or traditional arts and are enrolled members of Native Nations...

The primary focus of the exhibition, however, is on artworks created by a group of international visual artists who create work in response to travel among multiple cultures — both high and low, and local and foreign.

Lalla Essaydi uses glittering bullet casings to create garments and backdrops that refer to Islamic visual culture, which she then works into large - scale staged photographs.

Join us for the opening of an exhibition of works by students from the Sheridan College Ceramics Program, and a collaborative project created by students from the Bead & Read group and the Indigenous Visual Culture Program at OCAD University, in response to workshops led by artists Joanna O. Bigfeather and Jim Rivera from the Institute of American Indian Arts (Sante Fe, NM) and Kent Monkman's The Rise and Fall of Civilization.

Bynoe is the co-founder and Editor - in - Chief of ARC Magazine, the premiere visual art and culture publication focusing on contemporary visual art created throughout the Caribbean and its diaspora.

Through Cannon's personal anecdotes and their joint analyses of selected works by artists who have relationships to both places, Cannon and Nichols will examine the ways in which the black body creates meaning as it moves through these two cityscapes, the transmission of that meaning between the two cities through 20th Century migrations, and its impact on contemporary visual culture.

The Centre national d'art et de culture Georges Pompidou was the brainchild of President Georges Pompidou who wanted to create an original cultural institution in the heart of Paris completely focused on modern and contemporary creation, where the visual arts would rub shoulders with theatre, music, cinema, literature and the spoken word.

They produce programming that challenges prevailing notions of exhibition making, introduce new forms of artistic practice, embed dialogues from other regions into local conversations, and create points of intersection between visual, political, and technological cultures.

The exhibition looks at how contemporary visual culture has been progressively mutating towards models where seemingly opposite dimensions come together to create hybrid forms: material and virtual, textual and objectual, organic and artificial, consumerism and spirituality have been merging and blurring previously defined boundaries.

Based in Brooklyn, Hayuk creates colorful, geometric, trippy, drippy, patterned large - scale works — think outdoor murals — full of popular culture, painting, and psychedelic visual references.

The painter's visual vocabulary is based on models from art history, advertisements, design, and American pop culture, thus creating an assemblage with multiple cultural references.

Influenced by the soulful sounds of Billy Stewart, the kitschy aesthetic of John Waters, and the provocative artifice of drag culture, Gaignard employs lowbrow pop sensibilities to create dynamic visual narratives.

Temple Contemporary at the Tyler School of Art will commission visual artist Trenton Doyle Hancock to create new work in an exhibition examining the representation of race in the material culture of toy dolls.

The artist is the founder of Dominica, a publishing imprint created by Syms to explore black aesthetics in visual culture.

She creates work that often reflects self - identity and visual culture.

Influenced by recent popular culture, Cánovas combines decontextualised visual media to create a unique narrative sequence.

As Prager oscillates between these shifting points of view and duality of artifice and reality, she breaks the «fourth wall,» an invisible barrier between the stage and audience, creating a liminal space that invites consideration of how we absorb notions of truth and fiction within visual culture.

For more than sixty years, renowned Indian artist and teacher Om Prakash (Sharma) has created abstract paintings drawn from both the timeless visual culture of Indian imagery and more recent developments in modern art.

In a culture where visual noise is inescapable, printed matter creates an opportunity to pause, ruminate, speculate, and share.

The combination of real and synthetic woods and original artefacts creates an unsettling tension between the authentic and the artificial, continuing Darbyshire's investigation into the visual language of commodity culture.