Sentences with phrase «visual culture of world»

Wolfsonian Museum (1001 Washington Avenue, Miami Beach)-- A great little design museum, the Wolfsonian is currently exhibiting the visual culture of World War I, political posters from the Middle East, children's propaganda, downtown Miami architecture of the 1920s and 30s, and more.

Not exact matches

Greek culture and language, the cultivation of the body, sex and family mores at odds with the traditions of Yahwism - Judaism, fascination with the visual arts — all of this Hellenistic world pressed in upon Judaism and Jerusalem and even infiltrated in the persons of regularly visiting Jews from communities outside Palestine.

The visuals are amazing and being a person to whom world music and cultures is of utmost importance this was a DVD right up my alley.

About Blog A glorious visual exploration of coffee culture, The Coffeetographer is set up more like a magazine, with a variety of features all about the world of independent coffee.

About Blog A glorious visual exploration of coffee culture, The Coffeetographer is set up more like a magazine, with a variety of features all about the world of independent coffee.

Berlin Pictoplasma Conference — Coming May Berlin serves as the world's most vibrant meeting point for artists trailblazing the face of tomorrow's visual culture.

Add to that its magical array of visuals — an entire «Land of the Dead» is realized — and its kind, loving representation of Mexican culture, and Coco becomes a force for good in the world.

What is striking about the film is what Jarmusch drapes over these visual and auditory flourishes with the content of the characters and the content of this world, and how unconcerned it seems to be with the prior history of vampires in literary and pop culture.

With the Creative Package, you'll be kept up - to - date with current trends as they develop across the international art world, and will gain insights into the work of leading practitioners shaping contemporary visual culture.

Notable traveling group exhibitions include Art, Activism and Civil Rights in the 1960s, traveling to the Blanton Museum of Art, Austin (2015); Hood Museum of Art, Hannover, New Hampshire (2015); and the Brooklyn Museum, New York (2014); For All the World to See: Visual Culture and the Struggle for Civil Rights, traveling to the Center for Art, Design, and Visual Culture, University of Maryland Baltimore County (2010); the International Center of Photography, New York (2010); and the National Museum of American History, Smithsonian Institution, Washington, D.C. (2011).

Art Basel Miami Beach, with GAVLAK Los Angeles / Palm Beach, Miami, FL (catalogue) Ten Year Anniversary Show, Gavlak, Palm Beach, FL and Los Angeles, CA Re (a) d, curated by Ryan Steadman, Nathalie Karg Gallery, New York, NY The Valentine's Day Cardiovascular, Geoffrey Young Gallery, Great Barrington, MA Puente, KINMAN, London, UK 2014 The Go Between: Selections from the Ernesto Esposito Collection, Museo di Capodimonte, Naples, Italy Art Basel Miami Beach, Gavlak booth, Miami Beach, FL 100 Painters of Tomorrow: New York Exhibition, One Art Space, New York, NY Inaugural Exhibition, Gavlak, Los Angeles, CA The Armory Show, Gavlak Booth, Pier 94, New York NY Painting: A Love Story, Contemporary Arts Museum Houston, Houston, TX (catalogue) 2013 Art Basel Miami Beach, Gavlak Booth, Miami Beach, FL (catalogue) This is the Story of America, Brand New Gallery, Milan, Italy Rema Hort Mann Foundation LA Arts Initiative Auction, Hannah Hoffman Gallery, Los Angeles, CA Acid Summer, Curated by Matthew Craven, DCKT Contemporary, New York, NY All Fucking Summer, Gavlak, Palm Beach, FL Whitney Museum Art Party Benefit Auction, Whitney Museum of American Art, New York, NY MiArt2013, Gavlak Booth, Milan, Italy The Armory Show, Focus: USA, Gavlak Booth # 908, New York, NY (catalogue) Art Rotterdam, Office Baroque Gallery, Rotterdam, Netherlands My Echo, My Shadow, Gavlak, Palm Beach, FL 39 Great Jones, Galerie Eva Presenhuber, Zurich (catalogue) 239 Days, School of Visual Arts MFA Alumni Show, Allegra LaViola Gallery, New York, NY 2012 News From Chicago and New York City, Curated by Henning Strassburger, Fiebach Minninger, Cologne, Germany Time, After Time, Curated by ARTNESIA, Ronchini Gallery, London, UK (catalogue) SUNY New Paltz Alumni Show, Dosky Projects, Long Island City, NY What's the Point, Jen Bekman Gallery, New York, NY It's a Small, Small World, Curated by Marilyn Minter and Organized by Hennessy Youngman, Family Business, New York, NY The Virgins Show, Curated by Marilyn Minter, Family Business, New York, NY Just the Tip, SVA MFA Fine Arts Thesis Exhibition, Organized in Collaboration with Mike Egan, Visual Arts Gallery, New York, NY (catalogue) 2011 MFA Fine Arts Fall Open Studios, School of Visual Arts, New York, NY Sentimental Education, Gavlak, Palm Beach, FL Things Fall Apart, Curated by Asya Geisberg, Visual Arts Gallery, New York, NY Abstract Means, Curated by Richard Brooks, Visual Arts Gallery, New York, NY MFA Fine Arts Spring Open Studios, School of Visual Arts, New York, NY Celebrating 15 Years: Young Artists at Heckscher, Heckscher Museum of Art, Huntington, NY College Art Association New York MFA Exhibition, Hunter College / Times Square Gallery, New York, NY Vuu Collective W / S 2011 Show, K&K Gallery, Brooklyn, NY 2010 MFA Fine Arts Winter Open Studios, School of Visual Arts, New York, NY Emerge to be Seen, Westside Gallery, New York, NY Marks That Matter, Juried by Gillian Jagger, Muroff Kotler Visual Arts Gallery, SUNY Ulster, Stone Ridge, NY The New, Art (That Matters), Oyster Bay, NY New York Art & Culture Exhibition Series, Albany International Airport, Albany, NY 2009 No Girls Allowed: BFA Thesis Exhibition, Samuel Dorsky Museum of Art, SUNY New Paltz, New Paltz, NY Best of Show: 2009 Best of SUNY Exhibition, State University Plaza, Albany, NY 2008 Crit 3: Work from Students and Alumni of SUNY New Paltz, Curated by Kathy Goodell, Spencertown Art Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley Art Gallery, New Paltz, NY Three, Smiley Art Gallery, New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler, Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor, organized by Grey Area COLLECTIONS Norton Museum of Art, West Palm Beach, FL AWARDS AND HONORS 2015 Painting Fellowship, New York Foundation for the Arts

Recent solo and major notable museum exhibitions include; «Enlightened Princesses; Caroline, Augusta, Charlotte and the Shaping of the Modern World», Yale Center for British Art, New Haven, Connecticut, USA tours to Kensington Palace, London, UK (2016 - 2017); «Paradise Beyond» Gemeentemuseum Helmond, Netherlands (2016); «Recreating the Pastoral», VISUAL Centre for Contemporary Art, Carlow, Ireland (2016); «End of Empire», Turner Contemporary, Margate, England (2016); «Wilderness into a Garden», Daegu Art Museum, Daegu, Korea (2015); «Pièces de Résistance», DHC / ART Foundation for Contemporary Art, Montréal, Québec (2015); «Cannonball Paradise», Herbert - Gerisch - Stiftung, Neumünster, Germany (2014); «Yinka Shonibare MBE: Egg Fight», Fondation Blachère, Apt, France (2014); «Yinka Shonibare MBE: Magic Ladders», The Barnes Foundation, Philadelphia, Pennsylvania, USA (2014); «Selected Works», Gdansk City Art Gallery, Gdansk, Poland; travelled to Wroclaw Contemporary Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (2011).

• Ed Paschke (1939 — 2004), neon - lit Chicago Pop artist Jeff Koons (b. 1955), world - famous sculptor of elevated banality and gleaming toys Prema Murthy (b. 1969), Net - conscious media artist Sarah Morris (b. 1967), brainy geometric abstractionist and appropriationist Jennifer Rubell (b. 1970), food artist extraordinaire Tony Matelli (b. 1971), hyperrealistic sculptor of flora and aggressive fauna • Edward Kienholz (1927 — 1994), Ferus gallery co-founder, iconic Los Angeles artist Jack Goldstein (1945 — 2003), Pictures Generation star and looper of films Ashley Bickerton (b. 1959), Neo-Geo artist of lurid island pop Mark Dion (b. 1961), naturalist conceptualist and arch-cataloguer • Vito Acconci (b. 1940), seminal father of transgressive»70s performance art Kathryn Bigelow (b. 1951), artist - turned - «Hurt Locker» director Ken Feingold (b. 1952), conceptualist sculptor of heads Robert Longo (b. 1953), wizard of charcoal and graphite, disturber of «Men in Cities» Mark Innerst (b. 1957), engineering - slanted landscape painter Brock Enright (b. 1976), postmodern pop - culture investigator David Salle (b. 1952), brainy Neo-Expressionist descendent of Picabia Annette Lemieux, lecturer of visual and environmental studies at Harvard Michele Zalopany, pastel Postmodernist • Dan Graham (b. 1942), sculptor of reflective / transparent psychological architecture R.H. Quaytman (b. 1961), literary - minded process painter of high intellectual wattage Cameron Rowland (b. 1988), conceptual found - object sculptor • Julian Schnabel (b. 1951), Neo-Expressionist godhead and Hollywood filmmaker Bill Saylor, sketchy maximalist and Harmony Korine collaborator Greg Bogin (b. 1965), post-Net minimalist

Working Artist Project recipient Xie Coamin's exhibition Samsāra, currently on display at the Museum of Contemporary Art of Georgia, combines the Buddhist mandala with the imagery of the World Trade Center in an abstracted composition that evokes the visual culture of his Chinese background alongside the documentation of United States history.

Made of paint as well as non-fine art materials, Dowell's highly personalized compositions are testaments to his extraordinary eye for the motifs, geometries, and patterns of the world's vast visual culture.

-- 10.05.2015 5th floor, Gallery of Contemporary Art The exhibition focuses on macabre topics and their relations to the world of beauty and glamour in the art and visual culture in the 1990s.

This spring, Ballroom Marfa will collaborate with curator Dan Cameron on The World According to New Orleans, a curatorial examination of the art and visual culture of New Orleans, with a particular focus on areas of overlap between self - taught and avant - garde tendencies.

Using drawing, installation, and found objects, Pruitt interrogates contemporary visual culture, its representations of race and gender, and the New York art world.

Taking its cue from Ways of Seeing, John Berger's 1972 critical text on visual culture, this exhibition explores the various formalistic strategies that artists employ to re-configure our perception of the world.

Cult of the Machine examines American culture from the 1910s to the Second World War and reveals how the American love affair with new technology and mechanization shaped architecture, design, and the visual culture of the United States.

Her seminal book Atlas of Emotion: Journeys in Art, Architecture, and Film (Verso, 2002) won the 2004 Kraszna - Krausz Book Award in Culture and History — a prize awarded to «the world's best book on the moving image» — and has provided new directions for visual studies.

Chapter 1: Things Must be Pulverized: Abstract Expressionism Charts the move from figurative to abstract painting as the dominant style of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymans

Vanessa has participated in exhibitions and events related to the visual arts such as «Art Lima 2014» at The Army School of Lima (Peru), «Sony World Photography Awards 2013» as part of the Month of Art, at House of Culture in Bratislava, «Lima Photo 2013» at the Image Centre in Lima (Peru), «Sony World Photography Awards 2013» at Somerset House in London and «Cafe Dossier» at La Tabacalera in Madrid, among others.

Journeys to New Worlds offers compelling evidence of the new visual culture created by the global empires of these two nations in the seventeenth and eighteenth centuries.

The group is comprised of art collectors from around the world who share a commitment to the museum's mission, which includes acquiring and preserving a collection that reflects the most important aesthetic achievements of 20th - and 21st - century visual culture.

Fonds voor Beelende Kunsten Vormgeving En Bouwkunst (Fonds BKVB)(The Netherlands Foundation for Visual Arts, Design and Architecture) With their International Studio Program, the Fonds BKVB seeks to offer the opportunity to gain fresh or revived inspiration, to improve artists» career prospects by linking up with international and local networks, to gain knowledge of other (urban) cultures, a «time out», reflection on one's own work, on one's own career and on developments in the (international and Dutch) art world.

Ed Ruscha, Andy Warhol and James Rosenquist all shared a background in the commercial art world, trained in the visual vocabulary and immediacy of mass culture.

15.20 Between the Arab world and South Asia: Culture, Mobility and Society, Iftikhar Dadi, Associate Professor, Cornell University, Department of History of Art and Visual Studies

Rest of the world: 140 Caracteres at MAM, São Paulo; New Abstraction: Chapter 1, at Hadrien de Montferrand, Beijing Books: The Ringtone Dialectic, by Sumanth Gopinath; Unposted Letters, by Franciska Themerson & Stephan Themerson; Visual Cultures as Seriousness, by Gavin Butt and Irit Rogoff; A Philosophy of Walking, by Frédéric Gros.

Similarly, the story of truth and lies hides behind one of the most recognizable logos in the world, the Woolmark logo, and its creator, Franco Grignani, an Italian artist who transformed the visual culture of his country and the whole world, without being transformed himself in the process.

California enjoys the reputation of being a trend leader in high tech and pop culture, but about its contributions to the visual arts, it remains on the defensive, unable to persuade the larger world of its centrality.

2012 LA Raw: Abject Expressionism in Los Angeles, 1945 - 1980: From Rico Lebrun to Paul McCarthy, Pasadena Museum of California Art, Pasadena, CA African American Art Since 1950: Perspectives from The David C. Driskell Center, organized by Smithsonian Institute of Traveling Exhibition Services (SITES), The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD; Susquehanna Art Museum, Harrisburg, PA; Polk Museum of Art, Lakeland, FL; Figge Art Museum, Davenport, IA; The Harvey B. Gantt Center for African - American Arts + Culture, Charlotte, NC; Taft Museum of Art, Cincinnati, OH Breaking in Two: Provocative Visions of Motherhood, Santa Monica Art Center, Santa Monica, CA Against the Grain: Wood in Contemporary Art, Craft and Design, Museum of Arts and Design, New York, NY; Mint Museum of Art, Charlotte, NC; Museum of Art in Fort Lauderdale, FL Successions: Prints by African American Artists from the Jean & Robert Steele Collection, David C. Driskell Center at the University of Maryland, College Park, MD Regarding Warhol: Fifty Artists, Fifty Years, The Metropolitan Museum of Art New York, NY From Nothing to SOMEthing: Assemblage, Collage and Sculpture, Tobey C. Moss Gallery, Los Angeles, CA To be a Lady: Forty - five Women in the Arts, 1285 Avenue of the Americas Art Gallery, New York, NY Full Spectrum: Prints from the Brandywine Workshop, Philadelphia Museum of Art, Philadelphia, PA African American Art Since 1950: Perspectives from the David C. Driskell Center, David C. Driskell Center at the University of Maryland, College Park, MD African American Visions: Selections from the Samella Lewis Collection, Ruth Chandler Williamson Gallery, Scripps College, Claremont, CA Baila Con Duende: Group Art Exhibition, Watts Towers Art Center, Watts, CA We the People, Robert Rauschenberg Project Space, New York, NY The Female Gaze: Women Artists Making Their World, Pennsylvania Academy of the Fine Arts, Philadelphia, PA INsite / INchelsea: The Inaugural Exhibition, Michael Rosenfeld Gallery LLC, New York, NY

His books include White Lies: Race and the Myths of Whiteness (Farrar, Straus and Giroux, 1999), a finalist for Horace Mann Bond Book Award of the W.E.B. Du Bois Institute for Afro - American Research, Harvard University, and For All the World to See: Visual Culture and the Struggle for Civil Rights (Yale, 2010).

The artists included in Cities of Conviction use visual language to explore the pertinent cultural issues facing Saudi Arabia and its citizens, which are in parallel with those facing artists from Utah and, in a world becoming ever more global, the artists also address the dilution of specific elements of culture.

Addressing the proliferation of photographic portrait industries in the Arab world, the exhibition not only raises questions about portrait photography in the Middle East, but also about portraiture, photography, and visual culture in general.

It allows art goers to expand their knowledge and gain access to some of the best art in the world, teaching us about our human history and culture through the visual world.

Kalm notes that the exhibition «presents a rare opportunity for lovers of painting to witness what the World's most prestigious institution of visual culture considers significant.

In Six Yards Guaranteed Dutch Design, Dutch textile brand Vlisco portrays how they became a part of various West African cultures and entered the worlds of fashion, visual arts and photography.

Chicago School: Imagists in Context explores the distinctive artistic style that began to emerge in Chicago after World War II and which dominated the visual culture of the city for many decades.

Drawing on a wealth of concepts and subjects from the atomic and the cosmic, geometry and optics, to time, rotation and visual perception, Seeing Round Corners will also include a selection of objects and images from world cultures, religions and history such as scientific instruments, technological images and works from spiritual and mystical traditions.

In her distinguished career the painter Ellen Lanyon has explored a range of visual imagery, from the exotic manifestations of the natural world to material culture: objects such as antique tools or kitchen equipment, somehow bridging the distance between categories through evocative titles and scrupulous examination of form.

Our mission, «to preserve, exhibit, interpret and increase public awareness about the contributions that visual artists of African descent have made to world culture» is the underpinning of the of the institution's ongoing work.

2007 Giuliana Bruno, Public Intimacy: Architecture and the Visual Arts (MIT) Sarah Phillips Casteel, Second Arrivals: Landscape and Belonging in Contemporary Writing of the Americas (New World Studies)(University of Virginia Press) David Marriott, «Black Narcissus: Isaac Julien», Haunted Life: Visual Culture and Black Modernity (Rutgers University Press) Greg Thomas, «Isaac Julien: «Darker Sides» and «Snow Queens.»»

M + Stories is the new online storytelling platform of M +, where you can discover more about the new museum being built in Hong Kong and contemporary visual culture from Hong Kong and from around the world

This course is an exploration of global visual arts and theory since World War II to the present with a focus on Western culture.

He will curate the 2012 Taipei Biennial, and take the post as the head of visual art and film department of House of World Cultures Berlin from January, 2013.

The ROM is the largest field research institution in the country, and a world leader in research areas from biodiversity, palaeontology, and earth sciences to archaeology, ethnology and visual culture - originating new information towards a global understanding of historical and modern change in culture and environment.

How distant is Joffe's visual culture from the world of John Singer Sargent, whose Henry James (1913) is on display?

More than that, artists exploring identity have done much to displace the role of the individual: far from confirming narcissism, the idea that identities are culturally constructed, relative and discursive, would seem to have much more to do with them looking at the broader world of visual culture.

The mysterious art of alchemy transformed visual culture from antiquity to the Industrial Age, and its legacy still permeates the world we make today.