Sentences with phrase «visual culture of a people»

In her «Mimbres» series of paintings, the artist explores the visual culture of a people that lived in the American Southwest in the eleventh century through cracked monochromes.

Not exact matches

Fundamentalism uses the culture, rituals, sacraments, texts, language, and metaphors and allusions and symbols (verbal, visual, musical, etc.) of religion in blind adherence to a dogma as defined and interpreted by a person or group who is self - aggregating and self - justifying raw personal power for the sole purpose of controlling the lives of others.

Greek culture and language, the cultivation of the body, sex and family mores at odds with the traditions of Yahwism - Judaism, fascination with the visual arts — all of this Hellenistic world pressed in upon Judaism and Jerusalem and even infiltrated in the persons of regularly visiting Jews from communities outside Palestine.

Christians flew under the radar, staying under the surface until the end of the second century, when they emerged as people with a visual and a literary culture.

As Joseph Epstein recently observed, after Andy Warhol, serious people no longer need pay attention to it: «Contemporary visual art, perhaps for the first time in the history of painting and sculpture, is one of those things a cultured person no longer has to know.»

The visuals are amazing and being a person to whom world music and cultures is of utmost importance this was a DVD right up my alley.

Passed at a recent international conference, held by St Dunstan's and the European Blind Union and presented to the European Commission and European Disability Forum in Brussels, the Resolution urges national governments to promote the full participation of people with a visual impairment in all aspects of art and culture.

Take Magazine features in - depth stories of people in New England who are making culture happen in the fields of visual art, music, design, literature, film, dance, food, fashion, and theater as well as the timely information you will need to plan your cultural consumption throughout New England.

Sure, other MCU films have taken advantage of changes in setting to spice up the visual side of things (to a point), but at the end of the day, there's still white people at the forefront of these movies and white culture is the dominant motif everywhere you look.

For a person to be literate in the 21st century, he or she must master symbol systems — the visual, electronic, and digital forms of expression so overwhelmingly present in today's culture.

«With this deal the iconic publications of PEOPLE, InStyle, TIME and FORTUNE will bring the important stories, amazing visuals, analytical pieces and pop culture trends of the day to the millions of people on FlipPEOPLE, InStyle, TIME and FORTUNE will bring the important stories, amazing visuals, analytical pieces and pop culture trends of the day to the millions of people on Flippeople on Flipboard.

Take Magazine features in - depth stories of people in New England who are making culture happen in the fields of visual art, music, design, literature, film, dance, food, fashion, and theater as well as the timely information you will need to plan your cultural consumption throughout New England.

Visual literacy is every bit as important, and if our culture and school systems placed more emphasis on learning about art, people would grow up with more of a museum habit.

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

By juxtaposing contemporary color images of ice cream next to historical photographs of people enjoying it, the exhibition examines the visual and social culture of ice cream, the role it plays in society and the playfulness of the human experience.

St. John's found imagery elevates the overused people and symbols in contemporary visual culture and reflects on the hierarchy of images.

The Art of Georgia: Celebrating Georgia's Landscape and People Call for artists to submit two - dimensional visual art exploring the theme of Georgia's culture, heritage, and environment.

In terms of visual culture, most people associate the political movements of 1968 with the Situationist International's activities — particularly its production of pamphlets, agitprop banners, and other printed matter — in France.

In 2015, at New York Museum of Modern Art Erizku represented his «visual manifesto», a film named Serendipity in which he uses a sledgehammer to break the bust of David, replacing it with the one of Egyptian queen Nefertiti as an expression of the idea that the American culture doesn't value enough the work of black people.

I soon realized I wanted to tell my story through this visual form and connect to the old ritual of mask making found in my blood and cultures of the Yup» ik and Inupiaq peoples.»

[39] Ellen Johnston Liang, «The People's Republic of China and the 1930s Advertisement Calender Poster Artists,» paper presented at the symposium, «On Contemporary Chinese Visual Culture,» University of Westminster, 6 February 2004, convened by Dr Katie Hill.

The art is a mix of visual observations, her interactions with the people and cultures she encounter there combined with memories of times unrelated to her recent travels, she said.

The Visual AIDS Vanguard Awards (VAVA) recognize the achievements and contributions of people who reinforce the culture, history, and mission of Visual AIDS as embodied by arts patrons, arts workers and especially artists themselves.

Portraying a wide range of common female social roles or personas, she investigates the mysterious processes through which a person's visual identity is shaped and represented in popular culture.

2012 LA Raw: Abject Expressionism in Los Angeles, 1945 - 1980: From Rico Lebrun to Paul McCarthy, Pasadena Museum of California Art, Pasadena, CA African American Art Since 1950: Perspectives from The David C. Driskell Center, organized by Smithsonian Institute of Traveling Exhibition Services (SITES), The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD; Susquehanna Art Museum, Harrisburg, PA; Polk Museum of Art, Lakeland, FL; Figge Art Museum, Davenport, IA; The Harvey B. Gantt Center for African - American Arts + Culture, Charlotte, NC; Taft Museum of Art, Cincinnati, OH Breaking in Two: Provocative Visions of Motherhood, Santa Monica Art Center, Santa Monica, CA Against the Grain: Wood in Contemporary Art, Craft and Design, Museum of Arts and Design, New York, NY; Mint Museum of Art, Charlotte, NC; Museum of Art in Fort Lauderdale, FL Successions: Prints by African American Artists from the Jean & Robert Steele Collection, David C. Driskell Center at the University of Maryland, College Park, MD Regarding Warhol: Fifty Artists, Fifty Years, The Metropolitan Museum of Art New York, NY From Nothing to SOMEthing: Assemblage, Collage and Sculpture, Tobey C. Moss Gallery, Los Angeles, CA To be a Lady: Forty - five Women in the Arts, 1285 Avenue of the Americas Art Gallery, New York, NY Full Spectrum: Prints from the Brandywine Workshop, Philadelphia Museum of Art, Philadelphia, PA African American Art Since 1950: Perspectives from the David C. Driskell Center, David C. Driskell Center at the University of Maryland, College Park, MD African American Visions: Selections from the Samella Lewis Collection, Ruth Chandler Williamson Gallery, Scripps College, Claremont, CA Baila Con Duende: Group Art Exhibition, Watts Towers Art Center, Watts, CA We the People, Robert Rauschenberg Project Space, New York, NY The Female Gaze: Women Artists Making Their World, Pennsylvania Academy of the Fine Arts, Philadelphia, PA INsite / INchelsea: The Inaugural Exhibition, Michael Rosenfeld Gallery LLC, New York, NY

But how are we to interact with this exhibition of still visuals differently in person now, as a culture immersed in the moving image of advertisements (iPhone apps, Tumblr, Instagram, etc.)?

During this period African American writers, performing artists, and visual artists made black culture and the political struggles of black peoples worldwide their raison d'être.

All of these artists are queer people of color, each dealing by degrees with the problems of identification and presentation of othered people via the dominant conventions of visual culture.

Pop Art brought art back to the material realities of everyday life, to popular culture (hence «pop»), in which ordinary people derived most of their visual pleasure from television, magazines, or comics.

Varejão will include works from her two most recent series: Kindred Spirits, 29 portraits of the artist donning the face painting and body ornamentation of Native American tribes intermixed with markings derived from artworks by Minimalist and contemporary American artists, and the Mimbres paintings, which reference the visual culture of the Mimbres people who inhabited the American Southwest in the 11th century.

/ awards 2015 - 18 Australian Postgraduate Award 2014 Highly Commended award for city constructed from sleeping brain activity data, Fremantle Arts Centre Print Award, Perth 2014 Visual Arts New Work Grant, Australia Council (as Té with Andrew Brooks) 2013 Best Design for Wintering by Aimee Smith, Western Australian Dance Awards (video design, in collaboration with Ben Taaffe and Craig McElhinney) 2013 Young People and the Arts Fellowship, WA Department of Culture and the Arts 2013 Australia Council Artstart Grant 2013 WA Screen Awards, Outstanding Achievement Award: Best Interactive Narrative for Sound Chamber (with Yvette Coyne and Malcolm Riddoch) 2012 JUMP Mentorship Grant, to study with audio - visual artist Robin Fox 2010 Decibel Commission, to compose the audio - visual work Split Mirror Planes, performed at Decibel's Camera Obscura CVisual Arts New Work Grant, Australia Council (as Té with Andrew Brooks) 2013 Best Design for Wintering by Aimee Smith, Western Australian Dance Awards (video design, in collaboration with Ben Taaffe and Craig McElhinney) 2013 Young People and the Arts Fellowship, WA Department of Culture and the Arts 2013 Australia Council Artstart Grant 2013 WA Screen Awards, Outstanding Achievement Award: Best Interactive Narrative for Sound Chamber (with Yvette Coyne and Malcolm Riddoch) 2012 JUMP Mentorship Grant, to study with audio - visual artist Robin Fox 2010 Decibel Commission, to compose the audio - visual work Split Mirror Planes, performed at Decibel's Camera Obscura Cvisual artist Robin Fox 2010 Decibel Commission, to compose the audio - visual work Split Mirror Planes, performed at Decibel's Camera Obscura Cvisual work Split Mirror Planes, performed at Decibel's Camera Obscura Concert

Cao's art bridges into visual arts with the use of popular culture and shifts through different subcultures and phenomenon to create the surreal landscapes that she is most known for — actors incased in Burberry behaving like dogs reenact a hysteric day in the office, ordinary people dancing to hip - hop on the street, people dressed in Chinese shopping bags and a stage production incorporating Guangzhou's street youths are just a few examples of using the city's everyday life to analyze and render the current social situation where traditions and new influences are constantly in conflict.

Take Magazine features in - depth stories of people in New England who are making culture happen in the fields of visual art, music, design, literature, film, dance, food, fashion, and theater as well as the timely information you will need to plan your cultural consumption throughout New England.

In addition to looking at youth citizenship and social justice, The Sociology of Childhood and Youth in Canada also includes chapters on a range of topics, from ethnography and creative visual methods in research with children, to representations of race and gender in children's books, to how young people engage with consumer culture, to settler colonialism and Indigenous children in Canada.

Indigenous peoples have the right to maintain, control, protect and develop their cultural heritage, traditional knowledge and traditional cultural expressions, as well as the manifestations of their sciences, technologies and cultures, including human and genetic resources, seeds, medicines, knowledge of the properties of fauna and flora, oral traditions, literatures, designs, sports and traditional games and visual and performing arts.