Sentences with phrase «visual documentation of»

Visual documentation of classroom activities assists in evaluation of classroom setup and learning activities

This artist book is published in conjunction with Peter Doig's 2002 solo exhibition at Victoria Miro Gallery and offers an alternative visual documentation of the exhibition, represented by twenty - three photographs...

Released Sept. 18, «Separate Cinema: The First 100 Years of Black Poster Art» offers a visual documentation of Black film history via graphic advertisements drawn from The Separate Cinema Archive, a private collection of Black film memorabilia described as containing more than 35,000 movie posters, lobby cards and photographs.

Besides gathering visual documentation of LeWitt's wall drawings and his sculptures - or «structures» as he preferred - the publication also includes his complete writings; spreads from his artist's books; plus interviews and essays by virtually every artist and author closely associated with LeWitt, among them Lucy Lippard, Rosalind Krauss, Mel Bochner, Dan Graham and Robert Smithson.

She aggregated the surfaces of the clock faces with doodles, calculations, diagrams, lists, notes to self and other anxious scribblings, combined with the residue of her consumption of food and drink, as a visual documentation of her daily activities of life and art.

The book will contain detailed visual documentation of Fernández» last decade of work, including the new installation commissioned by the Institute for CAM's West Gallery.

As the inaugural show of the OF (F) Africa series, this exhibition will contribute to the visual documentation of contemporary Africa and its transformations in the context of intra-African and global developments.

This artist book is published in conjunction with Peter Doig's 2002 solo exhibition at Victoria Miro Gallery and offers an alternative visual documentation of the exhibition, represented by twenty - three photographs of the new paintings taken by the artist in his studio.

Previously taking the form of an exhibition and artist presentations at SMBA and a panel discussion hosted by the Stedelijk Museum's Public Program, it now finds it result in this publication that brings together various texts by the participating artists, visual documentation of their works and adaptions of the discussions that took place.

They work with a professional photographer to gain optimum visual documentation of their work.

Many of these works of art are nothing more than the visual documentation of the artists» momentary interaction with their chosen medium.

Her photographs should provide a spurious curatorial statement in the form of visual documentation of Posse II's larger murals.

Through an alchemic combination of imagery, the work aims to be a visual documentation of suppression and creation, life and death.

It's a yearly visual documentation of life here at the University of Pennsylvania and Penn Medicine that we've documented on this blog twice before (here and here), and, as someone who considered photography a fun hobby even before getting hired here, I think it's one of the most entertaining things we do all year.

It's a yearly visual documentation of life here at...

David is «thrilled to be part of the project» and to help with any aspect of breeding, training or visual documentation of future passenger pigeon restoration efforts.

Not exact matches

The photographer introduced the ideas of visual investigation, observation, and documentation as way to help students think about and address ecological concerns.

Essential Job Functions - eLearning • Produce dynamic, technology - enabled learning in eLearning, mobile and virtual delivery formats • Act in coordination with L&D consultants, business leaders and other managers and staff to identify eLearning needs, then match them with innovative self - paced and blended learning design solutions • Curate the best eLearning content to match requirements set by L&D learning consultants • Consult with members of the L&D Team and business leaders to deliver high - quality eLearning experiences that are instructionally sound, creative, visual and engaging through consultative design • Create and maintain tools for helping L&D team and business leaders to implement e-learning design projects in a consistent way • Stay up - to - date on eLearning techniques, gaming technology and e-learning technology in order to curate and develop innovative «PlayStation quality» learning experiences for employees • Effectively outsource eLearning development, when needed, or use multiple development tools to design, create and deliver in - house developed, self - paced (or blended) eLearning content (using tools like Articulate, Storyline, Captivate, Brainshark, etc.) • Ensure learning content adheres to specifications for mobile, virtual and desktop learning as well as brand guidelines and industry best practices, where appropriate • Work with learning consultants, instructional designers and business leaders where appropriate to create user instructions, FAQs, and other documentation that support effective use of the LMS.

We prefer the documentation of our painting processes over the depiction of visual things.»

With lavish, full - color documentation, this publication offers a complete visual and critical account of de Kooning's artistic career.

Abstraction, New Observations, June 1984, No. 24 1984 Is Abstract Painting Regaining its Popularity by Victoria Donohoe, Philadelphia Inquirer, September 14, 1984 1983 Ted Stamm by Sanford Kwinter, Art In America, January 1983, pp. 121-122 1983 Ted Stamm by Stephen Westfall, Arts Magazine, January 1983, p. 3 1983 Ted Stamm at the Far Turn by William Zimmer, Re-Dact 1 by Peter Frank, Published by Willis Locker and Owens, ISBN 093027900X 1982 Ted Stamm, Art Economist, Volume II, No. 14, December 31, 1982, p. 5 1982 Drawing Invitational 1981 by Geynne Vernet, Arts Magazine, February 1982 1982 Two Unprovincial Shows at the Jersey City Museum by Vivien Raynor, The New York Times, New Jersey supplement, October 10, 1982, p. 28 1981 Ted Stamm by Valentine Tatransky, Arts Magazine, February 1981, pp. 35 - 36 1981 Surely Temple Black by William Zimmer, SoHo Weekly News, February 18, 1981, p. 49 1981 Abstraction with a Relaxed Air by David L. Shirey, The New York Times, March 1, 1981, p. 19 1981 Ted Stamm by Tiffany Bell, Arts Magazine, May 1981, p. 8 1981 From the General to the Particular: Some Thoughts on Abstract Painting by Tiffany Bell, Arts Magazine, June 1981, pp. 120-124 1980 Tre Amerikaner i Skaane by by Sune Nordgren, Dagens Nyheter (Stockholm), May 5, 1980 1980 Pool Documentation by Kay Larson, Village Voice, June 2, 1980, p. 85 1980 Jane Highstein and Sensibility Minimalism: A Tissue of Happenstance by Robert Pincus - Witten, Arts Magazine, October 1980 p. 140 1980 La Nouvelle Vogue New Yorkaise est Portee Para La Musie Rock by Daniel Cornu, Tribune De Geneve, December 1980 School's Out by William Zimmer, The SoHo Weekly News, June 11, 1980, p. 61 1980 Old Wine, New Bottles, Bad Year by John Perreault, The SoHo Weekly News, June 18, 1980 1979 Ted Stamm by December Kur, Handelsblatt (Dusseldorf), March 3,1979, p. 21 1979 Entries: Styles of Artists and Critics by Robert Pincus - Witten, Arts Magazine, November 1979, pp. 127 - 28 1979 Where is New York by Peter Frank, ARTnews, November 1979, pp. 59 - 65 1978 Ted Stamm by Tiffany Bell, Arts Magazine, February 1978, pp. 33 - 34 1978 Ted Stamm by Edit De Ak, Artforum, February 1978, pp. 63 - 64 1978 Artful Dodger by Gerald Marzorati, SoHo Weekly News, May 18, 1978, 10 1978 Pittori di New York by Riccardo Guarneri, Visual, April - May 1978, No. 2 - 3, pp. 40 - 43 1978 Ted Stamm at Hal Bromm Gallery by Peter Frank, Village Voice, December 19, 1977, pp. 93, 98 1977 Arts and Leisure Guide by Ann Barry, New York Times, November 27, 1977 1977 Voice Choices by Ali Anderson, Village Voice, December 12, 1977, p. 59 1977 New Museum at the New School by Peter Frank, Village Voice, December 19, 1977, p. 98 1976 Ted Stamm by Barbara Catoir, Das Kunstwerk, January 1976, p. 64 1976 Alternative Arts Spaces: One to one politics for the avant - garde by Stephen Reichard, New York Downtown Manhattan, Akademie Der Kunste - Berliner Festwochen, September 1976, p. 249 1975 Reviews by Susan Heineman, Artforum, March 1975, pp. 62 - 63 1975 Artists Space by Trudie Grace, Art Journal, Summer 1975, XXXIV / 4, pp. 323 - 326.

About the Andy Warhol Foundation for the Visual Arts The primary focus of the Foundation's grant making activity has been to support the creation, presentation and documentation of contemporary visual art, particularly work that is experimental, under - recognized, or challenging in nVisual Arts The primary focus of the Foundation's grant making activity has been to support the creation, presentation and documentation of contemporary visual art, particularly work that is experimental, under - recognized, or challenging in nvisual art, particularly work that is experimental, under - recognized, or challenging in nature.

Working Artist Project recipient Xie Coamin's exhibition Samsāra, currently on display at the Museum of Contemporary Art of Georgia, combines the Buddhist mandala with the imagery of the World Trade Center in an abstracted composition that evokes the visual culture of his Chinese background alongside the documentation of United States history.

From 2005 to 2012 he was director of the non-profit organisation Viafarini and curator at DOCVA Documentation Centre for Visual Arts, Milan.

Performa: New Visual Art Performance presents an authoritative introduction to the genre, many forms including radio broadcast, dance, live installation, new technologies, film and video, music, historic reconstructions and lecture - as - performance, and provides a vivid tour through the world of contemporary performance, featuring inventive documentation of works by some of the most significant artists of our time, including Jesper Just, Francis Alys, Christian Marclay, Laurie Simmons, Tamy Ben - Tor, Melik Ohanian, Michael Smith, Christian Holstad, and Gelitin.

And there is not much visual record of it, as far as I know; those directly involved seem not to have produced any photographic documentation.

In addition to the documentation of our programs and press writing, our forthcoming annual publication will include a variety of thoughts and visual presentations inspired by our programs as integral parts of its collaborative outcome between artists, organizers, and audience.

The Judd Foundation Archives contains rich visual and textual documentation of Donald Judd's life and work.

Byrne is precise in his research and analysis of the relationship between time, documentation and an identifiable visual language, and while each of his distinct bodies of work is conceived independently, they resonate together as being made in relation to a specific, but malleable historical referent.

Called The Watercolour World, the initiative aims to create a visual history of the world from the era before photography became the standard medium of documentation.

Barbara Cleveland's projects are shaped by queer and feminist methodologies, as well as drawing on the histories of visual arts — with a particular emphasis on performance and its relationship to documentation and memory.

In this series, the Foundation will share visual and textual documentation of Donald Judd's life and work contained within the Archives as a tool to understand the diverse range of his thinking.

A half century after these events and their documentation, it is clear that these photographs are not only a part of our nation's visual memory, but also of the whole world.

The Judd Foundation Archives contains rich visual and textual documentation of Judd's life and work.

Painting does not qualify as an additive technique because that which is covered up is no longer accessible as part of the visual experience and because painting remains 2 - D in spite of adding paint layers so that painting is not a qualified documentation of scientific realities.

Care of and Viafarini runs the DOCVA Documentation Center for Visual Arts: the Artists Archive collects documentation of works by Italian artists (www.portfolioonline.it); Italian Area is published online (www.italianarea.it); the Library can be consulted at www.bibliobit.it; the data bank ArtBox (www.bancadatiartbox.it) contains information regarding oDocumentation Center for Visual Arts: the Artists Archive collects documentation of works by Italian artists (www.portfolioonline.it); Italian Area is published online (www.italianarea.it); the Library can be consulted at www.bibliobit.it; the data bank ArtBox (www.bancadatiartbox.it) contains information regarding odocumentation of works by Italian artists (www.portfolioonline.it); Italian Area is published online (www.italianarea.it); the Library can be consulted at www.bibliobit.it; the data bank ArtBox (www.bancadatiartbox.it) contains information regarding opportunities.

Projected video documentation of several interactions dominates the far gallery wall, and captures the visuals behind the sound, noise, and music from collaborations along the way.

Since the late 60s, Bruscky has committed to an experimental approach which has combined his own performance and radical public interventions, with conceptual strategies of documentation and communication through collage, sculpture, artist books, «poetic objects», classified and mail artworks, visual music and poetry.

In the process of visual documentation, the original functional properties of the objects are replaced by their visual properties, so that they gradually devolve (or rise) to the level of basic geometric outlines that the artist has randomly drawn into the image to form parts of unique abstract paintings.

The work not only acts as a valuable piece of visual data, uncovering the importance of technology for documentation, but also explores how design can unify a variety of people.

They are at once compelling as visual compositions and chilling as photographic documentation of activities that are otherwise based on speculation.

Located in the VEGA complex in the Venice mainland, the ASAC offers services of documentation, research and experimentation in the field of contemporary arts: visual arts, architecture, cinema, music, dance, and theatre.

The recordings would add an aural dimension to accompany the visual one (photography) and thereby offer a complete documentation of his on - going work.

Instead of using the medium for visual documentation, DeCarava created fine art photographs.

John Liebenberg As a freelance photographer John Liebenberg is perhaps best known for his documentation of the Namibian War of Independence, largely considered the most significant visual record of the conflict.

Seen through the lens of the history of performance documentation, Sehgal's work reveals that we have become so used to the idea that performance documentation is visual in nature — and consequently neglect «the presentational qualities of writing» (Reason, Documentation, 183)-- that we blithely consider a work to be undocumented because there are no pictures of it even when there are copious written documentation, Sehgal's work reveals that we have become so used to the idea that performance documentation is visual in nature — and consequently neglect «the presentational qualities of writing» (Reason, Documentation, 183)-- that we blithely consider a work to be undocumented because there are no pictures of it even when there are copious written documentation is visual in nature — and consequently neglect «the presentational qualities of writing» (Reason, Documentation, 183)-- that we blithely consider a work to be undocumented because there are no pictures of it even when there are copious written Documentation, 183)-- that we blithely consider a work to be undocumented because there are no pictures of it even when there are copious written descriptions.

This work adds to current debate involving the recording and documentation of performance and live event in the arts, exploring slow capture in an age of acceleration at the intersection between visual arts practice and physical geography, to investigate image - making as a form of material transformation and transportation.»

As the culmination of Mobile Arts Platform (Chris Treggiari and Peter Foucault) and Victoria Mara Heilweil's Studio Lab Residency, Pro Arts is proud to present Community Sourced, a multimedia installation of compiled visual artifacts and documentation from their ongoing video project of two Oakland neighborhoods: Santa Fe and Uptown.

While India's photographic history is disproportionately rich with documentation of the most privileged classes and castes, the subjects on which Singh chose to focus his lens were never a part of this formal visual history of India.

In the work in progress installations the displayed books, objects, performance documentation and visual materials from their recent artistic research related to the history of closed - systems experiments and the visualisation of systems thinking.