Sentences with phrase «visual effects categories»

It feels like the visual effects categories are a given, but perhaps Best Supporting Actor recognition for Jordan?

Speaking of «Blade Runner 2049,» the film bested «War for the Planet of the Apes» in the visual effects category, which could indeed be a harbinger.

Not exact matches

Believe it or not, for all of its remarkable CGI and motion - capture work, the latest «Planet of the Apes» trilogy has never won an Oscar in the visual - effects category.

Gravity special effects supervisor Neil Corbould, has been nominated for an Academy Award and a Bafta in the Best Visual Effects category this year — along with Tim Webber, Chris Lawrence and David Shirk.

The film also won in the categories for editing and cinematography, as well as special awards for its sound design and visual effects work.

What It Could Win: Harry Potter was always a staple in the technical categories — both parts of Deathly Hallows earned nominations for visual effects and art direction.

The nominations will begin with the categories cinematography, costume design, film editing, makeup and hairstyling, original score, production design, animated short film, live action short film, sound editing, sound mixing, and visual effects.

Other awards included writer Stephen Beresford and producer David Livingstone winning in the outstanding British debut category for Pride; Interstellar won best special visual effects; Ida won best film not in the English language; and Jack O'Connell won the EE rising star award.

Academy President Cheryl Boone Isaacs and actor John Krasinski («The Office») follow at 8:38 ET to reveal these categories: actor, actress, supporting actor, supporting actress, directing, editing, foreign language film, original score, picture, production design, visual effects, adapted screenplay and original screenplay.

Predictions for Sunday's ceremony continue with a look at editing, makeup, visual effects, cinematography, and more, including those tricky shorts categories.

Of course, based on the early buzz, it seems to have paid off, because even if the film doesn't dominate in the major award categories, it's sure to land a few technical awards for the stunning visuals and incredible animal effects.

The Academy of Motion Picture Arts and Sciences (AMPAS) announced a few changes in rules for the 2015 Academy Awards on Wednesday, beefing up the shortlists for the visual effects and documentary short categories.

Unless Star Wars muscles in, it has the visual effects, costumes and sound categories sewn up.

The «supporting visual effects» is always an interesting category.

From the costumes and production design to the cinematography to the film editing (done by End of Watch alum Roman Vasyanov), not to mention the score (from last year's category winner Steven Price), sound effects, and visual effects, it's all top notch.

In the latter category, we hear from director Reitman, actors Jones, Duchovny, Scott, and Julianne Moore, executive producer Tom Pollock, producer Daniel Goldberg, visual effects supervisor Phil Tippett, and art director of creature effects Pete Konig.

Actor Margot Robbie misses in her category, as do Cave and visual effects experts David Clayton and Tom Crosbie, but Animal Logic wins best animated feature

I would include Bradford Young, the DP of Mother of George, in this category, as well as the visual effects teams of The Hobbit: The Desolation of Smaug and Riddick.

Also picking up some gold were Dunkirk in the sound and editing categories; Phantom Thread for costumes; and Blade Runner 2049 for visual effects and cinematography (more on that below as well).

Winners for short film, animated feature and technical categories like sound, visual effects and cinematography were all men.

Lady Bird is fighting some Oscar history here, as movies without any nominations in the so - called «tech» categories (your cinematography, your production and costume design, your sound and visual effects and editing and makeup) hardly ever win.

Rise of the Planet of the Apes and Dawn of the Planet of the Apes both earned visual effects artists Daniel Barrett, Joe Letteri, and Dan Lemmon nominations in this category, and all three (along with Joel Whist) are nominated here for War for the Planet of the Apes, the ostensible final film in the rebooted Planet of the Apes series.

In thinking about him one can not remain within the limited and relatively simple categories of the evolution of visual form: one is forced to consider the spiritual character of the man, the problem of the effect upon talent of certain kinds of experience in the modern world, the problem of the relation between traditional forms of intellect and the creative impulse in this world — and other questions of an equally unmanageable sort.

This substantial publication, like its yearly predecessors, is accompanied by a DVD containing clips of top computer animation and visual effects, as well as a CD featuring cuts from selected works in the Digital Music category.